Injustice on Death Row for 21 Years
“I want to speak eloquently when they give me my last words. I don’t want to appear ignorant.”
Nick Yarris
With Timothy Sheader’s first production at the Donmar Warehouse, comes this remarkable true story of an innocent man incarcerated on Death Row for 21 years. He was 21 years old when he was on drugs and in order to plea bargain for an arrest involving a police officer, he implicated another man for the rape and murder of Linda Mae Craig. The man he had accused, he thought was dead, but that man had an alibi and Yarris became the main suspect. There was some identification evidence which later proved to be false but he was convicted and sentenced to death. He had the same blood group as the murderer.
Years later he was exonerated by DNA evidence proving that it wasn’t him but getting to that point took 13 years of red tape, appeals and hearings. In prison he educated himself and is now a writer. Lindsey Ferrentino’s play is built from Yarris’ autobiography. His motivation for education was that he wanted his last words to be intelligent and eloquent.
The opening scenes are quite scary in the prison with initially Aidan Kelly as the frightening guard, starting with what feels like a warning to turn off our phones, and turning into the full list of regulations to be observed by visitors to the prison. Ferdy Roberts, as a terrifying inmate, large and hairy, takes over with shouting that no-one is allowed to speak and then trying to get Yarris to slip up by speaking that he understands the rule. Talk about Catch 22. We see another inmate being beaten for speaking.
If we didn’t have enough drama, Adrien Brody, Oscar winning actor in The Pianist takes the leading role, back on stage for the first time in 30 years. He is mesmerising with such an expressive and beautiful face as he tells Nick Yarris’ story. Director Justin Martin has given us a very physical production, moving the front row of the auditorium to allow actors to appear from many different points both upstairs and downstairs among the audience. This physicality allows excitement and momentum.
There are doubling up of parts with Cyril Nri, usually another inmate, also playing Yarris’ sweet mother and Ferdy Roberts as his understanding father. We hear about two men in love on the outside, but who manage to get into prison together, Wesley and Butch. One of them, Posi Marakinyo sings a beautiful love song. The storytelling of this production is compelling.
The device used for us to hear Nick Yarris’ story is via a visitor, an academic writing up her PhD, Jackie Schaffer (Nana Mensah) who visits him weekly. She gets the measure of him when he tells his boyhood story and she says, “That’s not your story, that’s The Catcher in the Rye !” Over time, they both fall in love and she works on his appeal, following up the innovatory testing of DNA possibility. Nina Mensah gives a beautiful and convincing performance.
This DNA procedure takes a monstrous amount of time due to bungling and contaminating the evidence, as well as bureaucracy, 13 years, I think, from the point that DNA became a possibility. Is that The Fear of 13? They marry in prison, but he eventually allows her to continue her life apart from him, without her also serving as long a sentence alone. Miriam Buether’s set has the flexibility of a glass wall at the rear to show prisoners at visiting times or scenes from Nana’s home when she is on the phone. All credit to Ian Dickinson for the brutal clanging of prison doors.
Eventually Nick Yarris withdraws from the appeals and asks to be put to death and thank goodness at that point, the prosecution request that the DNA evidence be investigated and the rest is history. This production is sold out, rightfully so, for its salutary reminder about miscarriages of justice and a tremendous central performance.
Production Notes
The Fear of 13
Written by Lindsey Ferrentino
Directed by Justin Martin
Cast
Starring:
Adrien Brody
Aidan Kelly
Cyril Nri
Ferdy Roberts
Michael Fox
Matt McClure
Tommy Sim’aan
Nana Mensah
Posi Morakinyo
Creatives
Director: Justin Martin
Set Designer: Miriam Buether, Luke Smith
Costume Designer: Brigitte Reiffenstuel
Lighting Designer: Jon Clarke
Fight Director: Kev McCurdy, Sam Lyon-Behan
Composer and Musical Director: DJ Walde
Sound Director: Ian Dickinson for Autograph
Information
Running Time: One hour 45 minutes
Booking to 30th November 2023
Theatre:
Donmar Warehouse
Earlham Street
Covent Garden
London WC2H 9LX
Tube : Covent Garden
Website: donmarwarehouse.com
Reviewed by Lizzie Loveridge
at the Donmar Warehouse
on 11th October 2024