Sixty Years On, Shocking Less

“Women are like banks, boy, breaking and entering is a serious business. Give me your word that you’re not vaginalatrous.— “

Ed to Sloane

Jordan Stephens as Mr Sloane and Tamzin Outhwaite as Kath (Photo: Ellie Kurttz)

Entertaining Mr Sloane is Nadia Falls’ first main production since she took over the Artistic Directorship of the Young Vic.  It is also the first main revival of a Joe Orton play for eight years since the production of Loot on the 50th anniversary of Joe Orton’s death.  Orton was murdered by his lover Kenneth Haliwell in their Islington home in 1967. 

I reviewed Entertaining Mr Sloane in 2001 where the part of Kath was played by Alison Steadman, unforgettable as Beverley in Abigail’s Party.  Interestingly Nadia Fall directed Tamzin Outhwaite as Beverley in Abigail’s Party for Stratford East in 2024.

In Entertaining Mr Sloane, Tamzin Outhwaite is perfectly cast as the child deprived mother in her Baby Doll outfit and her mothering of Mr Sloane (Jordan Stephens) with sexual longing. When she kisses Sloane she is already wrapped round him and lifting her right leg.  She wears chintzy frocks, has bouffant blonde hair, a frilly apron and her high heeled strappy shoes are complemented by frilly white ankle socks.  She is very funny as the sexually voracious Kath who calls her lover Baby Boy. Her scene in a diaphanous nightie is hysterical. 

Jordan Stephens as Mr Sloane (Photo: Ellie Kurttz)

I first noticed here how much the language has changed in 60 years.  Whereas we now would apply “in Commando” to both men and women, in the 1960s they would probably have said “in the nude” but Kath says, “I’m in the Rude under this dress.  I tell you because you’re bound to have noticed.”  It was only in 1968 that the Theatres Act put an end to the 200 year old censorship of plays by the Lord Chamberlain. 

Apart from 1960s slang which has now passed out of use and has a curious period tone, there is racist language about black people, not shied away from by the audience but listened to in silence, too shocking to laugh at.

Mr Sloane arrives asking for a room to rent.  He is polite and amenable but “Dadda”, Kemp (Christopher Fairbanks) has a feeling that he has seen him somewhere before with sinister implications.  Kath’s brother Ed wants Mr Sloane all to himself to act as his chauffeur.  To that end he dresses up Sloane in laced up leather jerkin and leather hat and trousers like fancy dress. 

Jordan Stephens as Mr Sloane and Daniel Cerqueira as Ed. (Photo: Ellie Kurttz)

Although we know that this competitive threesome cannot end well, the shocking ending has dimmed over 60 years with our exposure to everything from the vicious blinding of Gloucester to Quentin Taratino’s films.  Peter McKintosh’s set is a work of art.  We know that Ed and Kath’s house is in the middle of a rubbish dump.  More houses were planned but never got built.  The circular revolving stage sits on black painted rubbish furniture and prams and up above hangs a whole myriad of items to spot, a birdcage, push chair, high chair, other chairs, step ladder, a cot, a bath, a spinning wheel.  Many of these items remind us of baby equipment, no longer needed and now cast out.  Goodness knows what it would all fetch on Bargain Hunt!

Tamzin Outhwaite has fun with pretending that Kath’s dentures have dropped out and retrieving them from the floor. Her lips pulled over affect her speech and we feel her distress.  As Kath’s controlling brother Ed, Daniel Cerqueira in a business suit has a sinister presence and a short fuse. 

After the interval there is a visually exciting dance lit by spots and strobes with loud rock music.  Mr Sloane turns nasty but wasn’t quite sinister enough in this play full of quirky characters. This is an interesting well directed production with the audience on four sides with its show atopping set.

Tamzin Outhwaite as Kath and Jordan Stephens as Mr Sloane (Photo: Ellie Kurttz)
Jordan Stephens as Mr Sloane (Photo: Ellie Kurttz)

Production Notes

Entertaining Mr Sloane

Written by Joe Orton

Directed by Nadia Fall

Cast

Starring:

Tamzin Outhwaite

Christopher Fairbank

Daniel Cerqueira

Jordan Stephens

Creatives

Director: Nadia Fall

Designer: Peter McKintosh

Sound Designer: TingYing Dong

Lighting Designer: Richard Howell

Intimacy and Fight Director: Haruka Kuroda

Information

Running Time: Two hours 30 minutes with an interval

Booking to 8th November 2025

Theatre: 

Young Vic

66 The Cut

Waterloo

London SE1 8LZ

Tube/Rail : Waterloo/Southwark

Telephone: 020 7922 2922

Website: youngvic.org

Rail/Tube: Waterloo, Southwark

 

Reviewed by Lizzie Loveridge at the

Young Vic  on  27th September at the matinée