Sugar isn't Good for You

“I never made her feel loved.”

Liaquat

Shobu Kapoor as Hema and Rahan Sheikh as Liaquat. (Photo: Craig Fuller)

It is only incidental that Sweetmeats is about the higher incidence of people developing Type Two diabetes from the South Asian community in Britain.  An explanation is mooted when one character says it is because the British colonists deliberately starved the population of India using famine in order to control them. 

Both the characters in this play attend a weekly workshop because they have diabetes where the lead nurse or nutritionist lectures them on avoiding sugar while eating crumbly shortbread fingers in front of them.  We never see Mrs Radcliffe who is teaching her class to count carbohydrates but Hema (Shobu Kapoor) imitates her voice for us and describes with poetic detail her spilling crumbs on her sweater and dipping the shortbread into her tea. This is akin to the person running the AA class having a gin and tonic to hand!

Rahan Sheikh as Liaquat. and Shobu Kapoor as Hema (Photo: Craig Fuller)

Hema is a widow and after losing her husband wonders whether to stay in London or return to India.  She is amusing, witty and sticks up for herself.  A man sits next to her in the clinic sitting on her dupatta (a long floaty scarf). He is Liaquat (Rahan Sheikh) large and benevolent looking and a widower, originally from Pakistan.  She says something in Hindi and he compliments her on her beautiful Hindi speaking voice. I don’t understand Hindi and there are no surtitles to help me.  Colloquial Urdu and Hindi are 99% similar in the spoken form, differing only in script.

This is a joint production from the South Asian company, Tara Theatre, with their artistic director Natasha Kathi-Chandra directing, along with the Bush Theatre.  Aldo Vázquez’s set, to the left, has Liaquat’s sitting room and kitchen with his late wife’s collection of stainless steel pans on a gas hob burning blue when lit. To the right is Hema’s sitting room but in front the anonymity of a few plastic chairs for the workshop space.

The temptation for both Liaquat and Hema are Indian sweets like gulab jamun, a kind of small doughnut flavoured with cardamon and mithai which is a kind of fudge flavoured with cardamon or pistachios.  Both are not recommended for those trying to control their blood sugar. 

Rahan Sheikh as Liaquat. and Shobu Kapoor as Hema (Photo: Craig Fuller)

This play is a soft romance, a gentle exploration of a connection for the elderly who find themselves living alone with food as an expression of love.   Shobu Kapoor’s performance is exceptional, candid, sincere and well meaning.  She describes herself as the “scary Indian woman” and him as the “irritating Pakistani man.”  Liaquat’s heath is already suffering from heart disease linked to diabetes because he does not follow the diet recommended, the food choices recommended by Mrs Radcliffe.

There is plenty of light humour and the young audience were taken with the emotional aspects of the friendship between Hema and Liaquat.  She teaches him how to make a curry with vegetable ingredients from his garden and using his wife’s bottled spices.  He will cook a sweet for her called barfi like halva, made with cardamon, as a gift which she isn’t meant to eat. 

He listens to tapes made by his wife which are in Hindi so I could only listen to the rhythm of her voice.  He also mentions his daughter and Hema talks about her son but we get the impression that both are lonely.  He waits with her for her bus and the set has an authentic bus stop from Shepherds Bush Road in the direction of Wandsworth.

Sweetmeats is story about connection with Hema’s powerful observation and Liaquat’s companionship and past regrets but I overwhelmingly feel I missed too much of the dialogue in a language I don’t speak and was also puzzled by the individual Hindi words scattered in the script.

Shobu Kapoor as Hema (Photo: Craig Fuller)

Production Notes

Sweetmeats

Written by Karim Khan

Directed by Natasha Kathi-Chandra

Cast

Starring:

Shobu Kapoor

Rehan Sheikh

Creatives

Director: Natasha Kathi-Chandra

Designer: Aldo Vázquez

Lighting Designer: Simeon Miller

Sound Designer: Hugh Sheehan

Movement: Mateus Daniel

Composer: Amrit Kaur Lohia

Information

Running Time: Two hours 30 minutes including an interval

Booking to 21st March 2026

Theatre: 

The Bush Theatre

7 Uxbridge Rd

Shepherd’s Bush
 
 
London  W12 8LJ
 
 
Phone:020 8743 5050
 
 
 

Website: 

bushtheatre.co.uk

Tube Shepherd’s Bush Market

Reviewed by Lizzie Loveridge 

at the Bush Theatre

on 16th February 2026