Dublin
Stylish Murder Mystery from Agatha Christie
“My little grey cells are whispering inside my head and causing trouble.”
Hercule Poirot

After opening its UK Tour in Salford at The Lowry, Agatha Christie’s Death on the Nile comes first to Richmond in Surrey. This adaptation for the stage by Ken Ludwig has a thrilling ending but of course it would be an egregious spoiler to give that away here. With Lucy Bailey in charge, we can be sure of a thoroughly professional, beautiful looking production. Incidentally if you are thinking of seeing The Mousetrap, my advice would be, DON’T. I was gifted tickets as a birthday present and I thought it quite dreadful, despite its record-breaking longevity.
I think this may be the first time Mark Hadfield has played Hercule Poirot. He is an accomplished actor; I have seen him play many parts from Hamlet’s Gravedigger to PM Harold Wilson. Now here is a Hercules you can like! The first complete scene is full of Egyptologists at an exhibition at the British Museum featuring a sarcophagus which is to be returned to Egypt. In charge is the academic curator Atticus Praed (Howard Gossington) who has named his son Ramses (Nicholas Prasad). Would his daughter have been called Cleopatra or Nefertiti?

Mike Britton’s impressive museum set is dominated by the glittering sarcophagus but the walls to the side have the images of the Egyptian Anubis, god of the dead, with the body of a man and the head of a jackal, seemingly carved on slate. The museum scene introduces a rich benefactor to the museum Linnet Ridgeway (Libby Alexandra-Cooper) who meets her old friend Jacqueline de Bellefort (Esme Hough) who had just become engaged. Linnet is meeting Jackie’s fiancé Simon Doyle (Nye Occomore) for the first time.
We also meet an elderly actor Septimus Troy (Terence Wilton) whose real name was Roland Butter. Aspiring middle aged actress Salome Otterbourne (Glynis Barber) is there with her daughter Rosalie (Camilla Anvar) and makes a beeline for Mr Troy.
The Scene switches to the SS Karnak the Nile cruise boat. The set is effectively changed to the boat having an upper and lower deck with multiple shutter screens opening and closing to provide different locations on board. There is an initial shocking item of news which I am not going to reveal but suffice to say, there was a rumble in the audience as it was disclosed. Also on board besides Poirot’s friend Colonel Race (Bob Barrett) who may be conducting his own investigation is an American legal type Annabelle Pennington (Helen Katamba) who needs Linnet to sign some papers.

Various alibis are set up and a body is discovered in a bed, obviously murdered and Poirot will set about his investigation. In traditional Agatha Christie style, all the cast will assemble for the dénouement to expose the culprit and provide the explanation and how it was arrived at.
Did I mention how beautifully dressed this production is? The evening dresses are either sparkling beading or voluminous luxury fabrics with hair ornaments. Everything is suitably opulent. The lighting too is atmospheric especially on board the boat. Ken Ludwig has inserted some excellent humour, one about William Shakespeare, “He was good but not as good as Agatha Christie!” The theatre tour visits many places usually for just a week (see below) but it will bring a delightful evening to many.


Production Notes
Death on the Nile
Written by Agatha Christie
Adapted for the Stage by Ken Ludwig
Directed by Lucy Bailey
Cast
Starring:
Mark Hadfield
Glynis Barber
Bob Barrett
Camilla Anvar
Libby Alexander-Cooper
David Boyle
Max Dinnen
Howard Gossington
Esme Hough
Helen Katamba
Nye Occomore
Terence Wilton
Nicholas Praed
Nadia Shash
Creatives
Director: Lucy Bailey
Designer: Mike Britton
Lighting Designer: Oliver Fenwick
Sound Designer: Mic Pool
Movement: Liam Steele
Information
Running Time
Two hours 20 minutes including an interval
Booking Richmond to 11th October 2025
Touring to May 2026
Theatre:
Richmond Theatre
1 Little Green
Richmond
TW9 1QH
Tube/Rail : Richmond
Website: atgtickets.com
TOURING TO
14 – 18 Oct 2025
MILTON KEYNES
Milton Keynes Theatre
21 – 25 Oct 2025
BATH
Theatre Royal
4 – 8 Nov 2025
NORTHAMPTON
Royal & Derngate
11 – 15 Nov 2025
TRURO
Hall for Cornwall
18 – 22 Nov 2025
TORQUAY
Princess Theatre
25 – 29 Nov 2025
CARDIFF
New Theatre
13 – 17 Jan 2026
GUILDFORD
Yvonne Arnaud
20 – 24 Jan 2026
CANTERBURY
Marlowe
27 – 31 Jan 2026
CHICHESTER
Festival Theatre
3 – 7 Feb 2026
CHELTENHAM
Everyman Theatre
10 – 14 Feb 2026
MALVERN
Malvern Theatre
17 – 21 Feb 2026
ABERDEEN
His Majesty’s Theatre
24 – 28 Feb 2026
GLASGOW
Theatre Royal Glasgow
3 – 7 Mar 2026
YORK
Grand Opera House
10 – 14 Mar 2026
SHEFFIELD
Lyceum Theatre
24 – 28 Mar 2026
EDINBURGH
Festival Theatre
31 Mar – 4 Apr 2026
BRIGHTON
Theatre Royal
7 – 11 Apr 2026
BIRMINGHAM
The Alexandra
14 – 18 Apr 2026
NOTTINGHAM
Theatre Royal
21 – 25 Apr 2026
DUBLIN
Gaiety Theatre
28 Apr – 2 May 2026
BELFAST
Grand Opera House
5 – 9 May 2026
NORWICH
Theatre Royal
12 – 16 May 2026
CAMBRIDGE
Arts Theatre
19 – 23 May 2026
PLYMOUTH
Theatre Royal
Reviewed by Lizzie Loveridge
at Richmond Theatre
on 8th October 2025