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Fresh Ideas Twenty Years Ago

 

“Your child was killed.”


Tim Crouch

Tim Crouch (Photo: Pamela Raith)

Some years ago, Tim Crouch had a reputation as a revolutionary theatre maker, writer, actor, director. In the bad old days, when actors daily regurgitated the same old words time after time, Tim Crouch came up with this device to achieve excitement and anticipation.  I actually did not find it that exciting then, but now it has become hackneyed and “Yes, Tim” to answer your question, “Contrived”.

The idea was to write a script and feed it to an actor on stage, unseen.  The script that is, unseen, not the actor.  The audience would then have an unique experience, as would the unsuspecting actor and indeed Tim Crouch. This idea that you can get a selection of actors with a “name” to participate on a one-off evening has been done many times since. 

Most recently there was White Rabbit, Red Rabbit  at The Park Theatre and @sohoplace, billed as “One of the most toured plays in the contemporary history of theatre!  No rehearsals. No director. No set. A different actor reads the script cold  for the first time at each performance.”  It toured from 2011 to the present. 

Before that in early 2024, there was the Park Theatre’s fundraiser,Whodunnit Unrehearsed which saw a different celebrity every night slotting into a madcap murder mystery involving, a train, diamonds, a magician and a high body count.  Interesting is it not, that this is classed as a fundraiser.  I suspect that these high profile celebrities are not being paid their usual fee but acting pro-bono. 

This theatrical contrivance has now spawned a child of its own but instead of acting celebrities we have members of the audience plucked from their seats to play in The Importance of Being Earnest or another well known play.

Jessie Bauckley and Tim Crouch. (Photo: Pamela Raith)

All these contrived productions are impossible to review because any detailed review would include spoilers.  Also nothing that happens on the night you see it is necessarily repeated on another night with different participants. 

The pro-forma for An Oak Tree  is that a hypnotist has killed a child and that the child’s father persistently attends the hypnosis show.  There was a rumour that Ken Livingstone either as Head of the GLC or Mayor of London had banned hypnosis shows in London which appears not to be true. 

The Oak Tree has various muddled preconceptions but it is largely unbelievable, no suspension of disbelief, as we are introduced to Tim Crouch as the writer/actor and actor in Jessie Buckley.  Much of the time Crouch is whispering into Jessie Buckley’s ear and we can hear what he says but not necessarily what she says; the wearing of headphones will confuse her stage volume.  At time he goes off into a corner and speaks to her through the earphones with a microphone, we cannot hear him.  As her responses are scripted, there are times when she will laugh at what she has to say.

In conclusion, I appreciated my former colleague Miriam Cohen’s comments in January 2006 after seeing An Oak Tree in Greenwich Village, “While reality shows routinely replace sitcoms on T.V, the prevalently held assumption remains that the theatre is immune to this kind of artistic perversion which calls the whole notion of Art into question.”

Jessie Buckley and Tim Crouch (Photo: Pamela Raith)

Production Notes

An Oak Tree
Written by Tim Crouch

Directed by Andy Smith, Karl James, Tim Crouch

 

Cast

Starring:

Jessie Buckley

Tim Crouch

Creatives

Director:Andy Smith, Karl James, Tim Crouch

Composer:  Peter Gill

Lighting Designer: Luke Jackson

Sound Designer: Tom Marshall

Information

Running Time: One hour 20 minutes without an interval

Booking to 24th May 2025

 

Theatre:  

Young Vic

66 The Cut

Waterloo

London SE1 8LZ

Tube/Rail : Waterloo/Southwark

Telephone: 020 7922 2922

Website: youngvic.org

Rail/Tube: Waterloo, Southwark

 

Reviewed by Lizzie Loveridge at the

Young Vic  on 6th May 2025