REVIEW: South Pacific, Sadler’s Wells (2022) Lizzie Loveridge • 5 August 2022 REVIEW: The Tempest, Shakespeare’s Globe (2022) Lizzie Loveridge • 2 August 2022 REVIEW: The Lion, the Witch and the Wardrobe, Gillian Lynne Theatre (2022) Ben Clover • 31 July 2022 REVIEW: Tom, Dick and Harry, Alexandra Palace Theatre (2022) Lizzie Loveridge • 30 July 2022 REVIEW: Sister Act, Eventim Apollo Hammersmith (2022) Sonny Waheed • 29 July 2022 REVIEW: Bad Jews, Arts Theatre (2022) Lizzie Loveridge • 28 July 2022 REVIEW: Chasing Hares, Young Vic (2022) Lizzie Loveridge • 26 July 2022 REVIEW: 101 Dalmatians, Open Air Regent’s Park (2022) Lizzie Loveridge • 25 July 2022 REVIEW: Much Ado About Nothing, Lyttelton National Theatre (2022) Brian Clover • 24 July 2022 REVIEW: Jean Paul GAULTIER Fashion Freak Show The Roundhouse (2022) Lizzie Loveridge • 23 July 2022 REVIEW: Closer, Lyric Theatre Hammersmith (2022) Lizzie Loveridge • 21 July 2022 REVIEW: Millennials, The Studio at the Other Palace (2022) Lizzie Loveridge • 21 July 2022 REVIEW: Jack Absolute Flies Again, Olivier National Theatre (2022) Lizzie Loveridge • 19 July 2022 REVIEW: The new cast of Anything Goes, Barbican Theatre (2022) Brian Clover • 15 July 2022 REVIEW: Patriots, Almeida (2022) Lizzie Loveridge • 14 July 2022 REVIEW: Peaky Blinders the Rise, Camden Garrison (2022) Malcolm Beckett • 14 July 2022 REVIEW: Barefoot in the Park, The Mill at Sonning (2022) Lizzie Loveridge • 11 July 2022 REVIEW: The Seagull, Harold Pinter (2022) Lizzie Loveridge • 9 July 2022 REVIEW: The Southbury Child, The Bridge Theatre (2022) Lizzie Loveridge • 8 July 2022 REVIEW: The Dance of Death, Arcola Theatre (2022) Lizzie Loveridge • 5 July 2022 REVIEW: Beauty and the Beast, London Palladium (2022) Lizzie Loveridge • 3 July 2022 REVIEW: The Fellowship, Hampstead Theatre (2022) Lizzie Loveridge • 2 July 2022 REVIEW: Evelyn, Southwark Playhouse (2022) Lizzie Loveridge • 29 June 2022 REVIEW: Mad House, Ambassador’s Theatre (2022) Lizzie Loveridge • 29 June 2022 REVIEW: A Dolls House, Part 2, Donmar Warehouse (2022) Lizzie Loveridge • 27 June 2022 REVIEW: King Lear, Old Vic (2016) with Glenda Jackson Lizzie Loveridge • 22 June 2022 REVIEW: Jitney, Old Vic (2022) Lizzie Loveridge • 21 June 2022 REVIEW: King Lear, Shakespeare’s Globe (2022) Sonny Waheed • 20 June 2022 REVIEW: That Is Not Who I Am, Royal Court (2022) Lizzie Loveridge • 19 June 2022 REVIEW: TONY! The Tony Blair Rock Opera, Park Theatre (2022) Lizzie Loveridge • 14 June 2022 REVIEW: Operation Mincemeat, Riverside Studios (2022) Lizzie Loveridge • 13 June 2022 REVIEW: My Fair Lady, London Coliseum (2022) Lizzie Loveridge • 10 June 2022 REVIEW: The Haunting of Susan A, King’s Head Islington (2022) Lizzie Loveridge • 7 June 2022 REVIEW: The Glass Menagerie, Duke of York’s (2022) Lizzie Loveridge • 6 June 2022 REVIEW: The Father and the Assassin, Olivier Theatre (2022) Lizzie Loveridge • 30 May 2022 Reviews More Reviews
