REVIEW: All My Sons, Cottesloe, National Theatre (2000)
Set in an American town in the 1940s, the play looks at the conflict between the pressure to make money and ethics or personal responsibility. The cupboards are full of metaphorical skeletons. Director Howard Davies, who two years ago directed the acclaimed production of The Iceman Cometh in London and on Broadway, has revived Miller's play in a tense and exciting production.