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Leopold Mozart

Carla Lopez Corpas as the young Wolfgang and Aimee Atkinson as Nanneri, (Photo: Danny Kaan)

Charli Eglington is a powerhouse of musical composition, writing the book, the music and the lyrics of Saving Mozart one of a dozen musicals she’s been involved with, and she is in her mid twenties.  We have to see whether she is the prodigious talent that was Wolfgang Amadeus Mozart (Izzy Monk and Jack Chambers) and his sister Nanneri (Aimee Atkinson). Many of us are familiar with Amadeus a tremendous hit with its emphasis on the rivalry between Mozart and Salieri, albeit not all was historically correct.

Although Charli Eglington’s modern pop songs are said to have a basis in Mozart’s music I could hear hardly any apart from a few notes from Eine Kleine Nachtmusic and similarily few from the Queen of the Night aria from the Magic Flute. There is a scene between Mozart and Salieri (a wonderful Goth Jordan Luke Gage) where Mozart plays a very few notes on the piano of his original music and we long for more. 

Aimee Atkinson as Nanneri, Carla Lopez Corpas as the young Wolfgang (Photo: Danny Kaan)

We open with a modern set, a gigantic letter M should we forget whom this musical is about.  A wooden piano is choreographed around the stage with half a dozen working hard but unimpressive dancers.  The next visual to grab you apart from Ben Jacobs’ spectacular lighting are the curious monochrome costumes, like the ones in the early days of Shakespeare’s Globe, when cash strapped they dressed the top half in period and the bottom half in then twentieth century ordinary.  I really disliked the net cuffs added to bare arms to indicate 18th century.  The women come off worse with a corset, frilly bustles and trousers below. What was Julia Pschdezki thinking?

Gloria Initiri as Mozart's Mother (Photo: Danny Kaan)

The story concentrates on Mozart’s sister Nanneri who is her father Leopold (Douglas Hansell)’s first prodigy as she is four years older than her brother Wolfgang.  However as Nanneri gets older her father says her playing music would have her classed as a whore, a profession grown women could not adopt.  Leopold is a hard task master and takes the eight year old Mozart on tours of the European courts.

Salzburg is seen as too provincial for such musical talent, but later Leopold wished Mozart to stay working for the court of Salzburg’s ruler Prince-Archbishop Hieronymus Colloredo. Gloria Onitiri is Anna Maria Mozart, his mother with a towering wig and sad costume choice who misses her son when he goes to live in Vienna. 

I was disappointed by the choreography finding it unimaginative and just a scene filler.  

Erin Caldwell as Constanze. (Photo: Danny Kaan)

The third influential woman is not Mozart’s first love, a German soprano Aloysia Weber but her sister Constanze (Erin Caldwell), who becomes Mozart’s muse and as his wife, dominates the second act. Here Gloria Onitiri is recast as Constanze’s mother and Mozart’s landlady.

There is prodigious singing talent from Aimee Atkinson, Gloria Onitiri, Erin Caldwell, Izzy Monk and Jack Chambers but the only song that really blew me away was by Jordan Luke Gage as Salieri putting down Mozart in “Know Your Place”.  We feel the damage done to Mozart’s self esteem by his domineering father when he was just a child. 

I left feeling I needed more of Mozart’s music in this biographical musical. 

Musical Numbers

Act One

Remember Me

Yours to Write

I See the Light

Take the World by Storm

He’s Only A Child

Watch Me

Remember Me (Reprise)

Doomed to Fail

Believe Me

I’m Ready

Because of You/Move On

 

Act Two

 Listen to Me

You Just Don’t Know It Yet

Know You’re Place

Stand Up Stand Down

I Say No

This Won’t Break Me

I Can’t Wait to Meet You

Living a Lie

You Amaze Me

I Don’t Believe You

Watch Me (Reprise)

The World Will As Well

Production Notes

Saving Mozart

Music Book and Lyrics by Charli Eglington

Co-Directors: Taylor Walker, Markus Olzinger

Developed with, and directed by Rachel Chavkin

Cast

Starring:

Aimie Atkinson

Jack Chambers,

Erin Caldwell

Jordan Luke Gage

Douglas Hansell

Gloria Onitiri

With:

Sveva Bartolini

Harriette Benazir-White

Corey Mitchell

Anu Ogunmefun

Ebony Roy-Palmer

Alfie Simmons

Ritesh Manugula

Gleanne Purcell Brown

Carla Lopez Corpas

Izzie Monk.



Creatives

Director:Taylor Walker, Markus Olzinger

Set Designer: Justin Williams

Costume Designer: Julia Pschdezki

Choreographer: Taylor Walker

Musical Supervisor and Director: Robert Wicks

Lighting Designer:  Ben Jacobs

Sound Designer: Tom Marshall

Information

Running Time: Two hours 20 minutes with an interval

Booking until 30th August 2025

 

Theatre:

The Other Palace 

Palace Street

Victoria

London SW1E 5JA 

Rail/Tube: Victoria

Reviewed by Lizzie Loveridge

 

at the Other Palace on 

5th August 2025