Angry Young Man dominates Sad Young Women
“Somebody said – what was it – we get our cooking from Paris (that’s a laugh), our politics from Moscow, and our morals from Port Said …”
Jimmy Porter
Waiting For Godot premiered in England in 1955, written by an Irishman but produced in Paris, firstly in French. In 1956 there was one of the first “kitchen sink” dramas from John Osborne Look Back in Anger. It wasn’t well received by the critics of the day except for the two most influential, Kenneth Tynan and Harold Hobson, and transferred from the Royal Court to the West End and to Broadway.
It features the original “Angry Young Man” Jimmy Porter (Billy Howle). In the first act, set on a Sunday afternoon, Jimmy and his flat mate Cliff Lewis (Iwan Davies) are arguing about who gets to read which Sunday newspaper. Jimmy’s wife Alison Porter (Ellora Torchia) meanwhile is centre stage ironing. She is not really getting into the debate which is dominated by Jimmy’s rhetoric, which is loud and incessant.
Jimmy comes from a working class background and has some education but runs a sweet stall in the local market along with Cliff. It emerges that Alison comes from a middle class, military family, based in colonial India from 1914 until 1947, and who were not impressed by Alison’s attachment to Jimmy Porter. Jimmy of course did not attempt to ingratiate himself with his in laws, instead insulting them by being articulately offensive.
The argument between Cliff and Jimmy results in a scuffle and in the fight, the ironing board is overturned and Alison is burnt on her arm by the iron. Act Two sees the arrival of Alison’s actress friend Helena Charles (Morfydd Clark) who is deeply critical of the way Alison is treated by Jimmy. Although Jimmy stands accused of misogyny it doesn’t seem to prevent his being sexually attractive to both Alison and peculiarly Helena.
Helena sends a telegram to Alison’s father asking him to rescue his daughter from this marriage. Colonel Redfern (Deka Walmsley) arrives to collect Alison and Helena says she is staying for one night because she has an audition in Birmingham the next day.
The opening of the third act is like a very short ballet of sexual connection between Helena and Jimmy. The next scene is a mirror of the first, Sunday papers, Cliff and Jimmy arguing, but doing the ironing is the incoming woman, Helena. I have never seen Look Back in Anger so I am unable to compare Atri Bannerjee’s 2024 direction with the original.
The performances are strong, especially the vituperative Jimmy Porter, but it does feel like a museum piece. It is difficult to empathise with Jimmy’s frustrations because of his integral sexist views. Marc Brenner’s beautiful photographs close in on Ellora Torchia with Alison Porter’s heart breaking distress.
Could Jimmy Porter still exist anywhere in the UK today or was it not until the 1960s that Youth given the was the opportunity to express themselves and rebel against the Establishment? Look Back in Anger is a piece of theatrical history which makes me relieved my theatre reviewing commenced in the mid 1990s and not the mid 1950s.
Production Notes
Look Back in Anger
Written by John Osborne
Directed by Atri Banerjee
Cast
Starring:
Billy Howle
Ellora Torchia
Morfydd Clark,
Iwan Davies
Deka Walmsley
Creatives
Director: Atri Banerjee
Set Designer: Naomi Dawson
Costume Designer: Tomás Palmer
Movement Director: Imogen Knight
Lighting Designer: Lee Curran
Composer: Jherek Bischoff
Fight Director: Yarit Dor
Information
Running Time: Two hours 45 minutes with an interval
Extended and Booking to 30th November 2024
Theatre:
Almeida Theatre
Almeida Street
London N1 1TA
Phone: 020 7359 4404
Website: almeida.co.uk
Tube: The Angel
Reviewed by Lizzie Loveridge
at the Almeida
at the matinée performance
on 5th October 2024