
This nightclub Cabaret show is named after the unique Parisian method for opening a champagne bottle with a sword, a sabre, and yes you will see that feat at least twice during the evening. To the far end of King’s Cross station along the functionally named Goods Way you will find the venue Lafayette on several levels. The cabaret show is brought to London by Strut & Fret and the Menier Chocolate Factory. We were shown to the cocktail bar, to await the show, before taking our seats on a leather sofa. It is an intimate space and you are very close to the exciting performers onstage.
There is table service for drinks and food throughout the show. Two guys narrate, Alexander Markadish as the sexy French host and Neven Connolly, a superb mime artist and clown, with so many facial expressions, I lost count. All the company dance an introduction before we move onto the individual acts. First is Emma Phillips, who has acquired her circus skills in China. She lies back and spins a parasol fist with her arms, then with her feet. Suddenly there are not just one, but two, not just two but three, and finally four parasols spinning at the same time. She spins several parasols on one foot and her three other limbs spin square cloths making them look circular. She is a human Catherine wheel!

Emma’s next accomplishment is to balance a table with her foot and then switching to supporting the table by one leg only with just one of her feet. It is jaw dropping magic, a raunchy sight! I could feel the draught as the table span. The boys demonstrate the art of catching grapes thrown from at first each other and then the audience. They gave a grape to some members of the audience to throw on cue. One woman misunderstood making Alexander good naturedly exclaim, “She ate the f…. grape!”
The Frenchman’s special skill uses his penis hidden behind a tricoleur as a percussion instrument with penis slapping trickery. I could see the side chairs at the front straining to get the full view. One of the girls walks across the stage on the top of empty champagne bottle and then tackles a line, discarding each used bottle on her next step and finally pouring champagne out of the last bottle which wasn’t empty.
There is a spectacular introduction to the interval. A feathers and pillow fight. We were warned to cover our drinks as feathers fly down from above ans we are given a cushion to chuck at the cast onstage. Absolute mayhem and great fun!

Immediately after the interval, there is the re-invention of the fan dance, from the cast, but not with fans, but with towels cleverly refolded and rearranged to cover the naughty bits. It’s a bit like that advert for Danish bacon where the naked chefs use the implements to cover anything suggestive but here the only cover is a bath towel. After the delightful towel dance is a songstress, Phoenix Jackson Mendoza. A highlight for me is Neven miming to a squeaky soundtrack, achieving amazing contortions with great humour.
There is more fun and spectacle. The bum dance times four with not an ounce of cellulite in sight shaking to music. A dancer on skates turns into an aerialist with a suspended hoop. I liked less Emma and a chap’s masturbatory mime in which she wore a net dress like a very frilly lampshade.
Finally the theatre is full of bubbles for the most spectacular conclusion from all the cast to such a fun show in a welcoming environment! On the theme of bubbles, an aerialist fills up champagne glasses with Perrier Jouet and everyone dances to Offenbach’s Can Can.
This is a must for anyone visiting London!


SABRAGE
Devised by Strut & Fret
Directed by Scott Maidment
Starring:
Alex Makardish
Christian Nimri
Emma Phillips
Kylie Rose Webb
Neven Connolly
Skye Ladell
Phoenix Jackson Mendoza
Director: Scott Maidment
Set Design: Philip Gladwell
Costume Designer: ames BrownJ
Lighting Designer: Philip Gladwell
Original Choreography: Kevin Maher
Additional Choreography: Neven Connolly
Sound Design: Rob Donnelly-Jackson
Presented by Strut & Fret and the Menier Chocolate Factory
Running Time: Two hours plus an interval
Booking to 6th September 2026
Theatre:
Reviewed by Lizzie Loveridge
at Lafayette
on 6th May 2026