Jazzy Riff on Twelfth Night

“If music be the food of love, play on . . .”

The Duke

Ensemble (Photo: Ciara Hillyer)

For those of us who see Twelfth Night several times a year, Play On! ‘s version is less than exact but merely a starting point and this is the show that you will want see for its choreography, singing and the fabulous tunes of Duke Ellington.  I found a review, almost thirty years old, on the American theatre site I worked for two decades, but it has been given a new and vibrant life in the UK in 2024 by the Black British Theatre Company, Talawa and director Michael Buffong.

Set in 1940s Harlem, our newly arrived, Viola now called Vy (Tsemaye Bob-Egbe) is trying to make her way as a song writer.  She finds that the competition is all male and so, with a change of clothing, she can change her identity and pass herself off as Vyman.

Koko Alexandra as Lady Liv. (Photo: Ciara Hillyer)

Guiding Viola is her uncle Jester (Llewellyn Jamal) who introduces her to the world famous songwriter at the Cotton Club in New York, The Duke (Earl Gregory).  Jester takes on the role of Shakespeare’s fool Feste.  Lady Liv (Koko Alexandra) is the famous nightclub singer.

Duke has a songwriting block since falling for Lady Liv and asks Vyman to intercede for him.  Rev (Cameron Bernard Jones) is in the employ of Lady Liv as her manager and is very roughly based on Malvolio but without Malvolio’s pride and venom, in a much softer interpretation.  Miss Mary (Tanya Edwards) is based on Maria and I think Sweets (Lifford Shillingford) might be Sir Toby but there is no capering from a Sir Andrew Aguecheek character.

Llewellyn Jamal as Jester (Photo: Ciara Hillyer)

However we do see Rev wear a wonderful, bright yellow Zoot suit in which he dances magnificently and sings “I’m Beginning to See the Light”.  Choreographer Kenrick H2O Sandy has mixed up a visual feast of jazzy dance and street moves into something very exciting and Ultz’s set and the lighting enhance this.  The five piece band are on stage throughout and the singing is outstanding.  Alexandra’s highlights are “Mood Indigo”, “Black Butterfly” and “I Ain’t Got Nothin but the Blues”.  In the first act, the two women sing together “Don’t get Around Much Anymore”.  Lifford Shillingford has the witty song “Rocks in My Bed”.

Cameron Bernard Jones as Rev. (Photo: Ciara Hillyer))

This is a charming show full of verve and musical high notes with great singing voices.  I liked Tsemaye Bob-Egbe’s take as Vyman and it was even better to see her in the finale in a frock and with her hair down – and she has a beautiful voice.  Much of the laughter for me came from Llewellyn Jamal’s energetic Jester who does capture the spirit of Feste.  Try to catch it in Hammersmith or on tour! 

Tsemaye Bob-Egbe as Vy (Photo: Ciara Hillyer)

Musical Numbers

 

C Jam Blues

Mood Indigo

Don’t get Around Much Anymore

Don’t You Know How I Care

It Don’t Mean a Thing If It Ain’t Got That Swing

I Got it Bad but That Aint Good

Hit Me With a Hot Note

I’m Just a Lucky So and So

Solitude

I Ain’t Got Nothin but the Blues

I’m Beginning to See the Light

I Didn’t Know About You

Rocks in my Bed

Love you Madly

Prelude to a Kiss

In a Mellow Tone

Note: This list may be approximate

Production Notes

Play On!

Conceived by Sheldon Epps

Book by  Cheryl L West

Music by Duke Ellington

Directed by Michael Buffoon

Cast

Starring:

Tsemaye Bob-Egbe

Earl Gregory

Koko Alexandra  

Llewellyn Jamal

Cameron Bernard Jones

Lifford Shillingford  

Tanya Edwards

Gleanne Purcell-Browne

With:

Jarneia Richard-Noel

Natalia Brown

Amber Cayasso

Freya Karlettis

Andre Coulson

Alex Okoampa

Dylan Blake-Colbet

Tanaka Bingwa

Maya Janai

Rebecca-Daisy Wellington

James Chisholm

Arcellus Whyte

Creatives

Director:  Michael Buffong

Designer: ULTZ

Lighting Designer: Johanna Town

Sound Designer: Tony Gayle

Musical Supervisor: Liam Godwin

Choreographer: Kenrick H2O Sandy

Musical Director: Ashton Moore

A Lyric Hammersmith Theatre,

Talawa Theatre Company,

Belgrade Theatre,

Birmingham Hippodrome,

Liverpool Everyman & Playhouse,

and Wiltshire Creative co-production.

Information

Running Time: Two hours including an interval 

Booking to 22nd February 2025

Theatre: 

Lyric Theatre

King Street

Hammersmith

London W6 0QL

Box Office: 020 8741 6850 

Website: lyric.co.uk

Tube: Hammersmith

Reviewed by Lizzie Loveridge at the Lyric Hammersmith 

at a preview performance on 29th January 2025