Enchanting Escapist Swan Lake

“As our swans take flight once more in this major revival, I’m full of anticipation for the challenges it will bring for our next generation of dancers and the wonder that it will bring to audiences who will experience it for the very first time.”

Matthew Bourne


The Company (Photo: Johan Persson)

Matthew Bourne’s breaking of the ballet mould with his version of Tchaikovsky’s Swan Lake, where all the swans are danced by male dancers, is approaching its 30th anniversary.  It caused a sensation in the 1994/5 season and its impact and freshness is as strong now. 

It opens with the animated scrim of a flying swan before we find the royal prince (Leonardo McCorkindale) has a nightmare and his mother the Queen (Ashley Shaw) demonstrates what an unsympathetic, unfeeling mother she is.  The Prince tags along with the succession of royal appearances with witty attendants in black and white matching costumes, all designed by Lez Brotherston, and the Queen flirts with every good looking man in sight. There are so many opportunities to laugh at the clever characterisations of dance choreography. 

SThe Company in the Butterfly Ballet. (Photo: Johan Persson)

The Prince meets a girlfriend, a blonde in a pink puffball dress (Bryony Wood) who is a bit of an airhead. We have to laugh! There is a scene in a seedy nightclub.  The royals go the ballet where Bourne parodies fussily designed classical ballet with the Mothmaiden (Molly Shaw-Downie), escaping the clutches of three trolls.  Instead of eating snacks noisily as she did in the original, the girlfriend’s mobile phone goes off in the ballet and we understand the prince’s mother disdain for her.  A corgi trots in, a reference to our own royal family and creating amusement.   

Behind the prince’s enormous bed with its crown in red, fleetingly we have seen a swan flying through the air. Having been immersed in the tedium of existence for the prince, his meeting with the swans is an emotional highpoint as these beautiful creatures display state of the art dance.  One arm curves round the head, the other flutters straight as a wing, their faces show the dark eyes and bill and the athletic jumps convey the grace of the swans’ gliding movement. The dancers are muscular and bare chested, wearing high waisted feathered pantaloons and barefoot.  The dance of the little swans has mischievous swans cheekily invading the school playground to much joy. 

The Company (Photo: Johan Persson)

It is the sheer beauty demonstrating the attraction for the prince of a quintessentially simplistic and sincere existence so different from the one his birthright dictates.  What is incredible is the way the visuals transport you to this magical world.  The swans appear at night, against a dark blue sky lit by a full moon and tree branches are silhouetted across the stage framed by rows of gracious columns. The lead Swan is danced by Harrison Dowzell.

The Prince has to go to the ball where the female dancers join as princesses from all over Europe, one wearing a dramatic eye patch.  They have gorgeous black ball gowns and Tchaikovsky’s National dances are exciting and athletic displays.  The black clad Stranger (Harrison Dowzell) seduces every woman in the room, including the Queen. Credit to Lez Brotherston’s memorable design and Paule Constable’s illumination and shadows.

Harrison Dowel as The Stranger (Photo: Johan Persson)

The final act, set in the prince’s bedroom, has all the swans appearing from behind, and under, and even, from within the bed.  There is tragedy here but we have had a glimpse of a swan filled heaven.  And the wonderful music from Tchaikovsky permeates every scene. No wonder a whole generation of boys were introduced to dance via the film Billy Elliot with Adam Cooper as The Swan.

Think you don’t like ballet?  Go and see this Swan Lake.  It will change your mind! Who could not give this production five stars?  Theatrevibe, the site that doesn’t do stars, gives it five stars for its immersing rapture, witty moments and incidentally, the best value seats in London. 

Harrison Dowzell as The Swan. (Photo: Johan Persson)
The Swan and the Prince (Photo: Johan Persson)

Production Notes

Matthew Bourne’s Swan Lake – The Next Generation

Composed by

Pyotr Ilyich Tchaikovsky

Directed and choreographed by Matthew Bourne 

Cast

Starring:

Leonardo McCorkindale

Harrison Dowzell

Ashley Shaw

Bryony Wood

Cameron Flynn

Molly Shaw-Downie

Savannah Ffrench

Jade Copas

Anna-Maria de Freitas

Eleanor McGrath

Eve Ngbokota Maisie Mwebe

Jamie Duncan-Campbell

Xavier Andriambolanoro Sotiya

Louis Fukuhara

Mukeni Nel

Tom Barnes Standing

Alistair Beattie

Louis Harris

Jarrod McWilliams

Barnaby Quarendon

Benjamin Barlow Bazeley

Callum Mann

Matthew Amos

Ben Brown

Aristide Lyons

 

Ashley Shaw as The Queen. (Photo: Johan Persson)

Creatives

Director: Matthew Bourne

Choreographer: Matthew Bourne

Designer:  Lez Brotherston`

Lighting Designer:  Paule Constable

Sound Designer: Benjamin Pope

Revised Orchestrations: Rowland Lee

Video and Projection Designer:

Duncan McLean

Conductor: Benjamin Pope

Information

Running Time: Two hours 20 minutes including an interval

Booking to 26th January 2025 at Sadler’s Wells

 

Then touring to 7th June 2025 see below

 

Theatre:

Sadler’s Wells Theatre

Rosebery Avenue

London EC1R 4TN

Box Office: 020 7863 8000

Tube: The Angel

Touring Dates

Birmingham Hippodrome

Theatre Royal, Nottingham

Liverpool Empire

25th Feb – 1st Mar

Bristol Hippodrome

Mayflower Theatre

Norwich Theatre Royal

Newcastle Theatre Royal

Festival Theatre, Edinburgh

Milton Keynes Theatre

Wales Millennium Centre

The Marlowe

The Alhambra Theatre

Lyceum Theatre, Sheffield

 

Bord Gáis Energy Theatre, Dublin

His Majesty’s Theatre, Aberdeen

Theatre Royal Glasgow

Reviewed by Lizzie Loveridge

at Sadler’s Wells on 17th December 2024