Ibsen as Dark Comedy
”It wouldn’t be the first time you have thrown yourself at me!”
Andersen

Mmm. . . I’ve just read adapter Gary Owen’s note in the Lyric Theatre’s programme about adapting classic plays so they can be understood by a modern audience. I have had no such problem in appreciating Ibsen’s original of Ghosts with its theme of the sins of the father being visited upon the adored son, incest, the mealy mouthed minister of religion and the bitter wife who adores her son. As Gary Owen acknowledges “the classic . . . will survive you, no matter how clumsily you butcher it.”
What I didn’t expect is that in the hands of a modern audience that Ibsen’s play would attract so many laughs. Again it is celebrity casting that brings out humour and pleasure in the audience and here it is Callum Scott Howells as Oz who is laughed at. He doesn’t seem to be suffering from the mental deterioration of syphilis that Oswald suffered from in the original but is a self absorbed, entitled, wanna be actor. As such he is ridiculous and deserves to be laughed at, but how does that outcome detract from the tragedy of the Alving family?

Victoria Smurfit is very good indeed as Helena, the widow of the man, huge back views of his balding head on yard square tiles, lining opposite walls of the living room, giving the ghostly presence of the deceased. Parson Manders appears as the lawyer Andersen (the lovely Rhashan Stone) and the implication is that although he now is married, there once was a romance with Helena. As it turned out she would have been better with Andersen but chose the wealthy lifestyle that came with Karl, her husband and Oz’s father.
Now Helena is determined to rid herself of the wealth of her husband by the building of a children’s hospital. Aware of the effect her husband’s behaviour would have on their son, he was sent away to boarding school at aged eight, separating him from the woman who cared for him and permanently damaging him. That nanny, now deceased was the mother of Reggie (Patricia Allison) now a maid in Helena’s house. Her adopted father, the builder Jacob (Deka Walmsley) was paid to marry her pregnant mother. You can guess who her biological father was and the implications for Oz and Reggie falling for each other.

The story is transposed from Scandinavia to foggy, coastal England with bungalows but with few holiday visitors but an Air B ‘n’ B for Andersen to stay in. As in the discussion between Andersen and Helena it becomes apparent that Karl Alving was a cheat, a liar, an adulterer and possibly a rapist, Andersen refuses to let the new hospital be named after him but Helena does not want the gossip that would come from such a change of course. What then becomes the issue are the annual payments she was to make for the upkeep of the hospital. Andersen suggests a lump sum payment she does not have.
Interesting isn’t it how often negotiations come down to reputation and money. Reggie too wants her birthright. This version of Ghosts has some great acting and direction from Rachel O’Riordan but I found the audience laughter at Oz hard to stomach. Callum Scott Howells played Rodolpho in A View From the Bridge last year, without the bleached hair and was received seriously. This is the third time in two months that I have found audience laughter at celebrity actors impinging on tragedy or the storyline and interfering with my experience in the theatre. I’d like more actors to talk about how it feels to be representing sorrow and laughed at by the audience.

Production Notes
Ghosts
Written by Gary Owen
After Henrik Ibsen’s Ghosts
Directed by Rachel O’Riordan
Cast
Starring:
Deka Walmsley
Patricia Allison
Rhashan Stone
Callum Scott Howells
Victoria Smurfit
Creatives
Director: Rachel O’Riordan
Designer: Merle Hensel
Lighting Designer: Simisola Majekodunmi
Sound Designer: Donato Wharton
Composer : Simon Slater
Fight Director: Bethan Clark
Information
Running Time: Two hours 30 minutes
Booking to 10th May 2025
Theatre:
Lyric Theatre
King Street
Hammersmith
London W6 0QL
Box Office: 020 8741 6850
Website: lyric.co.uk
Tube: Hammersmith
Reviewed by Lizzie Loveridge at the Lyric Hammersmith
at performance on 16th April 2025