Towards Deafness and Death

“Our bodies turn to muck and we are eaten by worms. “

Abigail

Abigail and Shaun Bengson in Ohio (Photo: Mihaela Bodlovic)

I regretted being too late to see this sold out show in Edinburgh at the Fringe this year. However, as with much of the best of the Fringe, there is the opportunity to see Abigail and Shaun Bengson in London, at the Young Vic this month.  This is gig theatre, the Bengsons on stage with microphones and a caption screen behind.  Abigail sings Indie-Folk songs and Shaun plays the acoustic electric guitar with both narrating for just 75 minutes. 

Both Bengsons tell us about their life and the show starts with Shaun trying to cope with the question from his child about where we go when we die.  He remembers his own upbringing by his evangelical pastor father in the Ohio church.  The show is about Shaun’s journey through religion and also the degenerative deafness he has inherited from his father resulting in tinnitus.

This production has many accessible adjustments for those with disabilities, like a detailed description of the set and staging.  Both Abigail and Shaun are autistic and as I have already mentioned, Shaun’s hearing is diminishing with every year.  One of the screens shows us what Shaun hears as he finds the consonants start to disappear and Abigail and Shaun vocalise this vowel only language.

The Bengsons talk about living close to the river where the legendary Underground Railway ran for slaves escaping the South and how they helped recent migrants by shipping them to Canada with a more lenient immigration policy than the USA.  

Abigail and Shaun Bengson in Ohio (Photo: Mihaela Bodlovic)

In the suburbs of Ohio, God became judgmental.  Shaun remembers fondly how Mrs Wean, leading the choir, encouraged his shy self because of his deafness by insisting that he sing a solo part.  Abigail tells us about her Jewish heritage and how she feels the most Jewish valued purpose we could now fulfil is to work for the liberation of Palestine.

There is graphic detail on the stereocilia in the circular ear canal standing up like trees, but getting damaged as if the trees have been cut down and are dying.  After they have died, the result is tinnitus, that persistent ringing in the ears that so many suffer from.  Shaun tells us how he falls away from the church after realising how shockingly rigid the views of the congregation are and that now he is an atheist. 

Towards the end of the show, Shaun asks Abigail if she can hear a long list of quiet sounds, “The soft moan? The gentle chuckle? The thrush, the linnet, the bumblebee? The gentle part of an overture?” to others that are louder, “The low rumble of thunder? and to each Abigail replies “No” until he asks, “The voice of god” and she answers, “Yes”. 

The singing in this show feels rhythmic at times even hypnotic.  I hope by reading this review you will know what to expect.  I met a man in Edinburgh who had gone to see it on the strength of the five star reviews for the show’s originality. He was disappointed because as a man suffering from tinnitus himself he didn’t appreciate the content of the show being about something he experienced and there being no set or costumes.  So it is to do with expectations.     

Go and see Ohio for the feelings about the human existence and what our understanding is.  

Abigail Bengson in Ohio (Photo: Mihaela Bodlovic)

Production Notes

Ohio

Developed and Performed by Abigail and Shaun Bengson

Directed by Caitlin Sullivan

Cast

Starring:

The Bengsons

Creatives

Director: Rachel Chavkin

Information

Running Time: One Hour 15 minutes

Booking until 28th October 2025 

 

Theatre:

The Maria

Young Vic

66 The Cut

Waterloo

London SE1 8LZ

Tube/Rail : Waterloo/Southwark

Telephone: 020 7922 2922

Website: youngvic.org

Rail/Tube: Waterloo, Southwark

 

Reviewed by Lizzie Loveridge at the

Young Vic  on  3rd October 2025