“He brings nothing but hurt to the world.”
Heather

Morgan Lloyd Malcolm’s thriller The Wasp has elaborate plotting and many surprises set up by the early scenes. Some of us were damaged by bullying at school and the psychological hurt lingers into our adult lives. The Wasp is about the violence engendered by an abused childhood, whether in a family or at school. Two women meet after many years apart. One has an agenda. The other is just curious.
Heather (Cassandra Hercules) seems to have everything: money, power, success, the usual trophies, rich husband, big house. At school she wore braces and was teased about this. The woman she is meeting is Carla (Serin Ibrahim) seven months pregnant and chain smoking. So the combination of pregnancy and smoking immediately shocks us and sets up a judgmental attitude towards her. Carla is edgy, agitated and almost rude to Heather. Carla is struggling to raise her four children. Heather would like children but has none.

It is Heather who has engineered this meeting and she is very cautious in revealing her subterfuge. She describes a remembered incident in Year 7 at school of extreme cruelty towards a pigeon to explain why she has singled out Carla as her conspirator. The description of the death of the pigeon at the hands of a 12 year old is graphic and disturbing. Between scenes there is the soft but persistent buzzing reminding us of the play’s title.
It slowly emerges that Heather’s infertility has been investigated and it is not her husband Simon’s fault but her own. Simon’s desire for children has led to his infidelity and Heather has discovered this by looking at his email history. I have known of family failure to have a child, after several miscarriages, breaking up a loving marriage as the husband goes on to find a woman who can bear living children. Now what if the cause of infertility was known?

As both women disclose what has happened to them, we see Carla softening instead of being resentful of Heather’s affluence. There are two heart wrenching performances here from Serin Ibrahim as Carla whose childhood was abusive and Cassandra Hercules as Heather, whose marriage may be being destroyed. This play is both distressing and nasty, a nastiness born out of a damaging history.
James Haddrell directs skilfully with the intermittent buzzing never letting us forget the wasp, but which woman is the real wasp? Jana Lakatos’ design has a backdrop of boxed lepidoptera and vespology.
I welcome Greenwich Theatre Productions again making Greenwich a producing theatre, as I remember The Royal Borough of Greenwich disgracefully withdrawing its grant to the theatre in the late 1990s saying, “Theatregoing does not match the profile of people living in the borough of Greenwich”. I hope reading this comment stings those who retained their council seats.
My credentials on insects go back to Great Uncle Arthur Loveridge, Naturalist. The War of the Insect: His accounts of life in East Africa, including his time during the East African campaign, detailed the intense, often difficult, interaction with insects, as described in “The war of the insect”. Insects Named in His Honor: Although better known for reptiles, several insects were named after him, particularly on the island of St. Helena, where he retired. These include the cranefly Dicranomyia loveridgeana, the blackfly Simulium loveridgei, and the subgenus Loveridgeana of the hoverfly Sphaerophoria.
I found The Wasp full of tension building to an unexpected climax with many surprising twists along the way and recommend its thrilling plotting.

The Wasp
Written by Morgan Lloyd Malcolm
Directed by James Haddrell
Starring:
Serin Ibrahim
Cassandra Hercules
Director: James Haddrell
Designer: Jana Lakatos
Greenwich Theatre Productions
and Culture Clash Theatre
Running Time: One hour 40 minutes
Booking to 30th May 2026
Theatre:
Southwark Playhouse Borough
The Little
Newington Causeway
London SE1
Tube : Elephant and Castle
Website: greenwichtheatre.org.uk
Reviewed by Lizzie Loveridge
at the Southwark Playhouse
on 8th May 2026