Musical Genius Suppressed Because She Was A Woman
“So then I had to confess that Fanny had composed the lied (German for song)”
Felix Mendelssohn to Queen Victoria
At what must be the prettiest theatre setting in the Home Counties, the Watermill at Bagnor, Newbury plays a play with music about Felix Mendelssohn’s elder sister Fanny (Charlie Russell). Despite her obvious talent, her father Abraham felt that orchestral composition was no occupation for a woman. She learned to play the piano and to sing but didn’t learn any of the stringed instruments, a skill necessary for full orchestral composing.
What I found a revelation was that in the 1830s when the play takes place that there was only live music and the written score and Fanny appears to compose and conduct hearing the music in her head. Felix (Corey Montague-Sholay) her brother is working on his famous wedding march of Oberon and Titania, the one we all sing as “Here Comes the Bride, See how she wobbles from side to side!”
There is a third Mendelssohn sibling, Paul (Harry Kershaw) who is more clumsy comedian than musician and always listening at doors. Mamma Mendelssohn (Kim Ismay) has arranged a suitor for Fanny, Herr Wilhelm Hensel (George Howard) a master of the most egregious puns, the kind that make you wince.
A letter has arrived at the Berlin home of the Mendelssohns and it announces that Queen Victoria’s favourite tune is “L’Italien” composed by Fanny but misappropriated by her brother Felix. This appears factual but the play will take off in a delightful fantasy journey to London to meet the Queen with Clara Schumann (Jade May Lin) and Fanny disguised as young men. They are pursued by Felix and his Mama.
In Act Two the frivolity begins on a train ride, and on arriving at the port the Boatman (Harry Kershaw) explains that his joke is a visual rhyme and says, “Everyone’s a critic!” Fanny and Clara, pretending to be men, are almost sussed by a landlady (Kim Ismay). There is wonderful audience participation when Fanny with baton, conducting an orchestra, coaches an audience member to ring a bell at a special moment in the music. The rest of the audience contribute a rising crescendo. Charlie Russell adlibs and has a magical rapport with the audience in this comedic romp. She is a natural. Both Charlie Russell and Harry Kershaw are alumni of Mischief Theatre, responsible for The Play That Went Wrong and other spoof hit productions.
Charlie Russell is also listed for her creative contribution with author Calum Finlay and with other collaborators, Katie-Ann McDonough, who also directs, and Rebecca Gwyther. The programme explains what is Fact in this production and Fiction. Although Frau Mendelssohn did not say, “ Music can and must be only an ornament.” Fanny’s father Abraham wrote to Fanny in 1828, “You must school yourself more seriously and eagerly for your true profession, a young woman’s only profession, being mistress of the house.”
Sophia Pardon has selected some good costumes and her swagged music room set has two doors to encourage someone leaving not meeting someone entering. A portrait of Victoria and her German husband hangs in view.
The first act is slower than the second but it is worth the wait for the sheer delight of the finishing act. I shall look out for Charlie Russell in future.
Production Notes
Fanny
Written by Calum Finlay
Directed by Katie-Ann McDonough
Cast
Starring:
Jade May Lin
George Howard
Harry Kershaw
Kim Ismay
Corey Montague-Sholay
Charlie Russell
Creatives
Director: Katie-Ann McDonough
Designer: Sophia Pardon
Lighting Designer: David Howe
Sound Designer: Thomas Wasley
Musical Director and Composer: Yshani Perinpanayagam
Fight Director: Greg Tannahill
Information
Running Time: Two hours 25 minutes with an interval
Booking to 15th June 2024
Theatre:
Watermill Theatre
Bagnor,
Newbury
RG20 8AE
Box Office: 01635 46044
Website: watermill.org.uk
Reviewed by Lizzie Loveridge
at the Watermill Theatre
on 29th May 2024