Rebecca Loses the Plot
“Last night I dreamt I went to Manderley again.”
It is hard to go past the opening line of Daphne du Maurier’s Gothic 1938 novel, Rebecca which spawned many films, plays and in this case a 2006 Austrian musical now translated into English. One of the problems of the novel is that it is 432 pages long in paperback, so there is plenty of story to be covered, as seen by the 39 songs. Hitchcock, in his 1940 film, with Laurence Olivier and Joan Fontaine changed the story to fit the screen. The Director Alejandro Bonatto has done the same but as more versions are made so the story becomes diluted and sanitised.
The play opens with Lauren Jones as I in the book as the narrator singing the opening number at a hotel in Monte Carlo where she is a companion to Mrs van Hopper (Shirley Jameson). I becomes the Second Mrs de Winter. She meets, falls in love and marries Maxim de Winter (Richard Carson). Maxim is a wealthy widower whose ancestral house is Manderley but he cannot overcome the loss of his first wife Rebecca.
At Manderley, Maxim introduces his new wife to the staff and this is the first time we meet the sinister Mrs Danvers (Kara Lane) who is even more obsessed with the loss of Rebecca. Max, Mrs Danvers and the new Mrs de Winter are the three principals who drive the story but the haunting figure of Rebecca is present in all that transpires. It is in the new Mrs de Winter’s imagination that the mystery of Rebecca is formed.
It is hard to see how the new mouse-like Mrs de Winter was attracted to her husband, here in the all too rapid courtship. Kara Lane is very strong as the housekeeper with unbounded loyalty to her first mistress and antagonism towards her replacement. She tries to encourage the new wife to jump out of a second-floor window. The music has been well received abroad and a version of Rebecca still runs in Vienna.
The singing, by the leads, is good, especially Lauren Jones as I singing sweetly and finding power in the song “Mrs de Winter is Me!” The stage is small but the set designed by Nicky Shaw is capable of changes to reflect different scenes, but we do have the obligatory smoke machines to reflect the moors and Cornish weather. The orchestra has 18 members under the Musical Director Robert Scott in the Charing Cross Theatre’s new enlarged orchestral space.
Those familiar with the novel may find the watering down of the novel’s major points disappointing as this diminishes the entire story, as presented in this version of the musical by Alejandro Bonatti. This is a musical with considerable potential but missed the opportunity to be something special.
Musical Numbers
Act One
Prologue/
Last Night I Dreamt of Manderley
Monte Carlo
You Can Count On Me
The Brand New Mrs de Winter
Invincible
The Old Country Ways
Are You Happy
Are You Angry
Help Me Face the Night
An Obvious Mistake
She knew the Men
Rebecca
She’s Gone
Oh My God!
Honesty
What a Night
Tonight I Will Amaze Them All
Act One Finale
/Rebecca (Reprise)
Act Two
Entr’acte
You’ll Always Love Her
Rebecca (Reprise)
Just One Step
Flotsam and Jetsam
She’s Gone (Reprise)
You Love Her Too Much
I’ll Never Forget Her Smile
Free Now
Brand New Mrs de Winter (Reprise)
Mrs de Winter Is Me!
Your Love Will Make Him Strong
The Inquest
I’ll Scratch Your Back
She’s Gone (Reprise)
They Left at Eight
Nobody Saw Through Her
I Hear You Singing – Rebecca
Through the Night
Manderley’s On Fire
Epilogue
/Last Night I Dreamt of Mannerly (Reprise)
Production Notes
Rebecca
Music by Sylvester Levay
Book and Lyrics by Michael Kunze
English Lyrics Christopher Hampton and Michael Kunze
Directed by Alejandro Bonatto
Cast
Starring:
Sarah Harlington
David Breeds
Kara Lane
Melanie Bright
Neil Moors
Nicholas Lumley
Piers Bate
Richard Carson
Lauren Jones
Alex James-Ward
Shirley Jameson
Nigel-Joseph Francis
Emily Apps
With:
Gail Mackinnon
Rosie Glossop
James Mateo-Salt
Elliot Swann
Scott McClure
Tarisha Rhombic
Creatives
Director: Alejandro Bonatto
Designer: Nicky Shaw
Musical Supervisor and Director: Robert Scott
Lighting Designer: David Seldes
Sound Designer: Andrew Johnson
Choreographer: Ron Howell
Projection Design: Matt Powell
Information
Running Time: Two hours 25 minutes with an interval
Booking until 18th November 2023
Theatre:
Charing Cross Theatre
The Arches
Villiers Street
London WC2N 6NL
Box Office: 08444 930 650
Tube: Embankment
Reviewed by Malcolm Beckett
at the Charing Cross Theatre
on 20th September 2023