The Importance of Coming Out of the Closet

“Never speak disrespectfully of society, Algernon.

Only people who can’t get into it do that.” 

Lady Bracknell

Cast (Photo: Marc Brenner)

The high-minded Victorian critic and weirdo John Ruskin was sued for libel by the artist Whistler for calling one of his impressionistic works “a pot of paint thrown in the public’s face.” He was also a friend to Oscar Wilde so we can only guess what he might have thought of Max Webster’s  revival of Wilde’s masterpiece.

We asked a Medium to get in touch with both men. Wilde didn’t return the call. But Ruskin appears to have said, “The total effect is a of giant chocolate eclair filled with strawberry ice cream and nitrous oxide – a decadent blend of self-indulgence and hysterical laughter.” At least wherever Ruskin is now he probably can’t be sued.

Lovers of the playful paradoxes and ironic wit of Wilde’s classic farce might well be upset by the ‘re-imaginings’ that characterise this production.

Sharon D Clarke as Lady Bracknell and Ncuti Gary as Algernon. (Photo: Marc Brenner)

The action now opens with a prologue featuring a scantily-dressed Algernon Moncrieff (Elliott Pritchard for tonight’s performance in the absence of an indisposed Ncuti Gatwa) playing a piano in what appears to be a very very private gentleman’s club to amuse some very private gentlemen in a way Little Richard could only dream of.

We can’t say we weren’t warned. This is a farce that dares to speak its name. The closet door is wide open. In Act 3 two much larger than life male nude statues attract the attention of Jack Worthing (Hugh Skinner) who seems to have made a habit of stroking the breast of the left hand one. Cicely (Eliza Scanlen) attends closely to another part of the one on the right.

Both young ladies are very saucy. Cicely has already scared the horses with her prone bare-legged exercises in the garden and at the start of the last act her head emerges from under the conveniently well-bustled skirt of Gwendolen (Ronke Adekoluejo). Gwendolen herself has an explosive vocal range whose exact emotional register is impossible to determine.

Hugh Skinner as Jack Worthing and Ronke Adekoluejo as Gwendolen (Photo: Marc Brenner)

The protestations of devoted love for the ladies by both Jack and Algernon are sublimely unconvincing and both men emit four letter words at moments of stress. So we naturally expect Lady Bracknell (Sharon D Clarke) to use the prevailing licence, to say something even more provocative. Sadly she settles for making the most of Jack being found in the famous ‘handbag’ when she could at least have said ‘a johnny bag’, allowing Jack the opportunity to reply “They couldn’t find one big enough.”

There are many less sensational pleasures to be had in this production; Reverend Chasuble (Richard Cant) and Miss Prism (Amanda Lawrence) who seem to throb with unrequited lust. Both butlers – Lane and Merriman – are played by Julian Bleach who appears to channel Dirk Bogard’s very sinister The Servant and Julie Walter’s boneless Mrs Overall from Acorn Antiques.

Set and Costume designs (by Rae Smith) are a voluptuous treat.

Whatever the audience brought to the show they mostly left with a smile on its face.

Ronke Adekoluejo as Gwendolen, High Skinner as Jack Worthing, Eliza Scanlen as Cecily and Ncuti Gatwa as Algernon. (Photo: Marc Brenner)

Production Notes

The Importance of Being Earnest

Written by Oscar Wilde

Directed by Max Webster

Cast

Starring:

Sharon D Clarke

Amanda Lawrence

Elliot Pritchard

Gillian Mccafferty

Hugh Skinner

Jasmine Kerr

Julian Bleach

Ncuti Gatwa

Richard Cant

Shereener Browne

John Vernon

Ronkẹ Adékọluẹ́jọ́

Eliza Scanlen

Creatives

Director: Max Webster

Composer: DJ Walde

Set Designer: Rae Smith,

Isabel Muñoz-Newsome

Costume Designer: Rae Smith,

Petros Kourtellaris

Movement Director: Carrie-Anne Ingrouille, Joyce Henderson

Lighting Designer: Jon Clark

 

Sound Director: Christopher Reid, Nicola T Chang

Information

Running Time: Two hours 45 minutes including an interval

Booking to 25th January 2025

Then cinema screening from 20th February 2025

Theatre: 

Lyttelton Theatre

National Theatre

South Bank

London SE1 9PX

Tube/Rail : Waterloo

Website: nationaltheatre.org.uk

Reviewed by Brian Clover at the

Lyttelton Theatre at a performance on

14th January 2025

 
Ncuti Gatwa as Algernon (Photo: Marc Brenner)