“I don’t want him to be like me. I want him to get as far away as he can from me.”
Troy Maxson
August Wilson’s ten play Pittsburgh Cycle is set in each decade of the twentieth century chronicling the differing experiences of different black families in the 1900s. Fences is the mid one set in the 1950s. It centres on Troy Maxson (Ray Fearon) living with his second wife Rose (Madeline Appiah) and working as a garbage collector. His first son Lyons (Michael Ahomka-Lindsay now in his mid thirties, is an aspiring jazz musician playing the Saxophone, had another mother and when Lyons was growing up Troy was serving fifteen years in prison.
His second son, now with Rose is Cory (Josh Tedeku) with ambitions to be a professional footballer but working after school at a local convenience store. You could say Fences is partially about the failure of the American Dream but I think it is more about the lack of opportunities for black people to improve. Hanging over him, is Troy’s belief that after playing in the Negro Baseball League, he was denied the opportunity to become professional because of racism but a friend Jim Bono (Everal A Walsh) believes that on release from prison, Troy was too old to be a professional baseball player.
Fences is about how Troy raises his sons. The first Lyons has been apart from him for many years and now turns up on payday, looking to borrow ten dollars. Convinced that professional sport will let down for racist reasons Troy is adamantly opposed to Cory devoting too much time to American Football. In the very first scene Troy relates to his friend Bono how he asked his employer why none of the garbage truck drivers were black.
Besides being disappointed by lack of employment chances, Troy creates a major disappointment for his wife whom he claims he loves when he takes up with another woman from Florida called Alberta. There was a lively audience at the Lyric Hammersmith on Press Night expressing disapproval for Troy’s treatment of Rose. As we look at the history of fathering in Troy’s family, he later discloses his own chequered history of going it alone at 14 after his mother has left when he was eight.
There is also Troy’s younger brother Gabriel (Simon Anthony-Rhoden) wounded in World War Two and now with a metal plate in his head. It was compensation from the government for Gabe’s war wound that paid for the deposit in the house Rose and Troy live in now. Some of the debate is about where Gabe needs to live and the care that he needs with his disability.
Lily Arnold’s inventive set has a whole house feel and it rotates and opens up as Troy starts to open up about his childhood and his more recent infidelity. The ensemble performances are great but Ray Fearon stands out as he takes us through Troy’s sadness and rage at his son lying to him. Madeline Appiah as Rose continues to support her husband and his offspring. There is joy as Lyons makes it as a Jazz performer and visits wearing a new red flash suit. Director Daniel Bailey has made us really feel emotionally involved with this family and we can celebrate Troy Maxson as one of American playwriting great tragic heroes along with Willy Lomax, Eddie Carbone and Joe Keller.
Five stars from Theatrevibe, the site that doesn’t do stars, for Fences
Fences
Written by August Wilson
Directed by Daniel Bailey
Starring:
Everal A Walsh
Madeline Appiah
Michael Ahomka-Lindsay
Ray Fearon
Simon-Anthony Rhoden
Josh Tedeku
Kezia Alanna-Ama
Daphne Muli
Aita Mushuku
Eliana Musongole
Pelo Thithi
Kaiya Tomlinson
Director: Daniel Bailey
Designer: Lily Arnold
Lighting Designer: Jai Morjaria
Fight Director: Kev McCurdy, Sam Lyon-Behan
Composer, Sound Designer and Musical Director: Khalil Madovi
Fight Director: Kev McCurdy
Running Time: Three Hours including an interval
Booking to 31st October 2026
Theatre:
Lyric Theatre
King Street
Hammersmith
London W6 0QL
Box Office: 020 8741 6850
Website: lyric.co.uk
Tube: Hammersmith
Reviewed by Lizzie Loveridge at
the Lyric Hammersmith
at performance on 9th October 2026