Real Life Murder Mystery!

“The uncertainty is torture “

Mr Whicher

The Cast (Photo; Pamela Raith)

Readers love good crime fiction and theatre goers are no exception but The Suspicions of Mr Whicher is about the true crime of the murder of a three year old boy Francis Saville Kent in 1860.  His body was found in an outside privy.  The murderer had to be one of the adults inside the house, Saville’s father, mother, step sister, stepbrother or the nursery maid.   

The opening scene takes place in 1881 where Constance Kent (Eleanor Wyld) has been in prison for 16 years.  She is now in Fulham Prison but has been in prison in Battersea and Milbank as well.  She confessed to the child’s murder in 1865 and was initially sentenced to death but she was reprieved and sentenced instead to life imprisonment.  

Alexandra Wood’s adaptation of Kate Summerscale’s best selling 2008 book, The Suspicions of Mr Whicher or The Undoing of a Great Victorian Detective, I understand adheres to the original.  In 1881 Constance is visited by the detective responsible for her case who is about to retire.  Mr Whicher (Christopher Naylor) is troubled by this case as to why Constance confessed when he has doubts as to her guilt.  

Christopher Taylor as Jonathan Whicher and Eleanor Wyld as Constance Kent. (Photo: Pamela Raith)

The play jumps in and out of time but I had no trouble following the trail.  Constance and her brother William (Sam Liu) are children from Samuel Saville Kent (Jim Creighton)’s first marriage.  After the death of the first Mrs Kent who had psychiatric issues, Samuel married Mary Pratt (Connie Walker) his children’s nanny.  Mr Kent taunts Constance with implications that she has inherited her mother’s mental instability but is this gaslighting? I think there are 14 babies fathered by Mr Kent, at least half die in infancy. Saville is the first male child of his second marriage.  

There is one set, a Victorian prison with high up barred windows, brick walls and an upper level with an iron balustrade.  By way of introduction, the branches of a family tree spread across the stage introducing all the members of the Kent family.  This is effective, informative and eerie.  Four of the actors will take on multiple roles but there is no confusion as to whom they are playing.  Suspicion falls initially on Miss Gough (Robyn Sinclair) Saville’s nursery maid and although Constance is investigated, there is no proof and she is sent away to France to a school.  She comes back a few years later to live with a High Anglican clergyman in Brighton and from there travels to London to confess to the murder of Saville.

Eleanor Wyld as Constance and Sam Liu as her brother William (Photo: Pamela Raith)

As Whicher questions her, inconsistencies appear in her account of how she murdered the boy compared with the autopsy reports.  The whole family were plagued by press interest and William expresses the thought that he can never have a decent career with the implication that he murdered the child out of jealousy.  

There are well contained performances from Eleanor Wyld and Christopher Naylor as captive and cross examiner.  You will also appreciate Connie Walker as the very sexual Mary Kent and Jim Creighton as Mary’s lecherous husband.  

I do think now I shall have to read the book because seeing the play has left me with many loose ends.  Why was the child suffocated and then stabbed?  Why was one sock found in Mrs Kent’s bed? Saville was a notorious tattle tale.  Did anyone need to silence him?  Could Saville have been accidentally suffocated and then it made to look like murder?  If Constance did not murder Saville what induced her to confess?  

You can see how involving this production at the Watermill at Newbury can be!   

Eleanor Wyld as Constance. (Photo: Pamela Raith)

Production Notes

The Suspicions of Mr Whicher

Adapted by Alexandra Wood

from the book  by Kate Summerscale

Directed by Kate Budgen



Eleanor Wyld

Christopher Naylor

Connie Walker

Jim Creighton

Robyn Sinclair

Sam Liu


Director: Kate Budgen

Designer: Amy Jane Cook

Choreographer: Angela


Lighting Designer: Katy Morison

Sound Designer: Beth Duke

Video Designer: Rachel




Running Time: One hour 40 minutes with an interval

Booking to 10th June 2023


Watermill Theatre



RG20 8AE


Box Office: 01635 46044



Reviewed by Lizzie Loveridge

at the Watermill Theatre

on 10th May 2023