Richard Bean and Oliver Chris pay tribute to the few -
Battle of Britain 1940 to 2020

Lydia: “What will happen in England after we have won this war?”

Sir Anthony: “Bunting!  Bunting Everywhere!” 

Lydia: “After the bunting has been taken down?.”

Sir Anthony: “They will never take down our bunting!”

James Corrigan as Bob 'Wingnut' Acres, Jordan Metcalfe as Roy Faulkland, Laurie Davidson as Jack Absolute and Akshay Sharan as Bikram ‘Tony’ Khattri. (Photo: Brinkhoff-Moegenburg)

After his tremendous hit with One Man, Two Guvnors  which was based on Goldoni’s A Servant of Two Masters,  Richard Bean has co-written with Oliver Chris, Jack Absolute Flies Again with Richard Sheridan’s The Rivals  as its inspiration.  If you are looking for a serious version of the Sheridan, read no further because this comedy is a 21st century lampoon.  As a satire, it does not have to conform, in my opinion, to the politically correct although it may do so but all is fair in love and war and comedy!

This production was written to commemorate the 80th anniversary of the Battle of Britain in 1940 when RAF fighter aircraft with terrible losses fought off the German Luftwaffe.  Sadly the timing in the Olivier was thrown by the pandemic. 

Caroline Quentin is Mrs Malaprop, widowed owner of a rather fine croquet pitch and manor house in Sussex which has been requisitioned by the Royal Air Force to use as a base.  Like the Sheridan original she muddles her vocabulary, only the 1940 Malaprop tends to find an alternative which is sexually explicit.  Who could confuse clitoris with clematis or Bridlington’s award winning perineums instead of pelargoniums?  It must have been a lot of fun to write and it is a lot of fun to be in the audience.  

Caroline Quentin as Mrs Malaprop, Peter Forbes as Sir Anthony Absolute, Laurie Davidson as Jack Absolute and Natalie simpson as Lydia Languish (Photo: Brinkoff-Moegenburg)

Our heroine pilot Lydia Languish (Natalie Simpson) to appear lacking in snobbery uses a peculiar form of half-Cockney rhyming slang to communicate with her maid Lucy (Kerry Howard) who is probably as baffled as we are.  Examples are, “ …until the old dog and telephone rings….” And “I’m proper cream exhausted.” 

Lydia and Jack Absolute (Laurie Davidson) have had a previous relationship but now Lydia has set her sights on someone more working class, Lucy’s boyfriend, the muscled, moustachioed and tattooed aircraft fitter Dudley Scunthorpe (Kelvin Fletcher). 

Another stand out character is the quirky Roy Faulkland (Jordan Metcalfe) who is engaged to Lydia’s friend, and his first cousin, Julia Melville (Helena Wilson) in the ATS and driver to Major General Sir Anthony Absolute (Peter Forbes).  Add to the mix an Indian airman who has to be called Tony because they can’t pronounce Bikram (Akshay Sharan) and an Australian Bob ‘Wingnut’ Acres (James Corrigan).  In charge of administration is Intelligence Officer Brian Coventry (Tim Steed) whom Mrs Malaprop calls Daventry. 

Sir Anthony wants Jack to marry Lydia and Mrs Malaprop wants to be courted by Sir Anthony.  In a good subterfuge Jack disguises himself as the Aircraft Fitter which results in Lucy trying to rip off a moustache that isn’t false off her beau Dudley. 

Caroline Quentin as Mrs Malaprop (Photo: Brinkoff Moegenburg)

I’m starting to recognise Mark Thompson’s sets with their authentic looking buildings that, in this play, open up to a world of chintz.  In the background is that painted countryside seen on Railway posters of that era.  There is video of Hurricanes in dog fights by Jeff Sugg. 

In contrast to all the word comedy is the superlative dance scene with the whole cast throwing themselves into the Jitter Bug complete with ballroom glitterball.  The Second Act shifts into the real world of warfare and loss and I appreciated the playwrights showing pathos, the other side of the coin. 

Caroline Quentin has a ball with her saucy word play.  We enjoyed Roy and his cousin’s Juju’s romance as a fun side event.  I haven’t heard so much laughter in the Olivier for a very long time.  Director Emily Burns keeps the show apace. 

There is an apt comment in the programme about the pandemic closing the theatres which not even the German Luftwaffe managed!   It will be recorded for future screening on 6th October, but do try to see it live at the National and join the audience mirth.

Laurie Davidson as Jack Absolute (Photo: Brinkoff-Moegenburg)

Production Notes

Jack Absolute Flies Again

Written by Richard Bean and Oliver Chris

Directed by Emily Burns



Caroline Quentin
James Corrigan
Akshay Sharan
Helena Wilson
Jordan Metcalfe
Laurie Davidson
Natalie Simpson
Peter Forbes
Theo Cowan
Tim Steed
Kelvin Fletcher
Shailan Gohil
Millie Hikasa
Kerry Howard


Chris Jenkins
Geoffrey Towers
George Kemp
Joanne McGuinness


Director : Marianne Elliot

Designer: Mark Thompson

Composer: Paule Englishby

Lighting Designer: Tim Lutkin

Sound Designer: Paul Arditti

Video Designer: Jeff Sugg

Physical Comedy Director: Toby Park for Spymonkey

Choreographer: Lizzie Gee

Musical Director: Chris Traves

Movement: Annie-Lunette Deacon-Foster


Running Time: Two hours 30 minutes with an interval

Booking to 3rd September 2022 


Olivier Theatre

National Theatre

South Bank

London SE1 9PX

Tube/Rail : Waterloo


Reviewed by Lizzie Loveridge 

at the Olivier Theatre  

on 14th July 2022