Brilliant Mathematician brings War to Early Victory
“A computer would deserve to be called intelligent if it could deceive a human into believing that it was human,”
Alan Turing The Turing test

This revival and tour of Hugh Whitemore’s 1986 play, Breaking the Code about the brilliant mathematician and computer designer Alan Turing makes a welcome stop at the Oxford Playhouse. Mark Edel-Hunt is outstanding as the polymath who had a persistent speech stammer. The play looks at his early life, his work on solving the German Enigma Code and his work developing computers but also the difficulties he had as a gay man, when homosexuality was illegal.
He committed suicide aged 41 in 1954 and died from cyanide poisoning, a half eaten apple by his side. There was no note and there were many who thought in view of the spying scandals around John Vassal and Guy Burgess, both gay men and with vulnerabilities of blackmail for gay men, that in view of his knowledge, Turing was murdered by the Security Services.
The play covers about two decades of Turing’s life but he and his mother (Susie Trayling) also describe his first day at Hazelhurst Preparatory School, when he was nine years old. This remembrance is important because it is the only example of the cold hearted mother’s description of affection towards her son. When he was 13, his first day of term at Sherborne School was during the General Strike and over two days he rode his bicycle 60 miles to get from Southampton to Dorset.

It was his work at Bletchley Park on the Enigma Code where he was part of a team of the best mathematical brains and logicians secretly working on solving the code the Germans were using to communicate their plans worldwide. The play’s scenes before and after the war are played in a very similar set and Turing wearing the same suit; I had to work hard to realise which era I was in.
The play opens with Turing being interviewed about a burglary at his house by a policeman Nick Ross (Niall Costigan) which leads to the police discovering Turing’s homosexual relationship with 19 year old Ron Miller (Joe Usher) for which he is prosecuted and, in order not to go to prison, Turing accepts the administration of oestrogen or as it was known “chemical castration”. It would be another 14 years before homosexual acts in private between consenting adults was made legal. Turing admits his homosexuality.
At the end of the play Neil Bartlett has written an epilogue set in the present day at Sherborne School where a sixth former (Joseph Edwards) pays tribute to Alan Turing and explains LGBTQ advances and how Turing has received the Queen’s Pardon regarding his conviction for gross indecency.

Turing’s first love was his colleague Christopher Morcom (Joseph Edwards) where they shared the love of mathematics. Hugh Whitemore’s play has scenes with a colleague of Turing’s Pat Green (Carla Harrison-Hodge). There were many bright women working at Bletchley Park and Pat Green fell in love with Turing’s brilliance and he cared for her but tells her he is a gay man.
Those who can follow the cryptology will be satisfied by the detail in Whitemore’s play but I confess much of it went over my head. Jonathan Fensom’s flexible wooden panelled set serves well as offices, studies and home. There are two scenes where the house lights are left on, the first where we see Turing delivering a lecture and the second at Sherborne School, see above.
Jesse Jones does a great job of direction in this well thought out production showing Turing’s passion for his subject. As he nears a solution we see excitement in Turing’s body language in this incredible central performance from Mark Edel-Hunt. Highly Recommended!

Production Notes
Breaking the Code
Written by Hugh Whitemore
With an epilogue by Neil Bartlett
Directed by Jesse Jones
Cast
Starring:
Susie Trayling
Carla Harrison-Hodge
Mark Edel-Hunt
Niall Costigan
Peter Hamilton Dyer
Joe Usher
Joseph Edwards
Creatives
Director: Jesse Jones
Designer: Jonathan Fensom
Lighting Designer: Johanna Town
Composer and Sound Director: Robin Colyer
Fight Director: Kev McCurdy, Sam Lyon-Behan
Information
Running Time: Two hours 30 minutes with an interval
Booking to 11th October 2025 at Oxford
and then on tour
Theatre:
Oxford Playhouse
11-12 Beaumont St
Oxford OX1 2LW
(Rail: Oxford)
Website: oxfordplayhouse.com
Reviewed by Lizzie Loveridge
at the Oxford Playhouse on 7th October 2025
Touring to
New Theatre Peterborough.
Tue 14th – Thu 16th October 2025
Everyman & Playhouse, Liverpool
Tue 21st – Sat 25th October 2025
HOME, Manchester
Tue 28th October to Sat 1st November