Legally Blonde - Fizz, Fun and Frivolity

“What is that smell?”   Emmett

“Subtext by Calvin Klein”  Elle

Courtney Bowman as Elle Woods and Ensemble (Photo: Pamela Raith)

It is 12 years since Legally Blonde the musical opened at the Savoy Theatre in London.  That is before Lucy Moss the co-creator and co-director of the phenomenon that is Six hit the West End and Broadway.  So under Lucy Moss’s direction, here at Regent’s Park Open Air Theatre on a chilly summer evening is the hottest musical in town.  

Courtney Bowman takes the lead.  She was a very successful Anne Boleyn in Six, although not quite right for me because the only exceptional physical quality recorded about the tragic queen was her exceptionally long neck.  I was wrong.  Bowman has since set the new body shape for casting successive Anne Boleyns because of her stellar performance and now she embodies a scintillating Elle Woods from Californian air head, retail specialist to Harvard legal eagle. 

This transformation is the Pygmalion story but there is no Professor Higgins architect, just Elle Woods’s natural ability to think outside the box.  Taking herself off to Harvard after the boyfriend, Warner Huntingdon III (Alistair Toovey), who dumped her for someone more serious, Elle faces prejudice from staff and students.  Her glittering pink costumes separate her from the browns and greens of snooty Harvard but I was impressed with her professional navy outfit and tamed, “up” blonde hair for appearing at court. 

Isaac Hesketh as Margot, Nadine Higgin as Paulette, Grace Mouat as Pilar and Hannah Yun Chamberlain as Serena (Photo: Pamela Raith)

The costumes are a whole load of fun, riotous pinks and spangles for California in primary school girl heaven, even the Californian men wear co-ordinated pale pinks and pale lavender.  The lighting matches as well but is seen in full in the second half of the show as night falls.  There are the striking mango and oranges of the Hair Affair salon owned by Paulette (a superlative, stand out Nadine Higgin, last seen as Sir Toby Belch in the Globe’s Twelfth Night).  She will find her Irish dancing UPS postman with a chip on his shoulder, Kyle (Dominic Lamb) in UPS Orange.

Then there is turquoise as Brooke Wyndham (Lauren Drew)’s skipping routine has the audience jaw dropping in wonderment.  She is accused of murdering her husband and Elle will come to her defence.  The state of the art skipping is jail yard exercise as fitness instructor Brooke awaits trial.  Together Elle and Brooke deliver the lightning fast UCLA Delta Nu Sorority hand jive of greeting and celebration. 

Nadine Higgin as Paulette (Photo: Pamela Raith)

Elle’s dog Bruiser is played with great aplomb and style by wide smiling Liam McEvoy, though maybe her chiahuahua might have had a lurcher father but Paulette’s bulldog Rufus has had a pink transformation into a standard poodle (Joe Foster) but these doggie characters augur well for the next Open Air musical of 101 Dalmatians !  Bruiser with his effervescent personality is an audience hit!

Ellen Kane’s choreography has moments that remind of Busby Berkeley great dance formations and at one point I thought the pink women dancers might be channelling the testudo formation of the Roman military.  This dance is Elle’s personal essay in her Harvard application where all the girls wear pink spectacles.    

Lauren Drew as Brooke (Photo: Pamela Raith)

At Harvard Elle meets Emmett (Michael Ahomka-Lindsay) a genuine hard working student from a working class background, who teaches her to do what needs to be done to be a successful law student and she in turn, gives him an elegant makeover using her merchandising skills from her old life. 

In a heart warming moment, posh student Vivienne (Vanessa Fisher) demonstrates that girl bonding is more important than career advancement and sexual rivalry, after Elle rejects Professor Callahan (Eugene McCoy)’s sexual advance. Omigod this is a review of a musical and I haven’t mentioned the tunes.  Courtney Bowman and Nadine Fisher belt out their numbers with really strong singing voices and the ensemble support has good diction. 

There has been so much attention to detail in this fabulous production of Legally Blonde, I feel sure it is destined for a successful West End run where it will thrill and charm and give the Six fans another show to mob. 

Michael Ahomka-Lindsay as Emmett (Photo: Pamela Raith)

Musical Numbers

Act One

 Omigod You Guys


What You Want

Harvard Variations

Blood in Water



Ireland (reprise)

Serious (reprise)

Chip on My Shoulder

So Much Better


Act Two

Whipped into Shape

Take it Like a Man

Bend and Snap

Gay or European?

Legally Blonde

Legally Blonde Remix

Scene of the crime

Find My Way /Finale


Production Notes

Legally Blonde

Music and Lyrics by Laurence O’Keefe and Neil Benjamin

Book by Heather Hatch

Based on the novel by Amanda Brown and the MGM movie

Directed by Lucy Moss



Courtney Bowman

Hannah Yun Chamberlain

Lauren Drew

Joe Foster

Nadine Higgin

Vanessa Fisher

Isaac Hesketh

Dominic Lamb

Alžbeta Matyšáková

Eugene McCoy

Liam McEvoy

Grace Mouat

Shakira Simpson

Alistair Toovey

Michael Ahomka- Lindsay




Gabriella Benedetti

Lucca Chadwick-Patel

Jasmine Colangelo

Allie Daniel

Esme Laudat

Billy Nevers



Ashley Rowe

Biancha Szynal

Paulo Tiexeira



Director: Lucy Moss

Choreographer: Ellen Kane

Set Designer: Laura Hopkins

Musical Supervisor: Cat Beveridge

Lighting Designer:  Philip Gladwell

Sound Designer: Tony Gayle

Costume Designer: Jean Chan

Musical Director: Katharine Woolley

Musical Director: Dan Glover



Running Time: Two hours 30 minutes with an interval

Booking until 2nd July 2022



Open Air Theatre

Regent’s Park

Inner Circle

London NW1 4NU

Phone: 0333 400 3562


Tube: Baker Street

Reviewed by Lizzie Loveridge at the Open Air

on 24th May 2022

Michael Ahomka- Lindsay as Emmett and Courtney Bowman as Elle and Ensemble (Photo: Pamela Raith)