REVIEW: Winner’s Curse, Park Theatre (2023)
Treating international negotiations as a game "If you never miss a train you may be spending too much time standing on platforms.”Anton Korsakov Arthur Conti as the Young Leitski and…
Treating international negotiations as a game "If you never miss a train you may be spending too much time standing on platforms.”Anton Korsakov Arthur Conti as the Young Leitski and…
Over the past fifteen years, Northern Broadsides have quietly carved out an impressive reputation for earthy, grounded productions which feature clarity, energy and very often Northern accents. Their approach is not only no nonsense, but also forbids frippery, clutter and theatrical snobbery. It was therefore quite surprising that they chose a celebrity comedian, who had never acted on stage before and whose opinion of the bard was largely a leftover of schoolboy antipathy, to tackle one of Shakespeare's great tragic heroes. However, unconstrained by thoughts of elitism, they elected Lenny Henry, the well-loved and self-styled "Jamaican from Dudley" to metamorphose himself into the Moor of Venice.