Avenue Q - When Sesame Street Grows Up!

Nicky     “Look at the scratches on my back. What do they say?”

                                 Princeton “Help.”

The Company. (Photo: Matt Crockett)

Since its debut in 1969, Sesame Street has remained a cornerstone of children’s television, using humour and music to explore life’s lessons. More than half a century later, its formula still works. It’s no surprise, then, that at the turn of the millennium, Robert Lopez, Jeff Marx, and Jeff Whitty reimagined that format for an adult audience with Avenue Q – a bold, irreverent homage that swaps childhood innocence for grown-up realities.

Now revived at the Shaftesbury Theatre, Avenue Q retains the familiar structure of its inspiration while tackling themes far removed from children’s programming. Issues such as homosexuality, homelessness unemployment  and sexual urges are explored through a cast of quirky yet relatable puppet characters. Note: None of the original characters are used, rather their Stand Ins. The humour is unapologetically adult, often sharp and occasionally shocking, but always rooted in recognisable human experiences.

Noah Harrison and Princeton and Dionne Ward-Anderson as Gary Coleman (Photo: Matt Crockett)

One of the production’s most impressive aspects is its puppetry. Far from hiding the mechanics, the performers are visible on stage, dressed in black and skilfully manipulating the puppets with rods. This transparency only adds to the charm, as the audience quickly accepts both puppet and puppeteer as a single expressive unit. In more complex scenes, it can take up to three performers to bring a character to life, a testament to the precision and coordination involved.

We meet such puppets as: Trekkie Monster, Lucy the Slut, Mrs T, Bad Idea Bears and Kate Monster who wants to open a Monsteressori School, bring energy and personality to the stage, including a song about schadenfreude. Under the direction of Jason Moore, the show moves at a brisk pace, with little downtime across its two acts. The cast must not only handle intricate puppetry but also deliver strong vocal performances, making the production as demanding as it is entertaining.

Lucy the Slut (Photo: Matt Crockett)

Visually, Anna Louizos’ set design cleverly echoes the bright, colourful aesthetic of Sesame Street, with a row of houses opening onto the street. The playful design occasionally gives way to unexpected visual gags, reinforcing the show’s comedic tone. Meanwhile, Lopez and Marx’s score is witty and well-timed, blending catchy melodies with lyrics that feel both contemporary and incisive.

Ultimately, the audience’s reaction says it all. Many attendees appear to be those who grew up with Sesame Street, now revisiting a familiar style through a more adult lens. Their laughter and engagement suggest the show successfully taps into both nostalgia and present-day relevance.

Avenue Q  is a clever, funny, and occasionally provocative musical. It may not be to everyone’s taste, but for those willing to embrace its unique blend of nostalgia and adult humour, it is well worth seeing.
Emily Benjamin and Kate Monster, CharlieMcCullagh and Meg Hateley and Trekkie Monster (Photo: Matt Crockett)
Trekkie Monster (Photo: Matt Crockett)

Production Notes

Avenue Q

Book by Jeff Whitty

Music, Lyrics and Original Conception : Robert Lopez and Jeff Marx

Directed by Jason Moore

Cast

Starring:

Charlie McCullagh

Emily Benjamin

Noah Harrison

Meg Hateley

Oliver Jacobson

Amelia Kinu Muus

Dionne Ward-Anderson

 

 

Creatives

Director: Jason Moore

Set Designer: Anna Louizos

Costume Designer: Jean Chan

Lighting Designer: Tim Lutkin

Musical Director: Benjamin Holder

Video/projection designer : Nina Dunn for Pixellux
 
 

Sound Director:  Paul Groothuis

Musical Supervisor: Stephen Oremus

Information

Running Time: Two hours 15 minutes including interval 

Booking to 29th August 2026

Theatre: 

The Shaftesbury Theatre

210 Shaftesbury Avenue

London WC2H 8DP

Phone: 020 7379 5399

Website: avenueqmusical.co.uk

Tube: Tottenham Court Road

Reviewed by Malcolm Beckett at the Shaftesbury

on 15th April 2026