Self Immolating Sixties

“I, am going to dropout, after I graduate.”

Anson

Rebecca Lucy Taylor as Maggie. (Photo: Helen Murray)

It is sometimes said a play is in two halves.  This is certainly true of this revival of Teeth ‘n’ Smiles,  David Hare’s 50 year old play written in 1975,  six years after it was set. The first act takes place mainly in the marquee of the Cambridge University May Ball in 1969, but not the second as the marquee was burnt down in the first Act.

The play centres on the heavy rock band The Skins. fronted by the excellent Rebecca Lucy Taylor, AKA Self Esteem as Maggie Frisby. This is, in part, a period piece. In 1969 the 60s were drawing to a close; drugs like Acid (LSD) were out of favour due to casualties like Syd Barrett, lead vocalist and composer of Pink Floyd. Punk was yet to come and music usually was from heavy rock bands, with the amplifiers turned up to 11 and singers shouting garbled phrases, as the ultimate truths.

Noah Weatherby as Inch, Michael Abubakar as Wilson, Rebecca Lucy Taylor as Maggie, Samuel Jordan as Smegs and Jojo Macari as Peyote. (Photo: Helen Murray)

The Cambridge student organiser Anson (Roman Asde ) in a dinner jacket with large curly hair, is trying to get the band on stage as they are fashionably late: a forlorn hope. The Skins are a five piece band including their roadie, Inch (Noah Weatherby) on guitar, bassist Peyote (Jojo Macari), guitar Arthur (Michael Fox), keyboardist Wilson (Michael Abubakar), and drummer Nash (Bill Caple).  They can play – loudly.

The lead singer Maggie Frisby (Rebecca Lucy Taylor) is a burnout drug user now an alcoholic.  She has to be carried onto the stage at the start and is assumed to be dead at the end of the set. The stage is a movable dais with lights to the audience, above the performers and below, a very typical staging of the time by Designer Chloe Lamford .

Rebecca Lucy Taylor as Maggie and Aysha Kala as Laura (Photo: Helen Murray)

The first Act is just a chaotic mess, all the band are on drugs, one even main lining on stage, bottles of whisky are lined up for Maggie and there is very little attempt at a story except a drugs bust and a large fire. I did notice a few empty seats in Act two.  This was a shame as there is a story mostly about Maggie told by the band’s manager Saraffian (Phil Daniels) who acts to his strengths, but doesn’t have a scooter. The conclusion is in some ways hopeful, the band packs up and moves onto the next gig whilst lining up the next supply of drugs, Maggie goes on a different track. Directed by Daniel Raggett the play runs for 2 hours 20 minutes including interval.

I can see why this play has had limited performances over the years, it is very much a period piece of a short time now long gone. The First Act is just loud the second more structured, the stand out is Rebbeca Lucy Tailor and that maybe enough to justify purchasing a ticket.

Michael Fox as Arthur and Phil Daniels as Paraffin. (Photo: Helen Murray)

Production Notes

Teeth ‘n’ Smiles

Written by David Hare

Composer: Rebecca Lucy Taylor, Nick Bicât

Lyricist: Rebecca Lucy Taylor, Tony Bicât

Directed by Justin Martin

Cast

Starring:

Rebecca Lucy Taylor

Phil Daniels

Aysha Kala

Bill Caple

Christopher Patrick Nolan

Jojo Macro

Michael Abubakar

Michael Fox

Samuel Jordan

Roman Asde

Noah Weatherby

Joseph Evans

Creatives

Director: Daniel Raggett

Set Designer: Chloe Lamford

Costume Designer: Alex Mullins

Lighting Designer: Matt Daw

Fight Director: Kev McCurdy, Sam Lyon-Behan

Musical Supervisor: Liam Godwin

Sound Director:  Ben and Max Ringham

Information

Running Time: Two hours 20 minutes including an interval

Booking to 6th June 2026

Theatre: 

Duke of York’s Theatre

104 St Martin’s Lane

London  WC2N 4BG

Phone: 03330 096 690

Website: https://www.thedukeofyorks.com

Tube: Charing Cross

Reviewed by Malcolm Beckett

Duke of York’s Theatre  on 31st March 2026

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