A Powerful Production that Proves History has Taught Us Nothing

VillagerAn eye for an eye and a tooth for a tooth! ”

Tevya  “Very good! That way the world will be blind and toothless.”

 

“Tradition!” proudly bellows Tevye (Adam Dannheisser) during the musical opening that drops us firmly into a small Jewish community on the outskirts of Kyiv that he calls home. This powerhouse of an opening number perfectly sets the scene for what will become a battle of love and will, old and new, and us and them.

Tevye is a dairy farmer who spends his days providing his village with dairy products whilst unburdening himself in private conversations to God. He has a traditional life with his wife, Golde (Lara Pulver) and his 5 daughters. He is focussed on providing for his family and finding his daughters suitable husbands. However, his challenges are about to get harder. 

His daughters are building their own opinions on life and skirting with ideas that fall outside the traditional norm. Moreover their wider community is coming under a grave threat from the Russian Tsar who is systematically taking over land owned by Jewish families and pushing them out. 

Adam Dannheisser as Tevya. (Photo: Marc Brenner)

This Fiddler is a direct transfer of last year’s much-lauded Regent’s Park Open Air Theatre production, though not much has changed in the move. The rural set, which merged beautifully with the surrounding trees and foliage at Regent’s Park, feels somewhat hemmed in within the confines of the Barbican. Surprisingly, however, this constraint adds a deeper intensity to the oppressive undertones that permeate the story.

Dannheisser and Pulver shine in the lead roles, with Dannheisser able to create the near impossible: delivering a solid and engaging Tevye that steps out of the shadow of Topol’s character-defining performance. Natasha Jules Bernard, Georgia Bruce, and Hannah Bristow excel as Tevye’s daughters, Tzeitel, Hodel, and Chava, respectively, giving nuanced and balanced performances as each navigates the treacherous path between yielding to their own desires and meeting the expectations of their parents and community.

The rest of the cast deliver what needs to be done, though some of the minor performances feel a touch laboured. Under Jordan Fein’s direction, Dannheisser is given space to create his own take on Tevye—one torn between his love for his religion and community, and that for his family. This focus strongly anchors the story, though it creates a slightly unsatisfactory overall narrative. 

Hannah Bristow as Chava, Natasha Jules Bernard as Tzeitel and Georgia Bruce as Hodel. (Photo: Marc Brenner)

The daughters’ love stories lack depth, leaving audiences to fill in the gaps about how their romances blossom. Similarly, as the political backdrop shifts, it’s dealt with only in passing scenes, rendering the play’s denouement—where they’re all forced to leave their homes—emotionally tepid..

These quibbles aside, the production is strong and deeply engaging. The story proves significantly funnier than one might expect and the exceptional score, by Sheldon Harnick and Jerry Bock, receives wonderful interpretation from musical director Dan Turek.

However, time and circumstance make this Fiddler a rather uncomfortable watch. The gender politics, viewed through today’s lens, are glaringly unfair. At Yente’s wedding, while all the men dance in celebration, the women—though happy—remain on the sidelines cheering on the menfolk. When Tevye, after watching his daughters choose love over tradition, asks his wife ‘Do you love me?’ she concludes, after listing what she’s done since marriage, “If this is love, then I suppose I do”. While comical, it highlights the life of someone who’s had little free will and made the best of a situation where she had no alternative. 

Cast (Photo: Marc Brenner)

As the villagers’ land becomes under increasing threat from the Russians and the community is forced to split up and move on, you cannot see anything other than what is happening in Palestine today. And as each family talks about where they’re moving to – some to America, others to Poland – it’s heartbreaking to realise that thousands of refugees today are denied the same freedom to find peace elsewhere. When the matchmaker, Yente (Beverley Kelin), gleefully declares that she will go and set up home in The Holy Land, her joy was matched by a slight disquiet rippling through the audience.

This Fiddler on the Roof is essential viewing that transforms entertainment into an urgent wake-up call about our world today.

For our review at Regent’s Park in 2024 go here.

Cast (Photo: Marc Brenner)

Musical Numbers

Act One

Tradition

    Matchmaker

    If I Were a Rich Man

    Sabbath Prayer

    To Life

    Tevye’s Monologue

    Miracle of Miracles

    The Dream

    Sunrise, Sunset

    The Wedding

   

Act Two

Now I Have Everything

Levy’s Rebuttal

    Do You Love Me?

    The Rumour

    Far From the Home I Love

    Chavaleh

    Anatevka

Production Notes

Fiddler on the Roof

Book by Joseph Stein

Composer Jerry Bock

Lyricist Sheldon Harnic

Directed by Jordan Fein

Cast

Lara Pulver

Adam Dannheisser

Beverley Klein

Gareth Davies

Georgia Bruce

Hannah Bristow

Karl Wilson

Mark Faith

Matthew Woodyatt

Michael S Siegel

Simon Anthony

Sue Appleby,

Susannah van den Berg

Daniel Krikler

Carys McQueen

Dan Wolff

Gregor Milne

Ashleigh Schuman

Raphael Papo

Natasha Jules Bernard

Georgia Dixon

Toby Turpin

Ed Bruggemeyer

Jack Osmond

Alex Pinder

Creatives

Director: Jordan Fein

Designer: Tom Scutt

Choreographer: Julia Cheng

Musical Supervisor: Mark Aspinall

Lighting Designer:  Toby P Darvill

Information

Running Time: Two hours 40 minutes with an interval

Extended and Booking until 14th July 2025

Then on tour to 

Bristol

Bristol Hippodrome
 
 
Tue 26 Aug – Sat 30 Aug 2025
 
 

Liverpool

Liverpool Empire
 
 
Tue 23 Sep – Sat 27 Sep 2025
 
 

Manchester

Palace Theatre Manchester
 
 
Tue 21 Oct – Sat 1 Nov 2025
 
 

Sunderland

Sunderland Empire
 
 
Tue 25 Nov – Sat 29 Nov 2025
 
 

Birmingham

The Alexandra, Birmingham
 
 
Tue 9 Dec 2025 – Sat 3 Jan 2026

 

Theatre:

Barbican Theatre

Barbican Centre

Silk Street

London EC2Y 8DS

Box Office:

020 7638 4141
 
 

Barbican Website: www.barbican.org.uk

Tube: Barbican or Moorgate

Reviewed by Sonny Waheed

at the Barbican Theatre on 4th June 2025

Raphael Papo as The Fiddler (Photo: Marc Brenner)