Saving the Planet

“We are different.  We are meant to be different.”

Don Pearlman

Togo Ikawa as Japanese host (Photo: Manuel Harlan)

There is no doubt that climate change is one of the most important issues threatening the survival of the planet.  The team behind The Jungle in 2017 about the refugee/asylum seeker camp in Calais, writers Joe Murphy and Joe Robertson and directors Stephen Daldry and Justin Martin bring us Kyoto. This  opens @sohoplace in the week that Donald Trump hints he may withdraw from the Paris agreement, a successor to the Kyoto Protocol in 1997, where for the first time a global agreement was reached by all nations on global CO₂ Emissions.

The play is introduced by American lawyer Don Pearlman (Stephen Kunken) who is employed as a lobbyist for the oil companies called the Seven Sisters.  The oil companies are portrayed as actors in heavy black coats and black shoes and gloves.  Pearlman’s role is to derail any agreement which might affect the interests of oil companies adversely but he introduces the proceedings for us.  

Stephen Kunken as Dan Pearlman, Jorge Bosch as Raúl Estrada-Oyuela and Jenna Augen as Shirley Pearlman. (Photo: Manuel Harlan)

Miriam Buether’s set is perfect in sohoplace’s in the round auditorium.  A large circular table houses the delegates, its centre in green fabric for those scenes requiring actors centre stage instead of speaking from their seats round the table.  Opposite sides of the auditorium there are video displays illustrating what is being discussed. 

At an early meeting an island group Kiribati, once the Gilbert Islands in Micronesia, who is severely threatened by the sea levels rising forms an United Nations sub group of small island states.  The Kiribati representative played by Andrea Gatchalian is their spokesperson.  Jorge Bosch as conference chair Raúl Estrada-Oyuela is the Chair from Argentina who debates with Pearlman and is determined to get agreements. 

The first act sets up the national agendas and there is animated debate about adjectives, acceptable terminology and an ongoing debate between those developed countries who were able to use fossil fuels freely and the undeveloped nations who want to have the same freedom now. 

Nancy Crane as USA (Photo: Manuel Harlan)

The second act opens in Kyoto where Togo Ikawa as Japan welcomes the delegates with a lyrical speech about the 72 Seasons in Japan and highlighting the Sakura Cherry Blossom Festival which is getting earlier every year.  The challenge here is to get an agreement and all night sittings will see the current president Estrada oversee tight negotiations. 

This act has high drama with some walking out as emissions trading takes place. Saudi Arabia (Raad Rawi) will propose compensation for oil producing states cutting their output.  China (Kwong Loke) recalls how damaged they were by the Opium Wars in the 1840s limiting their subsequent income. 

There are comic scenes: after midnight when the interpreters stop work, each delegate speaks in their own language rather than English! No-one understands anyone else. Ferdy Roberts as John Prescott will upset everybody.  The psychology of diplomacy and negotiation is seen as horse trading with great drama but amazingly Estrada’s determination gets it through. 

This play taught me much I didn’t know but underlines despair at the United States’ new regime and attitude towards climate change.  At times drums will emphasise the tension. Akhila Krishnan’s video illustrations are very helpful.  The actors all work very hard making sure these conferences are not a static experience and Stephen Kunken puts in the performance of a lifetime.  Recommended for those with strong theatrical stomachs!

 

Stephen Kunken as Dan Pearlman (Photo: Manuel Harlan)

Production Notes

Kyoto

Written by Joe Murphy and Joe Robertson

Directed by Stephen Daldry and Justin Martin

Cast

Starring:

Dale Rapley

Ferdy Roberts

Jenna Augen

Kwong Loke

Nancy Crane

Olivia Barrowclough

Raad Rawi

Togo Igawa

Stephen Kunken

Andrea Gatchalian

Jorge Bosch

Kristin Atherton

Duncan Wisbey

Creatives

Director: Stephen Daldry and Justin Martin

Set Designer:  Miriam Buether

Costume Designer: Natalie Pryce

Composer: Paul Englishby

Lighting Designer: Aideen Malone

Sound Designer: Christopher Reid

Video Design: Awhile Krishnan

Information

Running Time: Two hours 55 minutes with an interval

Booking to 3rd May 2025

Theatre: 

@sohoplace

4 Soho Place

London W1D 3BG

Tube: Tottenham Court Road

Telephone: 020 384 09611

Access: 0330 3335962

Website: www.sohoplace.org

Reviewed by Lizzie Loveridge

@sohoplace on 22nd January 2025