Jazzy Riff on Twelfth Night
“If music be the food of love, play on . . .”
The Duke
For those of us who see Twelfth Night several times a year, Play On! ‘s version is less than exact but merely a starting point and this is the show that you will want see for its choreography, singing and the fabulous tunes of Duke Ellington. I found a review, almost thirty years old, on the American theatre site I worked for two decades, but it has been given a new and vibrant life in the UK in 2024 by the Black British Theatre Company, Talawa and director Michael Buffong.
Set in 1940s Harlem, our newly arrived, Viola now called Vy (Tsemaye Bob-Egbe) is trying to make her way as a song writer. She finds that the competition is all male and so, with a change of clothing, she can change her identity and pass herself off as Vyman.
Guiding Viola is her uncle Jester (Llewellyn Jamal) who introduces her to the world famous songwriter at the Cotton Club in New York, The Duke (Earl Gregory). Jester takes on the role of Shakespeare’s fool Feste. Lady Liv (Koko Alexandra) is the famous nightclub singer.
Duke has a songwriting block since falling for Lady Liv and asks Vyman to intercede for him. Rev (Cameron Bernard Jones) is in the employ of Lady Liv as her manager and is very roughly based on Malvolio but without Malvolio’s pride and venom, in a much softer interpretation. Miss Mary (Tanya Edwards) is based on Maria and I think Sweets (Lifford Shillingford) might be Sir Toby but there is no capering from a Sir Andrew Aguecheek character.
However we do see Rev wear a wonderful, bright yellow Zoot suit in which he dances magnificently and sings “I’m Beginning to See the Light”. Choreographer Kenrick H2O Sandy has mixed up a visual feast of jazzy dance and street moves into something very exciting and Ultz’s set and the lighting enhance this. The five piece band are on stage throughout and the singing is outstanding. Alexandra’s highlights are “Mood Indigo”, “Black Butterfly” and “I Ain’t Got Nothin but the Blues”. In the first act, the two women sing together “Don’t get Around Much Anymore”. Lifford Shillingford has the witty song “Rocks in My Bed”.
This is a charming show full of verve and musical high notes with great singing voices. I liked Tsemaye Bob-Egbe’s take as Vyman and it was even better to see her in the finale in a frock and with her hair down – and she has a beautiful voice. Much of the laughter for me came from Llewellyn Jamal’s energetic Jester who does capture the spirit of Feste. Try to catch it in Hammersmith or on tour!
Musical Numbers
C Jam Blues
Mood Indigo
Don’t get Around Much Anymore
Don’t You Know How I Care
It Don’t Mean a Thing If It Ain’t Got That Swing
I Got it Bad but That Aint Good
Hit Me With a Hot Note
I’m Just a Lucky So and So
Solitude
I Ain’t Got Nothin but the Blues
I’m Beginning to See the Light
I Didn’t Know About You
Rocks in my Bed
Love you Madly
Prelude to a Kiss
In a Mellow Tone
Note: This list may be approximate
Production Notes
Play On!
Conceived by Sheldon Epps
Book by Cheryl L West
Music by Duke Ellington
Directed by Michael Buffoon
Cast
Starring:
Tsemaye Bob-Egbe
Earl Gregory
Koko Alexandra
Llewellyn Jamal
Cameron Bernard Jones
Lifford Shillingford
Tanya Edwards
Gleanne Purcell-Browne
With:
Jarneia Richard-Noel
Natalia Brown
Amber Cayasso
Freya Karlettis
Andre Coulson
Alex Okoampa
Dylan Blake-Colbet
Tanaka Bingwa
Maya Janai
Rebecca-Daisy Wellington
James Chisholm
Arcellus Whyte
Creatives
Director: Michael Buffong
Designer: ULTZ
Lighting Designer: Johanna Town
Sound Designer: Tony Gayle
Musical Supervisor: Liam Godwin
Choreographer: Kenrick H2O Sandy
Musical Director: Ashton Moore
A Lyric Hammersmith Theatre,
Talawa Theatre Company,
Belgrade Theatre,
Birmingham Hippodrome,
Liverpool Everyman & Playhouse,
and Wiltshire Creative co-production.
Information
Running Time: Two hours including an interval
Booking to 22nd February 2025
Theatre:
Lyric Theatre
King Street
Hammersmith
London W6 0QL
Box Office: 020 8741 6850
Website: lyric.co.uk
Tube: Hammersmith
Reviewed by Lizzie Loveridge at the Lyric Hammersmith
at a preview performance on 29th January 2025