Living and Dying in a War Zone

“But the Cossacks used to say, “a good dying is when you don’t run.”  You meet it head on. They believe that if you die like that the land takes you in – you don’t vanish, you become part of it, soil, wind, river.  When the horses gallop you’re in the sound of their hooves.”   

Sashko

Jack Bandeira as Sashko. and Keenia Devriendt as Nadya (Photo: Helen Murray)

Ukrainian playwright Olga Braga’s new play has won the 2025 Theatre 503 International Playwriting Award from an entry of 1,300 plays.  It is set in the Donbas region of the Ukraine in 2022, just west of the Russian border in an area hot contested by Russia.  Donbas is under attack from Russian troops and we meet two of this makeshift army in an abandoned house.

They are Dmitry (Philippe Spall) an older more experienced Russian soldier and Alexei (Jack Bandeira) who lives locally here in Ukraine but who has been the butt of people’s jokes because he has been described as “slow”. Dmitry’s aged Kalashnikov has been taped up with bandages and Alexei is using some powerful binoculars.  Alexei can identify some of his neighbours through the binoculars.  Dimitry is getting frustrated with his amateur soldier. 

Jack Bandeira as Alexei and Philippe Spall as Dmitry (Photo: Helen Murray)

We switch to another house in the area where the mother of this family is away.  In this house live her Ukrainian husband Seryoga (Philippe Spall), her grown up but unemployed son Sashko (Jack Bandeira) and her 15 year old daughter Nadya (Keenia Devriendt).  A Moldavian woman, Marianca (Sasha Syzonenko) who is trying to get home, is cooking and housekeeping and looking after Nadya.  She is also described as Seryoga’s girlfriend.  Nadya’s grandmother Vera (Liz Kettle) lives nearby and has a flirtatious relationship with Ivan (Steve Watts) an elderly Russian who lives in Donbas and who has access to black market goods.

The audience start to realise that people are not as clear cut as either Russian or Ukrainian as all these separate countries were once part of the USSR. Ivan has two medals, red stars from, as he says, a country that no longer exists. Sashko is a fervent supporter, pro-Ukrainian and anti-Russian.  I was thinking this week about Vladyslav Heraskevych, the Olympic athlete from Ukraine who was disqualified from the competition because he wore a helmet with photographs of Ukrainian people killed in the war with Russia.

Keenia Devriendt as Nadya and Jack Bandeira as Sashko. (Photo: Helen Murray)

Sashko is a proud inheritor of his Zaporozhian Cossack history and he inspires his younger sister with tales of Cossack military success.  He is a magnificent storyteller and his words sound like poetry. 

I really admired Jack Bandeira’s characterisation of Alexei, an innocent and gullible to differentiate from his almost heroic character of Sashko.  I liked less Liz Kettle and Steve Watts’s comic flirtation. 

There are aircraft overhead and sounds of fighting.  Many families are leaving the Ukraine each day.  The play is like a patchwork account of life in the Russian occupied basin of the River Don, the origin of the name Donbas.  The people are fragile, Seryoga has a furious temper and is showing the effects of the stress they live with.  The fridge is empty except for a bottle of water.  There is a hole in the roof through which snow falls and the wall paper has been patched up with tape. 

As of December 2025, the Russians were reported to control 85% of the Donbas region and in terms of Russian territorial demands they are negotiating peace in return for territorial gains here.  Olga Braga has written a play that presents the complexity of the people with the Soviet history and the terrible impact of living in a warzone.

Jack Bandeiro as Sashko and Sasha Syzonenko as Marianca (Photo: Helen Murray)
Liz Kettle as Vera, Steve Watts as Ivan, Keenia Devriendt as Nqdya and Sasha Syzonenko as Marianca. (Photo: Helen Murray)

Production Notes

Donbas

Written by Olga Braga 

Directed by Anthony Simpson-Pike

Cast

Starring:

Philippe Spall

Liz Kettle

Steve Watts

Sasha Syzonenko

Jack Bandeira

Keenia Devriendt

Creatives

Director: Anthony Simpson-Pike

Designer: Niall McKeever

Lighting Designer: Christopher Nairne

Fight Director: Joseph Reed

Sound Director:  Xana

Information

Running Time: One hour 40 minutes without an interval

Booking to 28th February 2026

Theatre: 

Theatre 503

The Latchmere

503 Battersea Park Road

Battersea

London SW11 3BW

Telephone: 020 7978 7040

Website: theatre503.com

Reviewed by Lizzie Loveridge at 

Theatre 503

on 11th February 2026