Rich Comedy from Richard Bean
“You’ve got to learn to close your heart.”
William Claxton
Richard Bean’s plays are full of wit and rich anecdote. He writes about what he knows and in Under the Whaleback in 2003 that award winning play was about the decline of the trawler fishing industry based in Hull. In his latest play, Reykjavik he returns to this industry taking a snapshot of 1976. Each act of Reykjavik tackles his subject from a different angle but we start with Donald Claxton (John Hollingworth) who is in charge of the fleet and has lost the Graham Greene in Icelandic waters and fifteen men.
Anna Reid’s set for this act is a large office for the fleet owner, another office to the rear behind glass where secretary Charlotte (Sophie Cox) is based. The visitors to Donald Claxton give us rich detail about his responsibilities. Claxton takes calls through Wick radio from his trawlers all named after literary characters; it seems he read English at Cambridge. Claxton’s father William Claxton (Paul Hickey) calls in, retired but finding it hard to give up the industry.
He is asking a skipper to delay his landing by a day to ensure a healthy market for his catch. Claxton has to sack a young skipper Rick Toov (Adam Hugill) for not catching enough fish. His next visitor is the wife of one of the men on the Graham Greene, Lizzie Jopling (Laura Elsworthy). What she is complaining about is surprising but Claxton handles her complaint particularly well.
The next day Claxton has to carry out the Widows’ Walk, when he will visit one by one all the women widowed by the loss of the Graham Greene and be asked into their homes. This is the first Widows’ Walk he has carried out as when he lost his first ship in 1968, his father did the walk. Some of the widows are only 18 or 19 years old.
Finally the new local vicar the Reverend Wallace Polkinghorne (Matthew Durkan) has to be briefed by Claxton on the memorial service for the men lost at sea. By the end of this act, we have been immersed in this seafaring community with its superstitions and traditions.
Act Two is set in Iceland at the small hotel in Reykjavik where the four survivors plus one body, of the Graham Greene are accommodated in an odd assortment of clothes donated by the locals. Einhildur (Sophie Cox) is running the non-alcoholic bar. I don’t remember non-alcoholic beer in 1976! Jack Jopling (Matthew Durkan) confirms the unpleasant picture his wife Lizzie has painted of him as an angry and vindictive man.
Donald Claxton has flown out to Iceland in an act of solidarity with his employees and will try his best to share their suffering. This act is full of storytelling as experienced sailor Quayle (Paul Hickey) contributes lyrical tales of mystery and imagination and of dying of fright after seeing the Ramsey Pram. The youngest crew member, Snacker (Adam Hugill) is clumsily attempting to chat up Einhildur. Baggie (Matt Sutton) is awaiting news of the birth of his baby.
There is tomfoolery as Jack muddles up the metaphors for putting out fire with those situations where you wouldn’t piss on anyone and makes the chips uneatable. Outstanding in this act is Donald Claxton’s describing his first Widows’ Walk with its combination of tradition and tragedy. John Hollingworth gives a remarkably affecting performance as Claxton.
Christopher Shutt’s sound design supplies crashing waves and stormscapes. Anna Reid’s Icelandic hotel bar has authentic signs for a functional place to stay
The announcement that Iceland will be setting a 200 mile zone of their coastal waters with all that that means for the British Fishing Industry rings a tolling bell to this seriously subjected and excellent comedy.
Production Notes
Reykjavik
Written by Richard Bean
Directed by Emily Burns
Cast
Starring:
Adam Hugill
John Hollingworth
Laura Elsworthy
Matt Sutton
Matthew Durkan
Paul Hickey
Sophie Cox
Creatives
Director: Emily Burns
Designer: Anna Reid
Lighting Designer: Oliver Fenwick
Fight Director: Maisie Carter
Composer: Grant Olding
Sound Director: Christopher Shutt
Information
Running Time: Two hours 40 minutes infusing an interval
Booking to 23rd November 2023
Theatre:
Hampstead Theatre
Eton Avenue
Swiss Cottage
Tube: Swiss Cottage
Reviewed
by Lizzie Loveridge at
Hampstead Theatre
on 24th October 2024