The Damage done by Racism

“Corner an animal, make him feel scared, that’s when he’s dangerous. Tell a creature he’s a beast, one day he’ll bite back.”

Amar Chadha-Patel (Photo: Steve Gregson)

This one man play Foal  has the remarkable actor Amar Chadha-Patel holding us in his thrall for ninety minutes.  It is the story of a young man of Asian heritage who lives with his family on an island.  We are never told which island but from the references to places near Portsmouth, we can deduce it is the Isle of Wight.  His father is a doctor, an ophthalmologist and a valued member of the community, having come to the UK to work for the NHS.

Titas Halder, the writer, has experience not just in writing but in directing theatre and film and is currently Associate Artistic Director at the Donmar Warehouse, as well as recording his own music as Titus and the Fox.  The script is written as the thoughts of this young British Asian of Indian extraction. There is loud music to introduce the first part of the play, The Sea. 

Although the Isle of Wight has long been recorded as demographically and sociologically the miniature illustration of the whole of English society and therefore perfect for conducting surveys, our actor is only one of two Asian boys at his school. He describes playing football at school when his best friend Harry kicked the football into the area where the older boys were playing.  A boy Max, the same age as Harry and our protagonist AK, but much larger knocked over Harry and kicked the ball way over a wall and out of bounds. 

Heroically but also foolhardily, our skinny boy ran over to the older boys’ pitch and stole their football.  Max charged at AK and smashed his head into the ground until a teacher intervened.  Max was excellent at football and allowed to play with the older boys.  There was later a confrontation between Max and his father at our AK’s home with his father present.  We realise after meeting his father how Max became a bully.

Amar Chadha-Patel (Photo: Steve Gregson)

As well as contending with racism from his school mates, there is racism from the teachers. One teacher calls the other Asian boy Mowgli and AK wonders whether this boy is more Indian than he is, because AK thinks of himself as English.  Bullying at school is not all AK has to put up with.  His mother gives up her career to look after him but blames AK for a decision she took, maybe culturally defined, but certainly not something AK has to take responsibility for.  He does however also have some memory of his mother fighting his corner after he was poorly treated at nursery school.

A highlight of school is AK’s friendship with Katy.  They would sit together at the back of the school coach and talk and compare their music likes. At 14 years old, he was in love and suffered terribly when after a reckless dive from the cliffs by Max, Max pulled Katy.  This of course hurts as only young love can hurt.  To lose his best friend and then be taunted about it by his enemy is cruel. 

There is an encounter at an airport when he is going on holiday with his family to family in Canada.  He is pulled aside by security and asked questions he cannot answer.  It is traumatising and contributes to his feeling of alienation.  He gets a job in kitchens and moves away from the island to Part Two, The City: London. 

His mother phones AK with a long list of complaints and then wonders why he doesn’t phone her.  His father describes a nasty incident on the island where a group of boys shout racial insults at AK’s parents.  There is mention in London of the Chilean man shot by police and descriptions of right wing marches threatening immigrants.  A boy is killed in South London by racists.

He links up with Katy in London but Max reappears.  He ignores the pleas from his sister to come home and the consequences are dire.  Part Three, Home: Endgame.  The cumulation of events for AK are shattering and he doesn’t like what he has become.  This enthralling story also leaves us broken. 

Amar Chadha-Patel (Photo: Steve Gregson)

Production Notes

Foal

Written by Titas Hander

Directed by Annie Kershaw

Cast

Starring:

Amar Chandha-Patel

Creatives

Director: Annie Kershaw

Designer: Cara Evans

Lighting Designer: Rajiv Pattani

Composer and Sound Designer: Pierre Flasse 

Information

Running Time: One hour 30 minutes 

Booking to 30th May 2026

Theatre: 

Finborough Theatre

118 Finborough Road

Earls Court

London

SW10 9ED

Box Office: www.finboroughtheatre.co.uk

Reviewed by Lizzie Loveridge

at the Finborough

at  the matinée on 9th May 2026