Part 1 is a tour de force of theatre. Funny, dramatic, exciting and a visual treat – rarely has a brick wall been so impactful. Hildegard Bechtler’s set design is a masterclass in simplicity and creativity. Looking like little more than a brick walled basement, the use of curtains, some simple props, and Lee Curran’s inspired lighting, it transforms magically from a tavern to a royal court to a war zone.

Part 2 by contrast is more introspective and melancholy. Whilst Falstaff provides some glorious witty moments and takes more of the narrative lifting, it feels slow and, more unfortunately – unnecessary. There’s a lot of story but you feel as if it’s going nowhere of consequence.

Much has been said of McKellen’s performance, and rightly so. Here is a man at ease with medium of stage and the language of Shakespeare, but also one that’s just relishing the joy of playing such a larger-than-life character. Despite his 80+ years, there’s a physicality and energy to his performance that seems to defy his age.

But this is not a one-man show. It’s an ensemble piece that is performed, for the most, with equal aptitude. Toheeb Jimoh is a particular delight as the petulant, errant Hal as is Clare Perkins with her east-London/Caribbean twang delivering a pitch perfect comic performance as Mistress Quickly, the owner of the East London tavern.