The Life and Times of Putin's Oligarch Kingmaker

“Why are so many Socialists anti-Semite?”

Boris Berezovsky

Will Keen as Vladimir Putin and Tom Hollander as Boris Berezovsky (Photo: Mark Brenner)

In a topical staging, the Almeida’s Rupert Goold directs Peter Morgan’s interesting play about the Russian oligarch who launched political opportunity for the man who is now waging war on the Ukraine.  Obviously in the name of patriotism. Morgan has specialised in plays about real people with The Audience and Frost/Nixon  as well as writing for television with The Crown.

We follow Boris Berezovsky (Tom Hollander) as a 9 year old schoolboy with exceptional mathematical talent working in the field of decision making.  He is taken on by academic mathematician Professor Perelman (Ronald Guttman) but chooses a career in business rather than mathematics. 

It is the 1990s and Russia is reaping the fruits of 1980s perestroika and glasnost, or rather, the Russian nouveaux riches or oligarchs are making money and gaining power.  We meet a security guard Alexander Litvinenko (Jamael Westman) a man of principle which Boris Berezovsky recognises and wants to work for him.  He also meets a man in the security service Vladimir Putin (Will Keen). Berezovsky tries to get Putin to accept a new car rather than his family’s very old Russian manufactured car. 

This is their conversation:

BB “Why will no-one take my fucking money?”

VP “What is a man without loyalty?”

BB ”Rich!”

Tom Hollander as Boris Berezovsky (Photo: Marc Brenner)

Berezovsky also deals with Roman Abramovich (a charming and handsome Luke Thallon) but his insistence on no paper trail for their business arrangement on the oil company profits will come back to bite Berezovsky in the bum.  Sibneft is bought by Abramovich with backing from Berezovsky. Berezovsky has bought the Russian television company ORT and this gives him control of the media.

There is plenty of humour in this otherwise serious play.  Some of the music, staging and lighting reminded me of the excitement of Goold’s production of Enron.  Putin accepts Berezovsky’s offer of introduction but complains that he wants to be in politics not security.  When Putin sees what he assumes to be a banqueting table, he is told, “It’s your desk, Sir.”  We have seen this “desk”, with its own social distancing, on the current news items about the war in Ukraine!

Will Keen as Vladimir Putin (Photo: Marc Brenner)

Berezovsky complains to Putin that he had kept Russia’s top businessmen waiting an hour to meet him at what used to be Josef Stalin’s dachau and then said he was too busy to meet them.  Amongst other things Berezovsky says, “I put you there.  I found you.  I endorsed you.”  Interesting that Putin should choose this location with its Stalinist associations. At this point I started to admire Putin for his stance in resisting a corrupt businessman. 

There is this powerful discussion where Tom Hollander really lets rip as he calls Putin “a contemptible rat!”   Berezovsky’s revenge is for his television network to tell the truth about the submarine Kursk tragedy.  This anti-Putin success is greeted by Indiana Jones type music of celebration.  “Get In!” shouts Berezovsky but of course Putin decides to take over the television company and Berezovsky has to flee Russia. Meanwhile Abramovic is given a remote province to govern, Chukotka Autonomous Okrug, near Alaska where all the visitors stay in Anchorage because the hotels are decent!  Whereas in this thriller Berezovsky is losing Putin’s allegiance, Abramovich’s star is on the up.  Berezovsky accuses Putin of having a policy of “statish authoritarianism and hatred of the West.” 

We know what happens to Litvinenko in London, see Lucy Prebble’s  Very Expensive Poison.  Berezovsky suggests that it is quite possible that the Chechen terrorist incidents in Moscow were not carried out by Chechens but by someone who wanted to discredit them. 

Jamael Westman as Alexander Litvinenko and Yolanda Kettle as Marina Litvinenko (Photo: Marc Brenner)

I suppose the thing about patriotism is that it is open to individual interpretation whereas loyalty to individuals is not.  Who loves Russia more?  Putin or Bereskovsky? Is loyalty to Putin the same as patriotism?  Who loved Russia best?  

The performances are sterling.  Tom Hollander’s powerhouse as witty and determined Berezovsky, Will Keen’s darkly and quietly authoritative and authoritarian Putin and Jamael Westman conveying Litvinenko’s true integrity.  Luke Thallon is also one to watch with his portrayal of Abramovich’s charismatic but steely self interested character. 

Miriam Buether’s Soviet style set has a huge table and smoke and mirrors behind mid rear curtains and Jack Knowles’s lighting adds atmosphere with rowdy scenes lit red. 

Brilliant directing from Rupert Goold.  Would he take the National if offered it?  Would he want it with its debts?  But please go and see Patriots.  I am giving it the rare accolade of five stars from the theatre site that doesn’t do stars. 

Jamael Westman as Alexander Litvinenko and Tom Hollander as Boris Brezovsky (Photo: Marc Brenner)
Luke Thallon as Roman Abramovich (Photo: Marc Brenner)

Production Notes


Written by Peter Morgan

Directed by Rupert Goold



Tom Hollander

Will Keen

Jamael Westman

Yolanda Kettle

Luke Thallon


Jessica Temple

Matt Concannon

Paul Kynman

Sean Kingsley

Stephen Fewell

Ronald Guttman

Aoife Hinds


Director: Rupert Goold

Designer: Miriam Buether

Lighting Designer:  Jack Knowles

Co-Costume Designers:  Deborah Andrews and Miriam Buether

Sound Designer and Composer: Adam Cork

Movement Director: Polly Bennett


Running Time: Two hours 40 minutes with an interval

Booking until 20th August 2022 



Almeida Theatre 

Almeida Street

London N1 1TA

Phone: 020 7359 4404


Tube: The Angel

Reviewed by Lizzie Loveridge 

at the Almeida

at the evening performance 

on 13th July 2022