A Refreshing Take on a Christmas Staple by Mark Gatiss
“The poor had no earthly right to be born.”
Ebenezer Scrooge

Alexandra Palace Theatre is the perfect Victorian venue for this Dickensian tale of redemption and charity with its dilapidated fabric and wonderful set design by Paul Wills. Jacob Marley (Neil Morrissey) and Ebenezer Scrooge (Matthew Cottle) sit at high desks on high stools surrounded by even higher wooden filing cabinets filled with the records of their money lending business. Later we meet Scrooge’s clerk Bob Cratchit (Henry Davis) whom Scrooge is grudgingly giving Christmas Day as a holiday.
Mark Gatiss has adapted Dickens’s seasonal tale faithfully, yet given it a freshness, so instead of groaning at the clichés or the mawkish Tiny Tim, there is something to genuinely smile about in Scrooge seeing the error of his ways and making amends. Never before have I so warmed to Ebenezer Scrooge. There is great emphasis on Jacob Marley and the Christmas ghosts who visit Scrooge which is why this A Christmas Carol has been subtitled A Ghost Story. The special effects feature quite scary ghosts and I would not recommend this stage play for children under 12 unless they have exceptionally steely dispositions.

The first ghost we meet is Neil Morrissey’s chain laden Jacob Marley illustrating the time being served in purgatory for Scrooge’s deceased partner in business. No wonder Scrooge is hiding behind his bed curtains!
I do not remember the Ghost of Christmas Past (Grace Daly) ever being covered in such detail. Played by a young girl we go back to Scrooge’s childhood and meet Mr Fezziwig and Scrooge’s fellow apprentices. Scrooge sees an employer’s ability to bring happiness to his employees. Scrooge is also shown his childhood friend Belle (Kalifa Taylor)’s future life.
Snow falls from the sky and puppeteers fly ghostly apparitions into and through the audience creating great atmosphere. The Ghost of Christmas Present (Mark Theodore) in a green and gold, silken dressing gown and hat shows Scrooge a happy Christmas at the Cratchits’ home, where Mrs Cratchit (Charlotte Bate) reluctantly toasts Scrooge’s health at her husband’s bidding. The Cratchits’ meal is finely choreographed by Georgina Lamb.
After the interval, Scrooge’s nephew Fred (Lance West) has a party full of dancing and they play Blind Man’s Bluff. Later Scrooge is shown two destitute children, the boy is Ignorance and the girl is Want. Here Dickens was demonstrating to Scrooge the penalty of ignoring the needs of children.

The final Ghost of Christmas Yet to Come is a sinister very tall, black hooded and robed figure with no discernible face. Scrooge sees his own death and his house and possessions looted. He reminds Scrooge that whereas the other two Christmas Ghosts report the past and present, the scenes here are not fixed.
Scrooge is reborn as a benevolent man, orders a turkey to be delivered to the Cratchits, forgives a debtor and gives him a very large amount of money. Matthew Cottle acts superbly turning the miser into a happy man finding Christmas joy. The concluding screen instead of being dominated by the child’s cheesy wishes to us all has an aged gentleman, never expected to grow that old (Michael Mears) who has also been narrating the piece.
I really liked Mark Gatiss’s interpretation. At two and a half hours, it is for adults rather than children and I think Dickens would have approved this production for its realism, the adaptable and impressive set, authentic costumes, Victorian atmosphere and how one man finds happiness in being kind.


Production Notes
A Christmas Carol – A Ghost Story
Written by Charles Dickens
Adapted by Mark Gatiss
Directed by Adam Penford

Cast
Starring:
Neil Morrissey
Matthew Cottle
Charlotte Bate
Michaela Bennison
Jacob Daniels
Henry Davis
Maya De Faria
Elliot Douglas
Michael Mears
Kalifa Taylor
Mark Theodore
Lance West.
Creatives
Director: Adam Penford
Designer: Paul Wills
Composer: Tingying Dong
Illusions: John Bulleid
Lighting Designer: Philip Gladwell
Movement Director: Georgina Lamb
Sound Director: Ella Wahlström
Information
Running Time: Two hours 45 minutes including an interval
Booking to 4th January 2026
Theatre:
London N22 7AY
Tube/Rail : Wood Green is the
nearest underground station on
the Piccadilly Line. Exit Wood
Green Station and go to
bus stop A to pick up the W3
bus up the hill to Alexandra
Palace.
Telephone: 020 8365 4343
Website: christmascarolonstage.co.uk
Reviewed by Lizzie Loveridge
at Alexandra Palace Theatre
on 26th November 2025


