Family Shenanigans
“There are people who eat the earth and eat all the people on it like in the Bible with the Locusts. Then there are people who watch them do it. . . Sometimes I think it ain’t right to stand and watch them do it.“
Addie
Lillian Hellman’s play The Little Foxes was written in 1939 and is set in Alabama in 1900. Lyndsey Turner’s production at the Young Vic maybe is more 1950s and loses the context of the switch in the South from an Agrarian economy to a semi-industrial one.
The Southern Hubbard family are negotiating with William Marshall from Chicago (John Light) the sale of their cotton plantation to him, with the development of a cotton manufacturing plant which will rob the South of many lowly paid jobs as manual labour is replaced by machines. However this will be the first time a mechanised cotton plant is based in the South and not further north in America.
Two of the brothers Benjamin Hubbard (Mark Bonnar) and Oscar Hubbard (Steffan Rhodri) have agreed what they will contribute of their holding but still have to agree with Horace Giddens (John Light), their brother in law. Horace has obtained his share of the Hubbard firm by marrying Ben and Oscar’s sister, Regina Hubbard (Anne-Marie Duff). The inheritance rights of women are in question. Oscar’s longer term plan is to marry his philandering son Leo (Stanley Morgan) to Regina and Horace’s daughter Alexandra (Eleanor Worthington-Cox) in order to keep the firm in his immediate family.
Horace is away so the brothers are negotiating with their sister Regina. Oscar’s kinder wife Birdie (Anna Madeley) is present at this family gathering. She is from a considerably richer plantation family and was married by Oscar in a land deal to benefit the Hubbards. Birdie is in an abusive marriage and Oscar is violent and nasty to her.
The role of Regina is one which has been played onstage by Tallulah Bankhead, Elizabeth Taylor and Stockard Channing and on film, by Bette Davis. Bankhead and Davis played her with unremitting evil and Lillian Hellman preferred her play not to be considered a melodrama. Anne-Marie Duff’s handling of the part is to be selfish and greedy. We don’t believe that she is acting on behalf of her daughter Alexandra. Her misdeeds stretch from opportunism to something much darker and her performance is always believable. Lizzie Clachan has Regina always dressed in devilish red whereas the other women are in pale pink, orange florals.
There is good contrast between Anna Madeley’s Bridie who is decent and caring towards Alexandra. There is a good/bad divide in the characters between Birdie, Alexandra and Horace, and the rest apart from the servants. The two servants Addie (Andrea Davy) and Cal (Freddie MacBruce) fall into the decent human beings with their loyalty to the family. I didn’t realise until I read the cast sheet that John Light had also played the industrialist William Marshall.
Steffan Rhodri makes his Oscar as unpleasant as can be with his horrific treatment of his wife and Mark Bonnar looks far more noble than he is when he strikes a woman. How disappointing these little foxes must have been to their parents! Leo Hubbard exploits his position at the bank and lies about what happened. Sadly no-one is able to keep up their starting Southern accents, as with emotion and time, they lapse into what the Americans call Britishness but Bonnar is the best at a southern drawl.
Lizzie Clachan’s beautiful set is spacious and affluent with a glimpse of the lit candleholders through the door to the dining room. A winding staircase goes up to the upper floor from the hall way come sitting room where the play is set.
Lyndsey Turner’s confident direction conveys the tensions in this toxic family and we have to hope that history does not repeat itself and the younger generation can escape their family history. A production well worth seeing!
Production Notes
The Little Foxes
Written by Lillian Hellman
Directed by Lyndsey Turner
Cast
Starring:
Anne-Marie Duff
Steffan Rhodri
Andrea Davy
Anna Madeley
Eleanor Worthington-Cox
John Light
Mark Bonnar
Stanley Morgan
Freddie MacBruce
Creatives
Director: Lillian Hellman
Designer: Lizzie Clachan
Movement Director: Steven Hoggett
Lighting Designer: Lucy Carter
Composer: Philippe Cato
Sound Designer: Tingying Dong
Fight Director: Kev McCurdy
Information
Running Time: Two hours 15 minutes with an interval
Booking to 2nd February 2025
Theatre:
Young Vic
66 The Cut
Waterloo
London SE1 8LZ
Tube/Rail : Waterloo/Southwark
Telephone: 020 7922 2922
Website: youngvic.org
Rail/Tube: Waterloo, Southwark
Reviewed
by
Lizzie
Loveridge
on 12th
December
2024