More Beastly than Beautiful!

Ten years we’ve been rusting
Needing so much more than dusting
Needing exercise, a chance to use our skills
Most days we just lay around the castle
Flabby, fat and lazy
You walked in and oops-a-daisy “

Lumiere

Courtney Stapleton as Belle and Shaq Taylor as the Beast (Photo: Johan Persson)

This Disney cartoon of Beauty and the Beast 1991 passed me by.  In fact so had The Little Mermaid in 1989.  It wasn’t until California in 1994 that on a visit to Disneyland we stumbled upon the Light Parade of The Lion King that a love affair with a Disney film, later a musical began. 

Other than a vague acquaintance with the fairy tale, Beauty and the Beast was an unknown except for some memory about it featuring an animated candlestick? Reading the history of the musical’s arrival on Broadway, I see that the American critics felt as I do now, less than impressed. 

Tom Senior as Gaston and Courtney Stapleton as Belle (Photo: Johan Persson)

My judgment doesn’t really matter as there are many out there who love the score including the ones sitting behind me who sang along to their favourites and, when they weren’t singing, talked to each other as if they were watching television at home.  “Oooh I really like Lumiere!”  “Ooh no I prefer Gaston,”  they said.  Maybe they hadn’t quite got the message about inner beauty as the Beast didn’t get a mention?

Maybe it’s the lack of animals that dulls down this Disney piece?  I just find it difficult to empathise with Mrs Potts (Sam Bailey) a woman turned into a teapot and her poor child Chip (Rojae Simpson) wheeled around in serving trolley so his head can appear as a tea cup.  Disbelief suspended?  No, I’m afraid not. 

Cast in Beauty and the Beast (Photo: Johan Persson)

Gavin Lee works very hard as Lumiere, the candlestick, his candle handles bursting into flames when he’s excited and he is star material even if I find it difficult to empathise with his waxen figure. 

It might also be that this production is 30 years old and has been dragging around tours of everywhere.  The age shows in the set designs of cartoon like German houses in the village where Beauty (Courtney Stapleton) lives with her father Maurice (Martin Ball) and the kaleidoscope backing to the big dance numbers. 

Nigel Richards as Cogsworth, Sam Bailey as Mrs Potts and Gavin Lee as Lumiere (Photo: Johan Persson)

Courtney Stapleton is a sweet singing heroine and Shaq Taylor seems to pick up the steps to the waltz remarkably quickly. 

There is a briefly brilliant recreation of a Busby Berkley flower dance but too many of the dance scenes are over coloured and overly lit with distracting background. 

Does the theme that is possible to love ugliness of person, when one can see beauty of character and personality, really need for the ugly one to be changed externally into a handsome prince? 

Sorry guys, this one was not for me!

Musical Numbers

Act One

Overture

Prologue

Belle     

Wolf Attack 1

Me

Belle (Reprise)

Home

Home (Reprise)

Gaston

Gaston (Reprise)

Be Our Guest

If I Can’t Love Her

Act Two

Entr’acte

Wolf Attack 2

Something There

Human Again

Beauty and the Beast 

If I Can’t Love Her (Reprise)

A Change in Me

The Mob Song

Home (Reprise)

Transformation

Finale

 

Production Notes

Beauty and the Beast

Music by Alan Menken

Lyrics by Howard Ashman and Tim Rice

Book by Linda Woolverton

Directed and choreographed by Matt West

Cast

Starring:

Courtney Stapleton

Shaq Taylor

Gavin Lee

Tom Senior

Sam Bailey

Nigel Richards

Martin Ball

Samantha Bingley

Emma Caffrey

Louis Stockil

Rojae Simpson

 

Creatives

Director and Choreographer: Matt West

Scenic Designer: Stanley A Meyer

Musical Supervisor and Arranger: Michael Kosarin

Lighting Designer:  Natasha Katz

Sound Designer: John Shivers

Video and Projection: Douglas O’Connell

Musical Director: Jonathan Gill

Physical Movement Co-ordinator: Lorenzo Pisoni

Projection/Video Design: Darrel Maloney

Fight Direction: Rick Sordelet

Illusion Design: Jim Steinmeyer

Orchestrations: Danny Troob

Information

Running Time: Two hours 40 minutes with an interval

Booking until 17th September 2022

then 

 

Bristol Hippodrome

Thursday 29th September – Saturday 12th November 2022

 

Bord Gáis Energy Theatre, Dublin

Thursday 24th November 2022 – Sunday 8th January 2023

 

 

Theatre:

The London Palladium

8 Argyll St

Soho

London W1F 7TF

Tube : Oxford Circus

Reviewed by Lizzie Loveridge

at the London Palladium

on 30th June 2022