Le Carré on Stage as another Cold War Looms

“It’s a filthy, squalid procession of vain fools.”

Alec Leamas

Rory Keenan as Alec Leamas (Photo: Johan Persson)

It is a real pleasure to see a John Le Carré novel staged so effectively now @sohoplace after opening at the Minerva in Chichester in 2024.  David Eldridge has written the masterly stage adaptation with his usual skill at perceptive and revealing dialogue, for this spy based thriller directed in a theatre noire style, by Jeremy Herrin.  The plot features a washed out spy, whom British intelligence want to pose as someone with a drink problem, who could be turned by the East Germans to work for them. 

After years working in Berlin, Alec Leamas (Rory Keenan) loses his best agent East German, Karl Riemeck (Mat Betteridge), who is killed while riding a bicycle.  Back in London Leamas is set up in a job as a library assistant working for the frosty Miss Crail (Norma Atallah) and where he meets Liz Gold (Agnes O’Casey).  Liz Gold is a member of the Communist Party and Jewish but she asks Alec to dinner and he is smitten.  The way British Intelligence works is to keep its agents apart and unaware of each other so that even under torture they cannot reveal the names of other spies.

Agnes O'Casey as Liz Gold (Photo: Johan Persson)

Alec Leamas’s Control (Ian Drysdale) issues instructions to him but it is the enigmatic George Smiley (John Ramm) who is in charge of the section from his Cambridge Circus headquarters. Alec gets into a fight with a tradesman and is sent to prison.  This is not the glamorous world of James Bond espionage but a dirty business in old grey mackintoshes. Control says, “We do disagreeable things so that ordinary people can sleep safely in their beds.”

On release from prison, Leamas is told that his target is an East German called Mundt (Gunnar Cauthary) and Leamas’s mission is to convince the East Germans that Mundt is a spy for the British.  Leamas is sent to the Hague and to deposit large sums of money around Europe on specific days as if payment is being made by the British to an individual. 

The plot continues with Leamas being taken to the German Democratic Republic where he is interrogated with water torture by Mundt. Leamas meets Fiedler (Philip Arditti) a German Jew.  I shall not reveal any more of this suspenseful story except to say that there is an extensive courtroom scene overlooked by actors at the circle level where the prosecutor Kordon (John Ramm) accuses Leamas and the plot takes snaking and unexpected directions. 

John Ramm as George Smiley (Photo: Johan Persson)

Jeremy Herrin uses the immersive surround space @sohoplace to perfection and although there is a deceitful thread, the clarity of this drama is unsurpassed.  Asuza Ono’s lighting contributes to the whisky drenched, cigarette smoking atmosphere of betrayal.  Max Jones’s production design on the map of Central Europe is minimalist with actors bringing in tables and chairs for differing scenes but with a final eye opening scene.

The performances are superb.  John Ramm has George Smiley’s grasp and intelligence behind a non-remarkable appearance, Gunnar Cathary’s short, cruel and sinister Communist but ex SS Mundt, Agnes O’Casey’s Liz Gold’s idealism and genuine feeling for Leamas and Rory Keenan so welcome back to the stage perfectly cast as the believable man who might have a real drink problem. 

I really loved this spot on Le Carré play and hope David Eldridge can be persuaded to adapt others.  After @sohoplace it is on tour to many UK venues until late summer 2026 so please catch this production, Five stars from Theatrevibe, the site that doesn’t do stars!

Philip Arditti as Fiedler (Photo: Johan Persson)
Rory Keenan as Alec Leamas and Agnes O'Casey as Liz Gold (Photo: Johan Persson)

Production Notes

The Spy Who Came in from the Cold

Written by John Le Carré

Adapted by David Eldridge

Directed by Jeremy Herrin

Rory Keenan as Alec Leamas (Photo: Johan Persson)

Cast

Starring:

David Rubin

Gunnar Cauthery

Ian Drysdale

John Ramm

Mat Betteridge

Norma Atallah

Philip Arditti

Rory Keenan

Tom Kanji

Agnes O’Casey

Creatives

Director: Jeremy Herrin

Designer: Max Jones

Movement Director: Lucy Cullingford

Composer: Paul Englishby

Lighting Designer: Azusa Ono

Sound Director:  Elizabeth Purnell

Information

Running Time:Two hours 15 minutes 

Booking to 21st February 2026

Theatre: 

@sohoplace

4 Soho Place

London W1D 3BG

Tube: Tottenham Court Road

Telephone: 020 384 09611

Access: 0330 3335962

Website: www.sohoplace.org

spyonstage.com

TOUR DATES

LEICESTER

Thu 12 – Sat 14 March   Leicester Curve 

MALVERN

Wed 18 – Sat 21 March   Malvern Theatre

BROMLEY

Tue 24 – Sat 28 March   Churchill Theatre

WOKING

Tue 31 – Sat 4 April  New Victoria Theatre 

CHELTENHAM

Tue 14 – Sat 18 April   Everyman Theatre

EDINBURGH

Tue 21 – Sat 25 April   Edinburgh Festival Theatre

CARDIFF

Tue 28 – Sat 2 May   Wales Millennium Centre

SHEFFIELD

Tue 5 – Sat 9 May   Sheffield Lyceum

LIVERPOOL 

Tue 12 – Sat 16 May 2026   Liverpool Playhouse 

RICHMOND

Tue 19 – Sat 23 May   Richmond Theatre 

GLASGOW

Tue 26 – Sat 30 May  Theatre Royal Glasgow

BRIGHTON

Tue 2 – Sat 6 June   Theatre Royal Brighton

YORK

Tue 9 – Sat 13 June   Grand Opera House

NORWICH

Tue 16 – Sat 20 June   Theatre Royal Norwich

NOTTINGHAM

Tue 23 – Sat 27 June   Theatre Royal Nottingham

BIRMINGHAM

Tue 30 – Sat 4 July   The Alexandra theatre

NEWCASTLE

Tue 7 – Sat 11 July   Theatre Royal Newcastle

MILTON KEYNES

Tue 14 – Sat 18 July   Milton Keynes Theatre

SALFORD

Wed 22 – Sat 26 July   The Lowry

CAMBRIDGE

Wed 29 – Sat 1 Aug    Cambridge Arts Theatre 

BATH

Tue 11 – Sat 22 Aug  Theatre Royal Bath

 

Reviewed by Lizzie Loveridge  at the performance 

@sohoplace

on 27th November 2025