“I live with my daughter. I’m not staying.”
Joan
Why do we go to the theatre? To be informed? To be entertained? To make us intellectually engage with the production? To escape? Or to be depressed?
In Alexander Zeldine’s Care is a picture of a reality (almost). Linda Bassett, a very capable actor, plays Joan, a mother and grandmother who keeps falling over while alone in her daughter’s house. Against her will, she is taken into a private care home. She thinks she is there on a temporary basis but her daughter has other ideas.
Joan is a good conversationalist but occasionally has memory lapses, some more significant than others, such as forgetting her second and last husband has died. She also asks to go home and we think she mostly means going back to her own home, which was sold some time ago.
We only see two members of staff at the care home. Hazel (Llewelyn Gideon) in charge, caring and seemingly never exasperated. Then there is Fanta (Aoife Garston) training in care. Joan is initially visited by her daughter Lynn (Rosie Cavaliero) whose husband died recently and her grandsons, rebellious teenager Laurie (William Lawlor) and the younger Robbie (Ethan Mahony or Charlie Webb).
The other characters are all residents in this unnamed care home. Most vocal in an almost Tourette’s way is Simone (Hayley Carmichael). Definitely in the spectrum, Simone is responsible for much of the comedy in the first half of the play with her profanity, sexual comments and sexual gestures (if you like that sort of thing). Later she is redeemed by becoming good friends with Joan as other residents die around them.
Ann Mitchell plays Agnes, a glamorous retired thespian with the odd quote from her lifetime of roles. We are promised activities for those able to get down to the sitting room with its arrangement of wooden arm chairs. I think the first activity was them talking about their travels but the second is hand and arm actions to the Supremes, “Stop in the Name of Love”. Residents start to pop their clogs by getting up and walking slowly into the expanse of the auditorium. It is the walk of passing on, sentimentally directed.
There are two men. We never hear from Eugene (Winston Sookhan) but John (Richard Durden) has more to offer. On the travel activity he described a romantic interlude, then he sang “Some Enchanted Evening” from South Pacific. He starts to interact with Joan, believing that she is his dead wife Jennifer, and strips off down to his nappy and socks to hold her affectionately.
There is a scene between Joan and her family about her money and how the children have not been told how their father died. Over time, Joan slows down, quietens and her hair and clothes become unlooked after. She has had no visitor for four months. We lose more of the residents on their walk into the audience and the set changes to a rather large representation of Joan’s single room. Here Hazel is giving Joan a bed bath.
The final scene is a penance in Lynn’s home where Laurie vents spilling ashes. They have two urns awaiting a memorial and Laurie heart warmingly (if you like that sort of moment) plays the piano as was requested by his grandmother and loved by his father.
The acting is very good and Linda Bassett is moving. The set is really too spacious in this care home, compared to those cramped rooms where every inch of wall space is filled with lines of armchairs.
I have long advocated that writers should not direct their own plays but welcome the input of another creative talent. Alexander Zeldin directs his own play. This exercise in naturalism, but without short tempered staff doesn’t tick my reason for going to the theatre box. An afternoon volunteering at a local care home would be as effective and educational, and maybe useful not costing the price of a theatre ticket.
Care
Written and Directed
by Alexander Zeldin
Starring:
Ann Mitchell
Hayley Carmichael
Llewella Gideon
Richard Durden
Rosie Cavaliero
Linda Bassett
Aoife Gaston
Charlie Webb
William Lawlor
Taru Devani
Diana Payan
Winston Sookhan
Ethan Mahony
Director: Alexander Zeldin
Set Designer: Rosanna Vize
Costume Designer: Natasha Jenkins
Lighting Designer: James Farncombe
Sound Designer: Josh Anio Grigg
Fight Director: Sam Lyon-Behan
Running Time: Two hours 10 minutes without an interval
Booking to 11th July 2026
Theatre:
Young Vic
66 The Cut
Waterloo
London SE1 8LZ
Tube/Rail : Waterloo/Southwark
Telephone: 020 7922 2922
Website: youngvic.org
Rail/Tube: Waterloo, Southwark
Reviewed by Lizzie Loveridge at the
Young Vic on 19th May 2026