Antiquarian Bookseller is Scared to Death

“I can be either your best friend or your worst enemy.”

John

Giles Taylor as Warden. Nick Waring as Peter Letting and Gregg Lowe as Hooded Figure (Photo: Pamela Raith)

As September draws to a close and October nears, we begin planning for All Hallows’ Eve at the end of the month. Days grow shorter, nights darker, and evil rears its head. So, we come to The Mill at Sonning for an unusual horror story The Shadow in the Mirror, based on Gerald Durrell’s short story The Entrance.

Most will know Durrell as a prolific writer of wildlife books chronicling his extensive travels, but he also penned a few alternative short stories. The Entrance was published in January 1961. Director and writer Dugald Bruce-Lockhart has adapted it into a two-hour experience, not for the faint-hearted.

Nick Waring as Peter Letting and George Dillon as the Jailer. (Photo: Pamela Raith)

Diego Pitarch’s magnificent set design is a static prison cell with large foxed gothic mirrors with ornate frames to the rear and stone stairs leading to upper levels. A simple desk and chair are occupied by Peter Letting (Nick Waring), who we quickly learn has an appointment with Madame La Guillotine in the morning. He’s trying to write his true story to explain how he came to this fate. An aggressive jailer, John (George Dillon), berates him to face the future but also dangles the possibility of reprieve, if Peter’s story is true and worthy of being read.

Much of the play is Peter’s narrative, his description of the terrible events which led to his present predicament, an appointment with death. Peter, an antiquarian bookseller, had been asked by his friend Gideon de Teildras Villeray (Gregg Lowe) to catalogue the books in his recently inherited castle. Upon arrival, the castle is empty save for a some canaries, a dog and a parrot. Yet every room contains a collection of large mirrors.

George Dillon as the Jailer and Nick Waring as Peter Letting (Photo: Pamela Raith)

Strange things begin to happen. Sometimes Peter sees no reflection; other times, a bony hand appears. Simon Slater on sound and Mark Robertson on lighting are kept busy throughout the play, heightening the eerie atmosphere with scary loud noises and dark moments.   Natalie Titchener’s costumes are in period with Gideon’s ornate cravat and the judge’s white starched bands and horsehair wig. 

To delve further into the plot would risk spoiling the story, but suffice it to say: things are not always as they seem. George Dillon as Nick remains on stage throughout, portraying believable  flights of optimism, despair, and growing fear.

I’ve long admired The Mill at Sonning for producing plays their audience wants to see although this production is a departure from their usual fare, but once again, it leaves the audience thinking and talking. It comes highly recommended. 

Gregg Lowe as the Judge, Nick Waring as Peter Letting, Giles Taylor as the Prosecutor (Photo: Pamela Raith)
Gregg Lowe as Gideon de Teildras Villeray, George Dillon as the Jailer and Nick Waring as Peter Letting (Photo: Pamela Raith)

Production Notes

The Shadow in the Mirror

Written by Gerald Durrell as The Entrance

Adapted and Directed by Dugald Bruce-Lockhart

Cast

Starring:

Nick Waring

George Dillon

Gregg Lowe

Giles Taylor

Creatives

Director: Dugald Bruce-Lockhart

Set Designer: Diego Pitarch

Costume Designer: Natalie Titchener

Lighting Designer: Mike Robertson

Video Designer: Graham Weymouth
 
 

Composer and Sound Designer:  Simon Slater

Information

Running Time: Two Hours with an interval

Booking to 8th November 2025

Theatre: 

The Mill at Sonning Theatre 

Sonning Eye

Reading

RG4 6TY 

Website: millatsonning.com

Box Office: (0118) 969 8000

Reviewed by Malcolm Beckett

at the Mill at Sonning

on 26th September 2025