Enchanting Escapist Swan Lake
Matthew Bourne’s breaking of the ballet mould with his version of Tchaikovsky’s Swan Lake, where all the swans are danced by male dancers, is approaching its 30th anniversary. It caused a sensation in the 1994/5 season and its impact and freshness is as strong now.
It opens with the animated scrim of a flying swan before we find the royal prince (Leonardo McCorkindale) has a nightmare and his mother the Queen (Ashley Shaw) demonstrates what an unsympathetic, unfeeling mother she is. The Prince tags along with the succession of royal appearances with witty attendants in black and white matching costumes, all designed by Lez Brotherston, and the Queen flirts with every good looking man in sight. There are so many opportunities to laugh at the clever characterisations of dance choreography.
The Prince meets a girlfriend, a blonde in a pink puffball dress (Bryony Wood) who is a bit of an airhead. We have to laugh! There is a scene in a seedy nightclub. The royals go the ballet where Bourne parodies fussily designed classical ballet with the Mothmaiden (Molly Shaw-Downie), escaping the clutches of three trolls. Instead of eating snacks noisily as she did in the original, the girlfriend’s mobile phone goes off in the ballet and we understand the prince’s mother disdain for her. A corgi trots in, a reference to our own royal family and creating amusement.
Behind the prince’s enormous bed with its crown in red, fleetingly we have seen a swan flying through the air. Having been immersed in the tedium of existence for the prince, his meeting with the swans is an emotional highpoint as these beautiful creatures display state of the art dance. One arm curves round the head, the other flutters straight as a wing, their faces show the dark eyes and bill and the athletic jumps convey the grace of the swans’ gliding movement. The dancers are muscular and bare chested, wearing high waisted feathered pantaloons and barefoot. The dance of the little swans has mischievous swans cheekily invading the school playground to much joy.
It is the sheer beauty demonstrating the attraction for the prince of a quintessentially simplistic and sincere existence so different from the one his birthright dictates. What is incredible is the way the visuals transport you to this magical world. The swans appear at night, against a dark blue sky lit by a full moon and tree branches are silhouetted across the stage framed by rows of gracious columns. The lead Swan is danced by Harrison Dowzell.
The Prince has to go to the ball where the female dancers join as princesses from all over Europe, one wearing a dramatic eye patch. They have gorgeous black ball gowns and Tchaikovsky’s National dances are exciting and athletic displays. The black clad Stranger (Harrison Dowzell) seduces every woman in the room, including the Queen. Credit to Lez Brotherston’s memorable design and Paule Constable’s illumination and shadows.
The final act, set in the prince’s bedroom, has all the swans appearing from behind, and under, and even, from within the bed. There is tragedy here but we have had a glimpse of a swan filled heaven. And the wonderful music from Tchaikovsky permeates every scene. No wonder a whole generation of boys were introduced to dance via the film Billy Elliot with Adam Cooper as The Swan.
Think you don’t like ballet? Go and see this Swan Lake. It will change your mind! Who could not give this production five stars? Theatrevibe, the site that doesn’t do stars, gives it five stars for its immersing rapture, witty moments and incidentally, the best value seats in London.
Production Notes
Matthew Bourne’s Swan Lake – The Next Generation
Composed by
Pyotr Ilyich Tchaikovsky
Directed and choreographed by Matthew Bourne
Cast
Starring:
Leonardo McCorkindale
Harrison Dowzell
Ashley Shaw
Bryony Wood
Cameron Flynn
Molly Shaw-Downie
Savannah Ffrench
Jade Copas
Anna-Maria de Freitas
Eleanor McGrath
Eve Ngbokota Maisie Mwebe
Jamie Duncan-Campbell
Xavier Andriambolanoro Sotiya
Louis Fukuhara
Mukeni Nel
Tom Barnes Standing
Alistair Beattie
Louis Harris
Jarrod McWilliams
Barnaby Quarendon
Benjamin Barlow Bazeley
Callum Mann
Matthew Amos
Ben Brown
Aristide Lyons
Creatives
Director: Matthew Bourne
Choreographer: Matthew Bourne
Designer: Lez Brotherston`
Lighting Designer: Paule Constable
Sound Designer: Benjamin Pope
Revised Orchestrations: Rowland Lee
Video and Projection Designer:
Duncan McLean
Conductor: Benjamin Pope
Information
Running Time: Two hours 20 minutes including an interval
Booking to 26th January 2025 at Sadler’s Wells
Then touring to 7th June 2025 see below
Theatre:
Sadler’s Wells Theatre
Rosebery Avenue
London EC1R 4TN
Box Office: 020 7863 8000
Tube: The Angel
Touring Dates
Birmingham Hippodrome
–
Theatre Royal, Nottingham
–
Liverpool Empire
25th Feb – 1st Mar
Bristol Hippodrome
–
Mayflower Theatre
–
Norwich Theatre Royal
–
Newcastle Theatre Royal
–
Festival Theatre, Edinburgh
–
Milton Keynes Theatre
–
Wales Millennium Centre
–
The Marlowe
–
The Alhambra Theatre
–
Lyceum Theatre, Sheffield
–
Bord Gáis Energy Theatre, Dublin
–
His Majesty’s Theatre, Aberdeen
–
Theatre Royal Glasgow
–
Reviewed by Lizzie Loveridge
at Sadler’s Wells on 17th December 2024