A Magical Return: Brigadoon Blooms Again in Regent's Park

“You’ll never find peace by hating, lad. It only shuts ye off more from the world. And this town is only a cursed place, if ye make it so. To the rest of us, ’tis a blessed place! ”

Archie Beaton to his son Harry

Cavan Clarke as Jeff Douglas) and Nic Myers as Meg Rookie. (Photo: Mark Senior)

Joseph Heller’s Catch-22 is often cited as a book that almost everybody owns, but no one has really read. Much the same could be said of Lerner & Loewe’s Brigadoon – a musical most people have heard of but few, especially today, have actually seen. This is hardly surprising, given its last major theatrical revival was 38 years ago, and most people’s memories of this show stem from the 1954 Gene Kelly and Cyd Charisse film.

There’s great anticipation, then, around this production by Regent’s Park Open Air Theatre’s new artistic director Drew McOnie, who takes on the dual role of choreographer and director. Acclaimed Scottish playwright Rona Munro has been enlisted to adapt the original story for contemporary audiences. Under her pen, the lost American hunters from the original become WWII fighter pilots, grounding the fantastical premise in recognizable history, while the town elder Mr. Lundie transforms into the grandmotherly Lundie (Anne Lacey).

Georgina Onuorah as Fiona MacLaren. (Photo: Mark Senior)

Jeff (Cavan Clarke) and Tommy (Louis Gaunt) are two American pilots shot down somewhere in Scotland. With Tommy badly wounded, they’re desperately trying to reach the nearest American base when, lost and exhausted, they stumble upon a group of strangely dressed and – considering the ongoing war – unusually joyful people.

They’ve discovered Brigadoon on the day of a wedding between two young townsfolk. So bewildered are they by what they see that they don’t initially notice their ailments have mysteriously vanished. Unknown to them, Brigadoon is a magical place that appears for just one day every hundred years: when its people sleep, they awaken exactly one century later.

The pilots are invited to join the wedding celebrations, which they cautiously accept. The locals are equally intrigued by their guests, having no concept of what Americans are or of the surrounding war. The headstrong Meg (Nic Myers) sets her sights on Jeff, who rebuffs her advances, while something deeper stirs when Tommy meets Fiona (Danielle Fiamanya), the bride’s sister. The question that unfolds isn’t whether love blossoms between Tommy and Fiona, but whether it can survive when he discovers Brigadoon’s true nature and what staying would demand of him.

Chrissy Brooke as Maggie Anderson (Photo: Mark Senior)

Can someone truly fall in love within a single day, and if so, what would they sacrifice for that love? Brigadoon presents a wonderfully fantastical romance that grapples with these questions. But beneath lies a darker subtext: what happens if Brigadoon isn’t for you? If the love you seek and the life you want can’t be found in this magical place, what hope remains?

It’s no surprise this became Lerner and Loewe’s first major hit. The story seems tailor-made for musical theater, its mystical premise providing the perfect canvas for soaring melodies. While the show produced one undeniable classic in the lilting “Almost Like Being in Love,” the entire score sparkles with Lerner & Loewe magic. Songs like “Heather on the Hill,” “There But For You Go I,” and “I’ll Go Home with Bonnie Jean” showcase their masterful ability to weave melody with emotional storytelling.

Louis Gaunt as Tommy Albright. (Photo: Mark Senior)

Though Brigadoon is considered a classic musical, McOnie’s creative vision gives it vital contemporary relevance. Basia Binkowska’s set design looks so organic it seems to have grown from Regent’s Park’s surrounding trees. This multi-layered marvel offers hills, meadows, streams, and waterfalls that become increasingly breathtaking as natural light fades and Jessica Hang Han Yun’s lighting design takes hold – a genuine feast for the eyes.

While McOnie’s direction is assured throughout, his choreography represents the production’s crowning achievement. Using ballet as his foundation, he creates something that marries spectacular movement with emotional depth, resulting in sequences that are genuinely beautiful to behold. And “beautiful” perfectly encapsulates this Brigadoon.  McOnie and his team have crafted a production that delights both eye and ear while leaving audiences thoroughly enchanted by love’s magic.

This is a triumphant revival that transforms a neglected classic into essential contemporary theatre – visually stunning, emotionally resonant, and utterly magical.  Five stars from Theatrevibe, the theatre site that doesn’t do stars.

Musical Numbers

Act One

Introduction

Prologue (Once in the Highlands) 

Brigadoon 

Vendors’ Calls 

Down on MacConnachy Square 

Waitin’ for My Dearie 

I’ll Go Home with Bonnie Jean Dance

The Heather on the Hill 

Rain Exorcism

The Love of My Life 

Jeannie’s Packin’ Up 

Come to Me, Bend to Me 

Dance

Almost Like Being in Love 

Bible Scene

Entrance of the Clans/Wedding Ceremony

Wedding Dance/The Sword Dance and Reel

Act Two

The Chase There But for You Go I 

Steps Stately

Drunken Reel

Glen Scene Opening/My Mother’s Wedding Day 

Dance

Funeral (Traditional Piobrochead) 

From This Day On 

Farewell Music

Reprises: Come to Me, Bend to Me /

The Heather on the Hill /

I’ll Go Home with Bonnie Jean /

From This Day On /

Down on MacConnachy Square

    Finale (Brigadoon)

Production Notes

Brigadoon

 Book and Lyrics by Alan Jay Lerner

Composed by Frederick Loewe

Adapted by Rona Munro

Director and Choreographer: Drew McOnie

Cast

Starring:

Tanisha-Mae Brown

Danny Nattrass

Liam Wrate

Louis Gaunt

Chrissy Brooke

Georgina Onuorah

Taylor Bradshaw

Norman Bowman

Adam Davidson

Tim Hodges

Jasmine Jules Andrews

Elizabeth Armstrong

Gilli Jones

Christian Knight

Robin Mackenzie

Jessie Odeleye

Anne Lacey

Bethany Tennick

Eve Parsons

Cavan Clarke

Dale White

Owen McHugh

Danielle Fiamanya

Nic Myers

David Colvin

Edward Baruwa

Shoko Ito

Creatives

Director and Choreographer: Drew McOnie

Set Designer: Basia Bińkowska

Costume Designer: Sami Fendall

Original Choreographer: Agnes de Mille

Musical Supervisor and Orchestrator: Sarah Travis

Lighting Designer: Jessica Hung Han Yun

Sound Designer: Nick Lister for Autograph

Musical Director: Laura Bangay

Fight Director: Kev McCurdy

Intimacy Director: Ingrid McKinnon

Information

Running Time: Two hours 15 minutes with an interval

Booking until 20th September 2025

 

Theatre:

Open Air Theatre

Inner Circle

Regents Park

London NW1 4NU

Box Office: 0333 400 3562

Tube: Baker Street

Reviewed by Sonny Waheed

at the Open Air Theatre, Regents Park on 11th August 2025