The Unmissable Dance Show
from Matthew Bourne

Cordelia Braithwaite as Victoria Page (Photo: Johan Persson)

The reliability of Matthew Bourne in creating mesmerising dance productions with Lez Brotherston’s design, is without question.  His reinvention of the 1948 dance drama film The Red Shoes is spectacular and full of imagination.  Whereas the film left audiences wanting more dance, this New Adventures production expresses all without a single word.

The original by Hans Christian Anderson was a cautionary tale of overambition and its dire consequences.  It is a good idea to familiarise yourself with the story before seeing the ballet.  A young dancer from the chorus, Victoria Page (Cordelia Braithwaite) wants to join the ballet company led by Boris Lermontov (Andy Monaghan).  Her talent is recognised when she dances for the aristocratic Lady Neston (Molly Shaw-Downie) at an after-performance soirée. 

Lermontov’s Principal Ballerina is Irina Boronskaya (Holly Saw) and his Principal Dancer is Ivan Boleslawsky (Leonardo McCorkindale).  When Irina breaks her ankle accidentally, Victoria takes over the leading role. She is very, very good but she wants to be exceptional and unrivalled so she is tempted by the red pointe ballet shoes with red ribbons.  She dances with the Evil Shoemaker Grischa Ljubov (Liam Mower) who wears a black suit with red stripes. 

Company. (Photo : Johan Persson)

There are two suitors for Victoria, Lermontov himself and an unassuming and struggling composer, Julian Craster (Dominic North).  That is as much of the story as you will need to perfectly follow the production.  Some of the scenes inside Lez Brotherston’s inner proscenium arch are of the Ballet Lermontov’s performances onstage;  others take place elsewhere. The scenes in the Lermontov Ballet have men in tailed jackets and the traditional white tights dancing formal ballet steps and flourishes with lifts.  In Covent Garden there is music by Chopin. The soirée has the guests dancing wittily rather poorly in comparison the professionals.

It is during Les Sylvides that Irina breaks her ankle.  We switch to Monte Carlo to a beach scene with giant beach balls and everyone wearing all in one striped bathing costumes for a dance full of wit.  We arrive in Paris for the cast in black formal wear, hats and suits in high fashion, an ornate lamp in shadow.  It is here that the seduction takes place as Victoria dances with the Parisians in striped T shirts and berets in the style of the French Apache.  Then something goes wrong and Victoria can’t take off the shoes. 

Company. (Photo: Johan Persson)

Act Two sees a scene in a crowded café followed by a ballet scene of gods versus demons.  Victoria is in the East End of London on a downward spiral and there is a most enjoyable comic Sand Dance from two male dancers in Egyptian costume.  Without the red shoes, she is reduced to dancing in burlesque with two clumsy men.  The final scene has a magnificent steam train. Paule Constable’s lighting makes an invaluable contribution: a bright beach scene, a starlit canopy, and dancers solely in silhouette for one. 

I don’t think I shall ever see as beautiful and creative a show as this using the medium of dance to bring every emotion to the stage with differing styles of dance.  It is without hesitation that The Red Shoes  gets five stars from Theatrevibe, the site that doesn’t do stars.

Liam Mower as Grischa Ljubov and Cordelia Braithwaite as Victoria Page (Photo: Johan Persson)
Danse Macabre (Photo: Johan Persson)

Production Notes

The Red Shoes

Based on the 1948 Film

Directed and Choreographed by Matthew Bourne

Cast

Starring:

Cordelia Braithwaite

Andy Monaghan

Dominic North

Holly Saw

Leonardo Mccorkindale

Liam Mower

Rosanna Lindsey

Hannah Kremer

Shakiera Ward

Isabella Chandler

Jarrod Mcwilliams

Kingston Taylor

Thomas Ireson

Tom Barnes Standing

Molly Shaw-Downie

Cameron Flynn

Mark Austin

 

Creatives

Director and Choreographer: Matthew Bourne

Designer: Lez Brotherston

Music : Bernard Herrmann

Lighting Designer: Paule Constable

Aassociate Director and Choreographer:  Etta Murfitt

Projection designer : Duncan McLean
 
 

Sound Director: Paul Groothuis

Orchestrator: Terry Davies

Information

Running Time: Two hours including the interval

Booking at Milton Keynes to 14th February

Touring until 9th May 2025

Theatre: 

Milton Keynes Theatre

500 Malborough Gate,

Milton Keynes,MK9 3NZ

01908 547 500

 Website 

new-adventures.net

Tour Dates

New Victoria Theatre

Woking, GU21 6GQ

17 – 21 February 2026

Liverpool Empire

Liverpool, L1 1JE

24 – 28 February 2026

Wales Millennium Centre

Cardiff, CF1 0TA

3 – 7 March 2026

Mayflower Theatre

Southampton, SO15 1AP

10 – 14 March 2026

Birmingham Hippodrome

Birmingham, B5 4TB

17 – 21 March 2026

The Marlowe

Canterbury, CT1 2AS

31 Mar – 4 April 2026

Norwich Theatre Royal 

Norwich, NR2 1RL

7 – 11 April 2026

Festival Theatre, Edinburgh

Edinburgh, EH8 9FT

14 – 18 April 2026 

The Alhambra Theatre

Bradford, BD7 1AJ

21 – 25 April 2026

Newcastle Theatre Royal

Newcastle upon Tyne, NE1 6BR

28 Apr – 9th May 2026

Reviewed by Lizzie Loveridge

at Milton Keynes Theatre

on 10th February 2026