Mesmerising Performance from Tilda Swinton

“Manfred Karge is one of the last surviving links to the original Brecht Theatre. And in true Brechtian spirit he has written a deliberately contradictory figure – likeable one moment, repellant the next; insightful yet blinkered; reactionary but visionary. . .”

Stephen Unwin

Tilda Swinton as Max/Ella (Photo: Ruediger Glatz)

Almost 40 years after she first played in Man to Man at The Traverse in Edinburgh and then at the Royal Court, Tilda Swinton recreates the story of Max and Ella Gericke.  In a series of scenes Ella (Tilda Swinton) describes her life, her marriage and her life after the death of Max from cancer in the 1930s.  Written by Manfred Karge of the Berliner Ensemble, this translation by Anthony Vivis was staged by Stephen Unwin as a homage to Berthold Brecht.

Tilda Swinton as Max/Ella (Photo: Ruediger Glatz)

We are chilled when we hear Swinton say “Arbeit Macht Frei” or “Work Makes You Free” as seen above on the gates at Auschwitz and Dachau Concentration Camps. Ella decides that she will impersonate her dead husband by cutting her hair, changing her appearance and wearing his clothes and also continue working in his employment as a crane operator.  His gravestone is altered to give her name and she becomes him. At first she pretends that she has had an accident falling down stairs and winds bandages round her head until her work colleagues get used to Max’s new face. 

She wears red Y fronts, has bare legs with a string vest and big men’s working boots.  On her face and body is dried white paint, her hair is straw coloured and her teeth discoloured. Bunny Christie’s set (she was the designer in 1987) is a white box with an old fashioned television and a white fridge.  She is a working class woman in the Weimar Republic and adopts an Estuary English accent. 

Tilda Swinton as Max/Ella (Photo: Ruediger Glatz)

Her performance compels with an impactful delivery, forceful but also with quieter moments.  A cushion becomes a longed for child as she allows us to see what her womanhood has given up. She becomes a soldier, a member of the SAS to escape the medical examination of her masculinity. 

Karge has added two scenes for these performances.  One is about the wall between East and West Germany represented by red gaffer tape which she rips up to show German re-unification.  The other scene is about the re-emergence of the Far Right in the recent German elections. 

She returns to her husband’s grave in the Russian zone but which had her name engraved on it, to find it has been destroyed. 

This is a fine celebration of 70 years of the Royal Court with a performance that will be talked about for many decades to come.

Tilda Swinton as Max/Ella (Photo: Ruediger Glatz)

Production Notes

Man to Man

Written by Manfred Karge

Translated by Anthony Vivis

Adapted and Directed by Stephen Unwin

 

Cast

Starring:

Tilda Swinton

 

Creatives

Director: Stephen Unwin

Designer: Bunny Christy

Lighting Designer: Ben Ormerod

Video/projection designer : Matt Powell
 
 

Sound Director: Elena Peña

Information

Running Time: One hour 25 minutes without an interval

Booking at the Royal Court to 24th October 2026

Traverse Edinburgh  29th October to 7th November 2026

Berliner Ensemble February 2027

New York Spring 2027

Theatre: 

Jerwood Theatre Downstairs

Royal Court Theatre

Sloane Square

London SW1W 4AS

Tube: Sloane Square

Reviewed by Lizzie Loveridge

at the Royal Court

at the matinée on 24th September 2026