A Magical Return: Brigadoon Blooms Again in Regent's Park
“You’ll never find peace by hating, lad. It only shuts ye off more from the world. And this town is only a cursed place, if ye make it so. To the rest of us, ’tis a blessed place! ”
Archie Beaton to his son Harry

Joseph Heller’s Catch-22 is often cited as a book that almost everybody owns, but no one has really read. Much the same could be said of Lerner & Loewe’s Brigadoon – a musical most people have heard of but few, especially today, have actually seen. This is hardly surprising, given its last major theatrical revival was 38 years ago, and most people’s memories of this show stem from the 1954 Gene Kelly and Cyd Charisse film.
There’s great anticipation, then, around this production by Regent’s Park Open Air Theatre’s new artistic director Drew McOnie, who takes on the dual role of choreographer and director. Acclaimed Scottish playwright Rona Munro has been enlisted to adapt the original story for contemporary audiences. Under her pen, the lost American hunters from the original become WWII fighter pilots, grounding the fantastical premise in recognizable history, while the town elder Mr. Lundie transforms into the grandmotherly Lundie (Anne Lacey).

Jeff (Cavan Clarke) and Tommy (Louis Gaunt) are two American pilots shot down somewhere in Scotland. With Tommy badly wounded, they’re desperately trying to reach the nearest American base when, lost and exhausted, they stumble upon a group of strangely dressed and – considering the ongoing war – unusually joyful people.
They’ve discovered Brigadoon on the day of a wedding between two young townsfolk. So bewildered are they by what they see that they don’t initially notice their ailments have mysteriously vanished. Unknown to them, Brigadoon is a magical place that appears for just one day every hundred years: when its people sleep, they awaken exactly one century later.
The pilots are invited to join the wedding celebrations, which they cautiously accept. The locals are equally intrigued by their guests, having no concept of what Americans are or of the surrounding war. The headstrong Meg (Nic Myers) sets her sights on Jeff, who rebuffs her advances, while something deeper stirs when Tommy meets Fiona (Danielle Fiamanya), the bride’s sister. The question that unfolds isn’t whether love blossoms between Tommy and Fiona, but whether it can survive when he discovers Brigadoon’s true nature and what staying would demand of him.

Can someone truly fall in love within a single day, and if so, what would they sacrifice for that love? Brigadoon presents a wonderfully fantastical romance that grapples with these questions. But beneath lies a darker subtext: what happens if Brigadoon isn’t for you? If the love you seek and the life you want can’t be found in this magical place, what hope remains?
It’s no surprise this became Lerner and Loewe’s first major hit. The story seems tailor-made for musical theater, its mystical premise providing the perfect canvas for soaring melodies. While the show produced one undeniable classic in the lilting “Almost Like Being in Love,” the entire score sparkles with Lerner & Loewe magic. Songs like “Heather on the Hill,” “There But For You Go I,” and “I’ll Go Home with Bonnie Jean” showcase their masterful ability to weave melody with emotional storytelling.

Though Brigadoon is considered a classic musical, McOnie’s creative vision gives it vital contemporary relevance. Basia Binkowska’s set design looks so organic it seems to have grown from Regent’s Park’s surrounding trees. This multi-layered marvel offers hills, meadows, streams, and waterfalls that become increasingly breathtaking as natural light fades and Jessica Hang Han Yun’s lighting design takes hold – a genuine feast for the eyes.
While McOnie’s direction is assured throughout, his choreography represents the production’s crowning achievement. Using ballet as his foundation, he creates something that marries spectacular movement with emotional depth, resulting in sequences that are genuinely beautiful to behold. And “beautiful” perfectly encapsulates this Brigadoon. McOnie and his team have crafted a production that delights both eye and ear while leaving audiences thoroughly enchanted by love’s magic.
This is a triumphant revival that transforms a neglected classic into essential contemporary theatre – visually stunning, emotionally resonant, and utterly magical. Five stars from Theatrevibe, the theatre site that doesn’t do stars.

Musical Numbers
Act One
Introduction
Prologue (Once in the Highlands)
Brigadoon
Vendors’ Calls
Down on MacConnachy Square
Waitin’ for My Dearie
I’ll Go Home with Bonnie Jean Dance
The Heather on the Hill
Rain Exorcism
The Love of My Life
Jeannie’s Packin’ Up
Come to Me, Bend to Me
Dance
Almost Like Being in Love
Bible Scene
Entrance of the Clans/Wedding Ceremony
Wedding Dance/The Sword Dance and Reel
Act Two
The Chase There But for You Go I
Steps Stately
Drunken Reel
Glen Scene Opening/My Mother’s Wedding Day
Dance
Funeral (Traditional Piobrochead)
From This Day On
Farewell Music
Reprises: Come to Me, Bend to Me /
The Heather on the Hill /
I’ll Go Home with Bonnie Jean /
From This Day On /
Down on MacConnachy Square
Finale (Brigadoon)
Production Notes
Brigadoon
Book and Lyrics by Alan Jay Lerner
Composed by Frederick Loewe
Adapted by Rona Munro
Director and Choreographer: Drew McOnie
Cast
Starring:
Tanisha-Mae Brown
Danny Nattrass
Liam Wrate
Louis Gaunt
Chrissy Brooke
Georgina Onuorah
Taylor Bradshaw
Norman Bowman
Adam Davidson
Tim Hodges
Jasmine Jules Andrews
Elizabeth Armstrong
Gilli Jones
Christian Knight
Robin Mackenzie
Jessie Odeleye
Anne Lacey
Bethany Tennick
Eve Parsons
Cavan Clarke
Dale White
Owen McHugh
Danielle Fiamanya
Nic Myers
David Colvin
Edward Baruwa
Shoko Ito
Creatives
Director and Choreographer: Drew McOnie
Set Designer: Basia Bińkowska
Costume Designer: Sami Fendall
Original Choreographer: Agnes de Mille
Musical Supervisor and Orchestrator: Sarah Travis
Lighting Designer: Jessica Hung Han Yun
Sound Designer: Nick Lister for Autograph
Musical Director: Laura Bangay
Fight Director: Kev McCurdy
Intimacy Director: Ingrid McKinnon
Information
Running Time: Two hours 15 minutes with an interval
Booking until 20th September 2025
Theatre:
Open Air Theatre
Inner Circle
Regents Park
London NW1 4NU
Box Office: 0333 400 3562
Tube: Baker Street
Reviewed by Sonny Waheed
at the Open Air Theatre, Regents Park on 11th August 2025