Brilliantly Conceived Ballet of Mods and Rockers
“My jacket’s gonna be cut and slim and checked
Maybe a touch of seersucker, with an open neck
I ride a G.S. scooter with my hair cut neat
I wear my wartime coat in the wind and sleet.”
Chorus from “I’ve Had Enough”

It is not often that you can attend a performance and leave blown away by an exciting and uplifting experience. Quadraphenia fits well into this rarefied category. Billed as A Mod Ballet based on Pete Townshend’s 1973 album of the same name, and performed by The Who, it is set in 1964 and deals with a young teenager’s angst and ultimate outcome. At the time, there were two distinct strands of youth culture: the Mods and the Rockers. Each had their own mores and were defined by their appearance: Rockers wore leathers and rode motorbikes; Mods wore sharp suits and rode scooters.

The curtain rises to a back projection of waves crashing downward to the floor and extending toward the audience. There is a short, sloped rock. The overture’s opening music booms out. Such is the great skill of Music Director and Orchestrator (Rachel Fuller) who is married to Pete Townshend that, if you remember the lyrics, you can almost hear them sung through the unvoiced music. Five dancers, dressed as Mods by Costume Designer (Paul Smith), climb up from behind the rock and sway as if being tossed about by the sea on the beach.

This ballet tells the story of Jim (Paris Fitzpatrick), a Mod with nowhere to go in life, his only constants are amphetamines and Mod culture. His father (Stuart Neal) is a broken man, unable to overcome his wartime memories; his mother (Kate Tydman) is disinterested, escaping into her gin. Jim meets up with other Mods at dances, always hoping to be noticed by the Ace Face (Dan Baines). Girls, also expertly styled as Mods, just come to hang out.
Pete Townshend has a to die for creative team the haute couture designer Paul Smith on costume, set designer Christopher Oram and director Rob Ashford. Choreographer (Paul Roberts) is very well known in music performance circles, he has created a wonderful experience, getting the best from all of the dancers. Director Rob Ashford has a long list of choreographing and directing award winning productions. Set Designer (Christopher Oram) uses the back screen, together with a large hanging side screen, to change scenes almost instantly and very effectively.
One of the strengths of the ballet is its short, well-danced scenes performed by various cast members that keep the story moving. Jim has an old friend (Evan Garrett) who is now a Rocker; they meet on a park bench and dance together in a series of interesting, interlinking movements.

Jim, stuck in a repetitive factory job, can’t wait for the upcoming bank holiday. The Mods and Rockers are heading to Brighton to party, dance, and hang out in their gangs; but, above all, to fight. Life changes for Jim, ultimately leading to the betrayal of his ideals.
Having bought the double album on its release and watched the film in 1979, I know the story well. Some may find the plot slightly difficult to follow, but the overall package does not disappoint. At two hours and fifteen minutes, this is a highly recommended experience. It’s a shame that it only runs until 13th July at Sadler’s Wells, with one final short run at The Lowry in Salford. Let us hope it will return!

Musical Numbers
Act One
I am the Sea
The Real Me
Love Reign O’er
Cut My Hair
My Generation
Punk and the Godfather
I’m One
Love Reign Invention
The Dirty Jobs
Helpless Dancer
Is It in My Head
Can’t Explain/Love Reign O’er Me
Act Two
I’ve Had Enough
5:15 pm
Sea and Sand
Drowned
Dr Jimmy and Mr Jim
Bell Boy
Dr Jimmy and Mr Jim (Reprise)
The Rock
Love Reign O’er Me
Production Notes
Pete Townshend’s Quadrophenia
Created by Pete Townshend
Director Rob Ashford
Choreographer Paul Roberts
Cast
Starring:
Will Bozier
Curtis Angus
Dylan Jones
Seirian Griffiths
Jack Widdowson
Stuart NealKate Tydman
Dan Baines
Serena McCall
Euan Garrett
Jack Widdowson
Jonathon Baker
Amaris Pearl Gillies
Georges Hann
Ensemble:
Anya Ferdinand
Joshua Nkemdilim
Zach Parkin
Yasset Roldan
Taela Yeomans-Brown
Pam Pam Sapchartanan
Swing:
Alice O’Brien,
Zack Guest
Creatives
Director: Rob Ashford
Musical Director: Rachel Fuller
Choreographer: Paul Roberts
Set Designer: Christopher Oram
Costume Designer: Paul Smith
Lighting Designer: Fabiana Piccioli
Sound Designer: David McEwan
Orchestrator: Martin Batchelar, Rachel Fuller
Intimacy Director: Ben Wright
Information
Running Time: Two hours 15 minutes with an interval
Booking until 13th July 2025
Then The Lowry Salford 15th to 19th July 2025
Theatre:
Sadler’s Wells Theatre
Rosebery Avenue
London EC1R 4TN
Box Office: 020 7863 8000
Tube: The Angel
Website: https://modballet.com/
Reviewed by Malcolm Beckett at
Sadler’s Wells
on 25th June 2025
