Debt, Corruption and Comedy in the 1890s

“It was ten years before I found a nose that wasn’t turned up!”

Lady Twombley  

Nicholas Rowe as As the Right Hon Sir Julian Twombley and Nancy Carroll as Lady Katherine Twombley (Photo: Tristram Kenton)

This period piece by Arthur Wing Pinero has been adapted by Nancy Carroll, who also takes the lead as Lady Katherine Twombley.  We are reminded that Lady Twombley came from fairly humble surroundings as a farmer’s daughter before being elevated to high society as the wife of a Cabinet minister, Sir Julian Twombley (Nicholas Rowe).  They both are in debt and are launching their daughter Imogen (Rosalind Ford) as a debutante with the introduction to the Queen.   

Lady Twombley’s creditor, seamstress and fashion designer Mrs Lacklustre (Phoebe Fildes) has designs on getting into the upper echelons of society for both herself and her odious money-lending brother, Mr Bernard Lacklustre (Laurence Ubong Williams).  Meanwhile the Twombleys are looking for good marriages for their daughter Imogen and their son Brooke Twombley (Joe Edgar).

Rosalind Ford as Imogen Twombley and Nicholas Rowe as Sir Julian Twombley. (Photo: Tristram Kenton)

Enter Julian Twombley’s widowed sister Dora, Dowager Countess of Drumdurris (Sara Crowe) with a marriage prospect for Imogen: Sir Colin MacPhail (Matthew Woodyatt).  Sir Colin appears in Highland Dress with his hysterically funny mother Lady MacPhail (Dillie Keane).  Dillie Keane in a meticulous Scottish accent promotes her nondescript son with immaculately pronounced places like Ecclefechan and Auchtermuchty, directing everyone with a raised cane. 

Dillie Keane as Lady MacPhail, Rosalind Ford as Imogen, Matthew Woodyatt as Sir Colin MacPhail. (Photo: Tristram Kenton)

After the season in London with a super set by Janet Bird of the Twombley’s Conservatory with black and white tiled floor, swagged drapes and piano, they decamp to Drumdurris Castle. Every woman is beautifully dressed in Victorian silks with bustles and, while her voice betrays her origins, Mrs Lacklustre’s dresses are really elegant. The Scottish castle set, after the interval, is a more dour setting with pretty candelabra replaced by those rustic wooden wheels holding functional lights.  Sensational draped tartan will drop and rise. Sir Colin has two kilts but in England, exhibits how uncomfortable he is when wearing Southern trousers by tugging at his crotch!  He is a man of few words but we can count on his mother to tell us what she thinks he is feeling. 

Dillie Keane as Lady MacPhail. (Photo: Tristram Kenton)

The Lacklustres have got themselves invited by blackmailing Kitty Twombley and have even darker motives.  Lacklustre wants to discover how the Parliamentary vote might go on the building of a new canal in order to speculate on the Stock Exchange.  Imogen has a childhood friend Valentine White (George Blagden) who tours the world exploring different cultures and religions. 

Paul Foster directs with great clarity this complicated exposition of characters and motivation and I suspect, at least some of the many enjoyably witty lines, are down to Nancy Carroll’s loving adaptation rather than Arthur Wing Pinero’s original.  The performances are tip top and many of them are actor musicians adding sound atmosphere. 

Is the Pinero out of date? Isn’t it remarkable when today we have a scandal of 21st century politicians accepting designer clothes to see the Twombley of the 1890s in a similar predicament? 

Laurence Ubong Williams as Bernard Lacklustre and Nancy Carroll as Lady Katherine Twombley (Photo: Tristram Kenton)

Production Notes

The Cabinet Minister

Written by Arthur Wing Pinero

Adapted by Nancy Carroll

Directed by Paul Foster

Cast

Starring:

George Blagden

Nancy Carroll

Sara Crowe

Phoebe Fildes

Joe Edgar

Rosalind Ford

Dom Hodson

Dillie Keane

Laurence Ubong Williams

Nicholas Rowe

Romaya Weaver

Matthew Woodyatt

 

Creatives

Director: Paul Foster

Designer: Janet Bird

Musical Supervisor and Composer: Sarah Travis

Lighting Designer:  Oliver Fenwick

Sound Designer: George Dennis

Movement: Joanna Goodwin

Information

Running Time: Two hours 30 minutes with an interval

Booking until 16th November 2024

 

Theatre:

Menier Chocolate Factory

4 O’Meara Street

London SE1 1TE

020 7378 1713

 

Tube: London Bridge

Reviewed by Lizzie Loveridge

at the Chocolate Factory

at the matinée on 28th September 2024