I didn’t like the use of top half costumes in this production, authentic jackets with modern black trousers and black shoes.  This started as an economy at Shakespeare’s Globe where the period costume were Jacobean jackets only.  I think what worked least well here were the army uniforms where the visual continuity was spoilt by mismatching trousers and shoes which felt wrong.  On the other hand Othello’s royal blue kaftan is beautiful and a colour highlight of the play, emphasizing his difference.  Desdemona is only allowed black costume in keeping with the darkness of the production even though the words are “as pale as thy smock.”

In the opening scenes we see Othello pose with a spear in an exciting and athletic war dance more relating to Africa than Venice, maybe illustrating those stories that so enthralled Desdemona.  

I did wonder why the cast were miked up for this production in the Lyttelton?  

The conclusion from Othello, “I am one who loved not wisely but too well,” has always rung hollow for me but Iago, unlike most of Shakespeare’s villains,  never repents.  This Othello is full of darkness, racism and brutality.