The Dreamworks cartoon movie comes back as a full musical with Schwartz Senior writing and Schwartz Junior directing . . . .

“Deliver us!”

The Burning Bush (Photo Tristram Kenton)

The Prince of Egypt 1998 cartoon movie passed me by with neither children young enough nor yet grandchildren to appreciate it, but I was excited by the advance publicity for the new musical with a score by Stephen Schwartz, the composer of Wicked. I was thankful that I knew enough about Moses from school to grasp the basics of the story because otherwise I would have been very muddled instead of merely partially muddled.

The story is a blend of biblical history and new stories but the words for the introductory number were drowned out by poor balance between the many singing on stage and the orchestra. I knew about Moses, the baby in the bullrushes, who in this instance is rescued not by the Pharoah’s Daughter and brought up as her adopted son, but by Queen Tuya (Debbie Kurup). Tuya is Seti, the Pharoah (Joe Dixon)’s wife and they raise Moses as a brother to the heir apparent Prince Ramses (Liam Tamne).

You make think initially you have come to an S and M show as the whips crack and the Hebrew slaves are badly treated, including of course the population controls ordered by the Pharoah of killing babies. The staging of the bullrushes scene has Moses rescued by some blue balletic swans who wouldn’t look out of place in Billy Elliot. The blue is presumably a reference to the Blue Nile but I am still useless at geography. Great blocks of building materials construct the Pyramids.

The Egyptian court is finely dressed although I couldn’t quite see lumbering Joe Dixon as a majestic Pharoah but the amount of gold is appreciated. Birkenstocks must have done a roaring trade in oversize, gold male sandals! Hanging fringe curtains reflect the Egyptians’ predilection for pleating fabric and heads of the Pharoahs are projected right into the auditorium side boxes, as are later screens of hieroglyphs or Egyptian drawings.

Behind the fringing are projections of landscape, often of the desert. A secret room in the temple, ruled by the villainous priest Hotep (the musical star we all love to hate, Adam Pearce, who has finally escaped from shows of Evita) is used by Ramses and Moses. Hotep has some good tricks up his sleeve like turning a staff into a serpent courtesy Chris Fisher illusions. This secret room has a line of human caryatids holding the beam and, seeing them only from the rear, they are a fun design feature.

Sibling rivalry features in the first scenes as Moses (Luke Brady) shows up the Pharoah’s legitimate and biological son in almost every task. A chariot race is staged Bob Fosse style with dancers forming the chariots and with Moses and Ramses competing. Ramses’ bride is chosen for him: Nefertari (a beautiful Tanisha Spring) and Moses’s heart is captured by the caged dancing Midianite princess Tzipporah (Christine Allado on top form). Tzipporah is the daughter of Jethro (Gary Wilmot in headband) leading a bunch of Midianite hippies. 

The Hebrew slave choreography is rather too much confined to rolling around on the stage in costumes that look as if they have been made out of assorted cat fur. The whole show is very busy with only the love duets calming things down a bit. I liked much of the score with its reliance on Israeli or Middle Eastern rhythms but Schwartz’s lyrics are mundane and don’t soar as much as his tunes.  

I loved the singing voices of the main women, Christine Allado, Alexia Khadime as Miriam and Tanisha Spring as Queen Nefertari and the tunes would be better appreciated with a better book and less razzmatazz. The hit song “When You Believe” is sung superbly by Alexia Khadime and Christine Allado. The stage briefly lights up with the burning bush scene, the flames are dancers, the waters of the Nile turn red with blood and the Red Sea parts to let the Hebrews through. The number of plagues are very reduced but Hotep is hit badly with red, oozing pustulent boils. Let’s move on! 

The night I saw it, the audience were ecstatic, on their feet and cheering happily. I found it fun too, maybe not in quite the way that the Schwartzes intended. Time will tell!

Musical Numbers

Act One

Deliver Us


One Weak Link

Footprints on the Sand

One Weak Link (Reprise)

Seti’s Return

Dance to the Day

All I Ever Wanted

The Laws of the Gods

Make It Right

Moses in the Dessert

Through Heaven’s Eyes

Faster (Reprise)

Never in a Million Years

Act One Finale


Act Two

Through Heaven’s Eyes (Reprise)

The Naming Ceremony

Always on Your Side


Deliver Us (Reprise)

The Plagues For the Rest of My Life – Moses 


When You Believe

Act Two Finale



Production Notes

The Prince of Egypt

Book by Philip Lazebnik

Music and Lyrics: Stephen Schwartz

Based on the Dreamworks Animation Film

Directed by Scott Schwartz



Luke Brady

Liam Tamne

Christine Allado

Alexia Khadime

Joe Dixon

Debbie Kurup

Gary Wilmot

Mercedesz Csampai

Adam Pearce

Tanisha Spring

Silas Wyatt-Barke


imbi Akande

Casey Al-Shaqsy

Joe Atkinson

Danny Becker

Felipe Bejarano

Paje Campbell

Adam Filipe

Soophia Foroughi

Natalie Green

Jack Harrison-Cooper

Rachael Ireson

Kalene Jeans

Christian Alexander Knight

Jessica Lee

Oliver Lidert

Jay Marsh

Scott Morris

Carly Miles

Sam Oladeinde

Alice Readie

Christopher Short

Molly Smith

Ricardo Walker

Danny Williams

Nico Wirachman

Sasha Woodward

Leo Babet

Jonah Collier

Taylor Jenkins

Mia Lakha

Iman Pabani

Hannah Selk


Director: Scott Schwartz

Choreographer: Sean Cheesman

Music Supervisor and Arrangements: Dominick Amendum

Vocal Arrangements: Emily Marshall

Musical Director: Dave Rose

Orchestrations: August Eriksmoen

Set Designer: Kevin Depinet

Costume Design: Ann Hould-Ward

Illusions: Chris Fisher

Lighting Design: Mike Billings

Sound Design: Gareth Owen

Projection Design: John Driscoll


Running Time: Two hours 45 minutes with an interval

Booking from 1st July 2021 to 8th January 2022


Dominion Theatre

268 Tottenham Court Road

London W1T 7AQ

Tube : Tottenham Court Road

Reviewed by Lizzie Loveridge at the

Dominion Theatre on  18th February 2020