REVIEW: Girl on an Altar, Kiln Theatre (2022) Lizzie Loveridge • 27 May 2022 REVIEW: Legally Blonde, Open Air Regent’s Park (2022) Lizzie Loveridge • 25 May 2022 REVIEW: We Started to Sing, Arcola Theatre (2022) Lizzie Loveridge • 24 May 2022 REVIEW: The House of Shades, Almeida Theatre (2022) Lizzie Loveridge • 23 May 2022 REVIEW: Grease, Dominion Theatre (2022) Brian Clover • 19 May 2022 REVIEW: Julius Caesar, Shakespeare’s Globe (2022) Francis Beckett • 16 May 2022 REVIEW: Busman’s Honeymoon, The Mill at Sonning (2022) Lizzie Loveridge • 8 May 2022 Oklahoma! Young Vic (2022) Lizzie Loveridge • 7 May 2022 REVIEW: Middle, Dorfman, National Theatre (2022) Paul Taylor • 6 May 2022 REVIEW: Orlando, Jermyn Street Theatre (2022) Lizzie Loveridge • 6 May 2022 REVIEW: Much Ado About Nothing, Shakespeare’s Globe (2022) Lizzie Loveridge • 5 May 2022 REVIEW: Jerusalem, Apollo Theatre (2022) Brian Clover • 2 May 2022 REVIEW: The Misfortune of the English, Orange Tree Theatre (2022) Lizzie Loveridge • 2 May 2022 REVIEW: Prima Facie, Harold Pinter Theatre (2022) Lizzie Loveridge • 28 April 2022 REVIEW: The Corn is Green, The Lyttelton, National Theatre (2022) Lizzie Loveridge • 27 April 2022 REVIEW: THE Burnt City, Punchdrunk at Woolwich (2022) Lizzie Loveridge • 26 April 2022 REVIEW: Marys Seacole, Donmar Warehouse (2022) Lizzie Loveridge • 24 April 2022 REVIEW: The Straw Chair, Finborough Theatre (2022) Lizzie Loveridge • 22 April 2022 REVIEW: Bonnie and Clyde the Musical, Arts Theatre (2022) Lizzie Loveridge • 20 April 2022 REVIEW: Scandaltown, Lyric Hammersmith (2022) Lizzie Loveridge • 17 April 2022 REVIEW: The 47th, Old Vic (2022) Lizzie Loveridge • 14 April 2022 REVIEW: Zorro the Musical, Charing Cross Theatre (2022) Lizzie Loveridge • 13 April 2022 REVIEW: Anyone Can Whistle, Southwark Playhouse (2022) Lizzie Loveridge • 8 April 2022 REVIEW: The Fever Syndrome, Hampstead Theatre (2022) Lizzie Loveridge • 6 April 2022 REVIEW: To Kill a Mockingbird, Gielgud Theatre (2022) Lizzie Loveridge • 1 April 2022 REVIEW: Straight Line Crazy, Bridge Theatre (2022) Lizzie Loveridge • 31 March 2022 REVIEW: Clybourne Park, The Park Theatre (2022) Lizzie Loveridge • 26 March 2022 REVIEW: The Marriage of Alice B Toklas by Gertrude Stein, Jermyn Street Theatre (2022) Lizzie Loveridge • 25 March 2022 REVIEW: The Human Voice, Harold Pinter Theatre (2022) Lizzie Loveridge • 23 March 2022 REVIEW: Tom Fool, Orange Tree Theatre (2022) Lizzie Loveridge • 19 March 2022 REVIEW: Cock, Ambassadors Theatre (2022) with Joel Harper-Jackson as M Lizzie Loveridge • 17 March 2022 REVIEW: Moreno, Theatre 503 (2022) Lizzie Loveridge • 12 March 2022 REVIEW: The Merchant of Venice, Sam Wanamaker Playhouse, The Globe (2022) Lizzie Loveridge • 10 March 2022 REVIEW: Small Island, Olivier Theatre, National (2022) Lizzie Loveridge • 10 March 2022 REVIEW: Persuasion, The Rose Kingston (2022) Lizzie Loveridge • 6 March 2022 Reviews More Reviews
