Class, Gay Sex and the Shallow 1980s

“Mummy said that true love can brook anything except class difference.”

Cat Fedden

Alistair Nwachukwu as Leo and Jasper Talbot as Nick (Photo: Johan Persson)

Alan Hollinghurst’s Book The Line of Beauty, about the 1980s which won the Booker Prize in 2004 has been adapted for the stage by Jack Holden, who wrote the play CruiseI do remember reading The Line of Beauty  and not being smitten and I think it highly likely I didn’t finish it.  However I didn’t leave the Almeida’s adaptation designed by Christopher Oram and directed by Michael Grandage at the interval, nor did I want to.

Set in Mrs Thatcher’s 1980s in the affluent home of newly elected Tory MP Gerald Fedden (Charles Edwards) and his wife Rachel (Claudia Harrison) we meet Nick ironically surnamed Guest (rising star Jasper Talbot), just graduated from Oxford and friend of the Feddens’ son Toby (Leo Suter).  If you are wondering where you have seen Jasper Talbot before, it was as Mick Jagger in Redlands at Chichester and as Rosamund Pike’s teenage son in Inter Alia.

Cast (Photo: Johan Persson)

Nick is expecting to be living platonically with Toby but he is to stay in Toby’s parents’ home in Kensington Park Gardens while Toby lives elsewhere.  The ulterior motive the Feddens have is for Nick to befriend and keep an eye on their daughter Cat (Ellie Bamber) who has been self harming.  Many of the characters are people Nick met at Oxford.

Nick is gay and answers a classified ad to meet Leo (a charming Alistair Nwachukwu) whose family are from the Caribbean.  Despite being shy, Nick and Leo get on very well and have anal sex in the communal gardens at the rear of the Kensington Park Gardens house.  They are discovered there by probably the nastiest, and certainly the richest, man in the play Derek nicknamed “Badger” Brogan (Robert Portal). 

Despite being well suited and happy having Leo as his sexual partner, Nick is seduced by the high living lifestyle of the Feddens with Gerald as a rising Tory and Margaret Thatcher comes to one of their parties. Hypocrisy rules and Gerald is secretly screwing his political aide Penny (Hannah Morrish).  Nick visits Toby’s aristocratic uncle’s country pile, recognising the furniture from his father’s occupation dealing in valuable antique furniture. 

Leo Suter as Toby and Jasper Talbot as Nick (Photo Johan Persson)

A secondary theme, besides gay sex and social class, of A Line of Beauty is the aesthetic: in Leo’s mother’s case, a painting of Christ; the novels of Henry James; and the paintings of the wealthy; the curve Ogee. 

The second act in 1986 opens at the Feddens’ French Country home where a show stopping Toby Fedden displays his Mr Universe looks.  It is an incongruous moment for this rowing star from Oxford.  Nick has moved on to a relationship with Antoine “Wani” Ouradi (Arty Froushan) again from Oxford and an art dealer from a rich Lebanese family.  Their relationship cemented over a lavatory cistern and snorting cocaine means Nick has stopped seeing Leo but they travel Europe collecting artwork articles for their magazine “Ogee”.  Wani has a “lavender” fiancée.

Christopher Oram’s sets blend Notting Hill with Willesden and the South of France framed by a classical looking square arch and white gauze. Jack Holden and Michael Grandage have done an excellent job condensing the novel into a watchable play.  With the advent of AIDS, the picture of the decade sees a brutal end to the narcissism of the 1980s.  The characters in this play are not ones I fell in love with.

Jasper Talbot as Nick (Photo: Johan Persson)

Production Notes

The Line of Beauty

Written by Alan Hollinghurst

Adapted by Jack Holden

Directed by Michael Grandage

Cast

Starring:

Charles Edwards

Arty Froushan

Claudia Harrison

Doreene Blackstock

Ellie Bamber

Hannah Morrish

Matt Mella

Robert Portal

Francesca Amewudah-Rivers

Alistair Nwachukwu

Jasper Talbot

Leo Suter

Creatives

Director: Michael Grandage

Designer: Christopher Oram

Composer: Adam Cork

Movement: Ben Wright

Lighting Designer: Howard Hudson

 

Sound Designer:  Adam Cork

Information

Running Time: Two hours 30 minutes 

Booking to 29th November 2025

Theatre: 

Almeida Theatre 

Almeida Street

London N1 1TA

Phone: 020 7359 4404

Website: almeida.co.uk

Tube: The Angel

Reviewed by Lizzie Loveridge 

at the Almeida

at the performance 

on 30th October 2025