Learning to Speak Up

“Marking with unconscious bias”


Safiyya Ingar as Asha and Anoushka Chadha as Bettina (Photo: Alex Brenneer)

Two British Asian sisters, both are at secondary school, one nearing the end and looking at university entrance to SOAS and the other, younger and hoping to buy a pet hamster.  The elder girl Asha (Safiyya Ingar) is studying hard and getting involved in political history; the younger Bettina (Anoushka Chadha) is being bullied on the bus home from school.  The playwright of Two Billion Beats, Sonali Bhattacharyya is a graduate of the Royal Court Young Writers Programme and is under contract currently to the Almeida Theatre and The Kiln. 

Both girls are experiencing what it is like to be British and Asian.  Asha has been studying Mahatma Gandhi, the campaigner for independence for India and she finds out that in 1932 Gandhi vowed “to fast until death” against the British government plans to give the “Untouchables” a separate election. 

Speaking up for the “Untouchables”, Asha discovers BR Ambedkar who had won a scholarship for backward caste students to complete a PhD at Columbia University. Ambedkar was arguing for the “Communal Award of 1932” which would give a separate electorate to members of his caste.  Gandhi continued to support the lowest caste but chose slow reform but Ambedkar “made it his life’s mission to uproot Caste.”  An academic Meena Dhanda who has made a study of caste, writes an article in the theatre programme about the differing views of Gandhi and Ambedkar. 

Safiyya Ingar as Asha and Anoushka Chadha as Bettina (Photo: Alex Brenner)

Asha gets a strong mark of 85% for her essay on Gandhi and Ambedkar and embarks on another, this time about the Pankhursts and the suffragette movement.  She concentrates on Sylvia Pankhurst, one of Emmeline’s daughters who became a pacifist and openly disagreed with her mother and sister.  Asha’s mark for the Pankhurst essay earns only 65% and the disproval of her teacher, important to her university ambitions.

Having worked in university complaints on matters of inalienable academic judgment, I especially enjoyed Asha challenging her teacher’s marking of the Sylvia Pankhurst essay, explaining that she feels she has been the victim of unconscious bias in the marking.   

Asha advises Bettina on the bullying on the bus, telling her to speak out to get the support of the other passengers with ultimately disastrous results.  Instead of reading about political activism, Asha helps out someone who is seen as less bright and was one of the bullies.  Two Billion Beats is about Asha’s journey.  Although the subject is serious there is also much to smile and laugh at in the conversation between the sisters. 

The performances are excellent from both actors and the playwright grapples with big ideas through their dialogue.  Nimmo Ismail is a writer as well as a director and keeps the play involving as we explore what battles these young women will face.  This play will involve some homework for most to fully appreciate its historical themes but is thoroughly worthwhile. 


Safiyya Ingar as Asha and Anoushka Chadha as Bettina (Photo: Alex Brenner)

Production Notes

Two Billion Beats

Written by Sonali Bhattacharyya

Directed by Nimmo Ismail



Annoushka Chadha

Safiyya Ingar



Director: Nimmo Ismail

Designer:  Debbie Duru

Movement Design: Chi-San Howard

Lighting Designer: Alex Fernandes

Sound Designer: Tingying Dong


Running Time:One hour 20 minutes witout  an interval

Closed 5th March 2022

COMING BACK Booking 20th January 2023 to 4th February

Website: orangetreeteatre.co.uk


Orange Tree Theatre

1 Clarence Street,




Phone: 020 8940 3633

Rail/Tube: Richmond

Reviewed by Lizzie Loveridge

at the Orange Tree

on 9th February 2022