Platonic Poignancy

“Wonder what’s worse for our parents, a gay son or a daughter with a Black boyfriend?”

Zaid

Mariam Haque as Neelam and Nathaniel Curtis as Zaid. (Photo: Helen Murray)

After his wonderful debut play The P Word, Waleed Akhtar brings us an unusual play about a platonic relationship.  Neelam (Mariam Haque) and Zaid (Nathaniel Curtis) meet at school and are drawn together because they have the same Pakistani heritage and because they both aspire to be playwrights. Zaid knows that he is gay and Neelam is the first person he comes out to.

They meet again at university and together their dialogue is realistic and compelling as they exchange their life experiences.  Later they both work in a call centre and in a local cinema, where Neelam wonders how difficult it is to swallow popcorn! A girlfriend whom Neelam confided in at school betrays her trust and ruins her reputation in the Ilford community they call Mini-Pakistan. 

The pressure on Neelam from her family is to get married to a Muslim and Pakistani man and the pressure on Zaid from his family is to show evidence of being heterosexual. So they both have family conflict which they can share with each other but as their other lives develop so their friendship starts to fade.

Zaid, who at 15 had a relationship with a man more than twice his age who picked him up from school in a car, frequents gay clubs but finds only casual encounters until he meets Jeremy (Anthony Holden).  Jeremy is a lecturer in Creative Writing and has judged plays from both.

Nnabiko Ejimofor as Deji and Mariam Haque as Neelam. (Photo: Helen Murray)

Meanwhile Neelam gets closer to Deji (Nnabiko Ejimofor) a Law student and Nigerian but not a Muslim.   Deji comes from Purley and has been to a private school. When Neelam fights with Deji about her family not accepting him as husband material, and her feeling that his family don’t think she’s good enough for Deji, it is Zaid she turns to.  Neelam too has various negative comments to make about Jeremy being much older than Zaid and of course their remembered pain from rejected play scripts.

It is interesting that the platonic relationship doesn’t seem to survive the sexual involvement of Zaid and Neelam with others.  Deji and Neelam will get married and Zaid takes no interest in this new direction in Neelam’s life.   Waleed Akhtar writes very sensitively the dialogue between Zaid and Neelam and they are both such likable characters that we want them to stay friends, to remember their shared history.  The play takes place from when they are 19 to aged 34. 

Zaid has always wanted to tell his unsderstanding father about his sexuality.  There are frissons of jealousy towards each other’s partner. Marian Haque is very convincing but Nathaniel Curtis shines in his role. 

The final scenes will gently surprise as Zaid and Neelam take different directions in the hands of a very fine writer.

Anthony Howell as Jeremy and Nathaniel Curtis as Zaid (Photo: Helen Murray)

Production Notes

The Real Ones

Written by Waleed Akhtar

Directed by Anthony Simpson-Pike

Cast

Starring:

Nathaniel Curtis

Mariam Haque

Nnabiko Ejimofo

Anthony Howell 

Creatives

Director:Anthony Simpson-Pike

Designer:   Anisha Fields

Movement Design: Iskandar Sharazuddin

Video/projection Designer: Matt Powell

Lighting Designer: Christopher Nairne

Sound Designer: Xana

Information

Running Time: One  hours 50 minutes without an interval

Booking to 26th October 2024

Theatre:  

The Bush Theatre

7 Uxbridge Rd

Shepherd’s Bush
 
 
London  W12 8LJ
 
 
Phone:020 8743 5050
 
 
 

Website: 

bushtheatre.co.uk

Tube Shepherd’s Bush Market

Reviewed by Lizzie Loveridge 

at the Bush Theatre

on 12th September 2024