Immersion in the life of a Classicist and Poet
“Sophocles, too; he wrote The Loves of Achilles: more spooniness than you’ll find in a cutlery drawer, I shouldn’t wonder.”
AE Housman
Tom Stoppard’s play The Invention of Love about the poet and classical scholas AE Housman hasn’t been on in London since 1998. Why? Because this erudite and learned play has numerous references in it to the 19th century study of Greek and Latin texts and authors and may have been deemed as too intellectual for many audience members. This is true but it is also stuffed full of Stoppardian wit and you will find yourself laughing out loud.
We open in 1936 when AE Housman (Simon Russell Beale) is waiting at the River Styx for the boatman Charon (Alan Williams) to ferry him to the Underworld. We switch back to 1877 where the younger Housman (Matthew Tennyson and great great great grandson of Alfred Lord Tennyson) has won a scholarship to St John’s College Oxford to study “Greats” or Classics. Here Housman meets the athletic sportsman Moses Jackson (Ben Lloyd-Hughes) whom Housman falls in love with but which is never reciprocated although they are long term friends.
There is interesting detail on the number of times classical texts, in Greek or Latin, have been translated with errors altering meaning and Housman is keen on going back as far as he can to the original to achieve better and revealing accuracy. Researching this play was over several years for Stoppard, and we marvel at his dedication and attention to detail. Is it significant that Stoppard himself never went to university in view of how academic and intellectual his plays are? Is he proving something to himself?
There are definitely two sides to Housman, one is the poetry like A Shropshire Lad that he is known for and the other his career as a Greek and later Latin Scholar, teaching at University College London and then at Cambridge as a professor. There are discussions about Aestheticism, a movement valuing beauty, one of the proponents of which was Oscar Wilde (Dickie Beau), who would have been at Oxford at the same time as Housman. There is a discussion between Wilde and Housman in the play which is imagined. The choice for aesthetics was beauty over morality, honesty and things ethical.
Many notable Victorians have cameos in the play, scholar John Ruskin (Dominic Rowan), American Frank Harris (Jonnie Broadbent), WT Stead (Dominic Rowan) and the theatre programme has helpful mini-biographies of them all. We hear about journalist Stead’s procuring of a child virgin aged 13 to expose child prostitution and the hypocrisy of Victorian England.
The ensemble cast are of the finest order with Simon Russell Beale at the height of his power delivering Stoppard’s prose so we can understand Housman’s point of view. As a play it overflows with ideas and attitudes. Dowson’s reputation on critiquing his fellow academics was that he didn’t hold back and a contemporary described him as savage.
Housman’s poetry is usually despondent with death as its conclusion and Morgan Large’s design may take its inspiration from this with the hooded figure of Charon on the banks of the Styx. I think it is as a poet that he is known today rather than as a classicist. The Oxford University Press did not publish his book on Propertius and the manuscript is now lost.
Blanche McIntyre who has a double first in Classics from Oxford directs The Invention of Love and is obviously secure in her background knowledge. Credit to Hampstead Theatre for reviving The invention of Love for the first time this century. Do go and see this erudite production for the delight of Simon Russell Beale’s voice and Stoppardian wit.
Production Notes
The Invention of Love
Written by Tom Stoppard
Directed by Blanche McIntyre
Cast
Starring:
Simon Russell Beale
Alan Williams
Ben Lloyd-Hughes
Dickie Beau
Dominic Rowan
Matthew Tennyson
Michael Marcus
Peter Landi
Stephen Boxer
Seamus Dillane
Jonnie Broadbent
Florence Dobson
Creatives
Director: Blanche McIntyre
Designers: Morgan Large`
Composer and Sound Designer: Max Pappenheim
Lighting Designer: Peter Mumford
Movement: Polly Bennett
Information
Running Time: Two hours 50 minutes including an interval
Booking to 1st February 2025
Theatre:
Hampstead Theatre
Eton Avenue
Swiss Cottage
Tube: Swiss Cottage
Reviewed
by Lizzie Loveridge at
Hampstead Theatre
on 16th December 2024